A painfully honest story of human weakness and God's unending forgiveness. Thirteen years ago, amidst scandal, sin, and shattered lives, Michael English fell from the pinnacle of the Christian music world. In 1994, newspapers around the world blared the headline, "Gospel Singer Named Artist of the Year Turns in His Awards After Confirming He Had an Affair with a Fellow Married Singer." From 1994 to 2002 Michael English's life went from bad to worse. Public shame, divorce, broken relationships, drug addiction, even homelessness. But in 2002, God reached out and rescued Michael from himself. Today Michael is whole again, and in this book he tells his story of redemption.

English Grammar: The Basics offers a clear, non-jargonistic introduction to English grammar and its place in society. Rather than taking a prescriptive approach, this book helps the reader become aware of the social implications of choices they make to use standard or non-standard (regional/dialect) forms. Readers will consider: • what grammar is and how it fits into the structure of language; • how grammar functions in the school curriculum, the press, broadcasting and social media, as well as how these outlets reflect and reinforce our attitudes towards grammar; • differences between speech and writing, as well as between formality and informality; • major different approaches to theorising and describing grammar from important grammarians, including Noam Chomsky and Michael Halliday. Featuring a glossary of key terms and practical tips and insights from the author's 50+ years of language teaching experience around the world, this book is for anyone who has ever found themselves questioning the ‘rules’ of the English language.

Fully revised and updated, and now available online and in print.

New York City English is one of the most recognizable of US dialects, and research on it launched modern sociolinguistics. Yet the city’s speech has never before received a comprehensive description and analysis. In this book, Michael Newman examines the differences and similarities among the ways English is spoken by the extraordinarily diverse population living in the NY dialect region. He uses data from a variety of sources including older dialectological accounts, classic and recent variationist studies, and original research on speakers from around the dialect region. All levels of language are explored including phonology, morphosyntax, lexicon, and discourse along with a history of English in the region. But this book provides far more than a dialectological and historical inventory of linguistic features. The forms used by different groups of New Yorkers are discussed in terms of their complex social meanings. Furthermore, Newman illustrates the varied forms of sociolinguistic significance with examples from the personal experiences of a variety of New Yorkers and includes links to sound files on the publisher’s site and videos on YouTube. The result is a rigorous but accessible and compelling account of the English spoken in this great city.

After becoming a rabbit, Haneru Sato gathers stars at an observatory, sails the sea in a watermelon, tastes the emotions captured in different colors of ice, and more.

The thrill and chill of the ghost story is displayed in all its variety and vitality through this marvellous anthology. Ranging from the early 19th century to the 1960s, the collection reveals the development of the genre, and showcases many of its greatest expositors - from Sir Walter Scott, H. G. Wells, M. R. James, T. H. White, Walter de la Mare, and Elizabeth Bowen in the UK to Edith Wharton in America. Though its heyday coincided with the golden age of Empire in the nineteenth century, the ghost story enjoyed a second flowering between the two World Wars and its popularity is as great as ever.

The effort in this book is to place before the readers certain aspects of the English literature produced by Michael Madhusudan Datta. Notwithstanding Michael being a major writer in Bengali literature, there are certain qualities in his English literature which merit some attention. This book attempts to highlight these qualities. There is a critical biography in which the English literature of Michael is given more attention. There is a consideration of his sonnets in English. The historical and the Romantic sensibilities have been discussed in some detail. The discussion of the historical sensibility is largely based on the works of Michael concerning certain events and periods in the history of medieval India and Europe. The Romantic sensibility of Michael is largely English but the setting and the themes are Indian. This book also contains a chapter on the influence of Michael’s Christian sensibility on the nature of his creativity.