NOMINATED FOR A NEBULA AWARD. Walter Jon Williams’ classic science fantasy Metropolitan is once again available for a new generation of readers. Aiah has fought her way from poverty and discovered a limitless source of plasm, the mysterious substance that powers the world-city. Her discovery soon involves her with Constantine, the charismatic, dangerous, seductive revolutionary who plans to overthrow, not simply the government, but the cosmic order . . . “A spectacular blend of fantastic science, high politics, and low intrigue . . . Williams’s world and characters are richly imagined yet utterly real.” —Melissa Scott “Entertaining . . . Williams understands that science fiction can breathe life into language . . . [His] writing is always lean, lively and engaging." New York Times Book Review “Blends SF aspects with noir stylings to create a potent atmosphere or urban dystopia . . . Ever the expert storyteller, Williams provides more than enough suspense.” Publishers Weekly

“Only someone who deeply loves and understands the Metropolitan Museum could deliver such madcap, funny, magical, tender, intimate fables and stories.” —Maira Kalman, artist and bestselling author of The Principles of Uncertainty From a writer who worked at the Metropolitan Museum for more than twenty-five years, an enchanting novel that shows us the Met that the public doesn't see. Hidden behind the Picassos and Vermeers, the Temple of Dendur and the American Wing, exists another world: the hallways and offices, conservation studios, storerooms, and cafeteria that are home to the museum's devoted and peculiar staff of 2,200 people—along with a few ghosts. A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.

For over fifty years, Anthony Bloom (1914-2003 was head of the russian Orthodox Church ihn Great Britain (Patriarchate of Moscow). Arriving in Britain in 1949 he played a major part of ecumenical work and exerted a wide influence through his broadcasts, writings (he is the author of several spiritual classics), and reputation as a spiritual leader. His writings reflect both the essence of Orthodoxy and his own experience of the struggle to live Christianity on a daily basis.

A finalist for the 2022 PEN/Faulkner Award for Fiction A finalist for the 2022 PEN/Hemingway Award for Debut Novel Introducing an extraordinary and original writer whose first novel explores the intersections of grief and rage, personal strength and healing--and what we owe one another. Fern seeks refuge from her mother’s pill-popping and boyfriends via Soul Train; Gwin finds salvation in the music of Prince much to her congregation’s dismay and Jesenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matters to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens. On the night they are finally rescued, throngs line the block gawking and claiming ignorance. Among them is lifetime resident Miss Metropolitan, advice columnist for the local weekly, but how could anyone who fancies herself a “newspaperwoman” have missed a horror story unfolding right across the street? And why is it that only two of the three girls—now women—were found? The mystery haunts the two remaining “victim girls” who are subjected to the further trauma of becoming symbols as they continuously adapt to their present and their unrelenting past. Like Colson Whitehead's The Nickel Boys, Ferrell’s Dear Miss Metropolitan gives voice to characters surviving unimaginable tragedy. The story is inventively revealed before, during, and after the ordeal in this singular and urgent novel.

An address book which features the art of Claude Monet. Each alphabetical divider page opens with a small detail of a painting, followed on the overleaf by an image of the complete work. The entry blanks offer room for addresses, as well as home, business and fax numbers.

WINNER OF SPECIAL JURY PRIZE AT 2021 FESTIVAL D'ANGOULÊME — NAMED A BEST GRAPHIC NOVEL OF 2020 BY THE GUARDIAN From "Britain's most loved comics artist" comes a superhero epic like no other—an ordinary man gains superpowers by donning women’s clothing, saving London and maybe even himself. August Crimp can fly, but only when he wears women’s clothes. Soaring above a gorgeous, lush vista of London, he is Dragman, catching falling persons, lost souls, and the odd stranded cat. After he’s rejected by the superhero establishment, where masked men chase endorsement deals rather than criminals, August quietly packs up his dress and cosmetics and retreats to normalcy — a wife and son who know nothing of his exploits or inclinations. When a technological innovation allows people to sell their souls, they do so in droves, turning empty, cruel, and hopeless, driven to throw themselves off planes. August is terrified of being outed, but feels compelled to bring back Dragman when Cherry, his young neighbor, begs him to save her parents. Can Dragman take down the forces behind this dreadful new black market? Can August embrace Dragman and step out of the shadows? The debut graphic novel from British cartoon phenomenon Steven Appleby, Dragman is at once a work of artistic brilliance, sly wit, and poignant humanity, a meditation on identity, morality, and desire, delivered with levity and grace.

Metro is a unique multi-genre creative writing book that provides exercises and prompts to help readers move beyond terms and concepts to active writing. KEY TOPICS: By using "guided writing," the authors help the reader through the creative processes in fiction, poetry, drama, and creative nonfiction. A mini-anthology with relevant exercises makes this sourcebook complete. MARKET: For anyone interested in enhancing their creative writing skills.

In this absorbing history, Jon C. Teaford traces the dramatic evolution of American metropolitan life. At the end of World War II, the cities of the Northeast and the Midwest were bustling, racially and economically integrated areas frequented by suburban and urban dwellers alike. Yet since 1945, these cities have become peripheral to the lives of most Americans. "Edge cities" are now the dominant centers of production and consumption in post-suburban America. Characterized by sprawling freeways, corporate parks, and homogeneous malls and shopping centers, edge cities have transformed the urban landscape of the United States. Teaford surveys metropolitan areas from the Rust Belt to the Sun Belt and the way in which postwar social, racial, and cultural shifts contributed to the decline of the central city as a hub of work, shopping, transportation, and entertainment. He analyzes the effects of urban flight in the 1950s and 1960s, the subsequent growth of the suburbs, and the impact of financial crises and racial tensions. He then brings the discussion into the present by showing how the recent wave of immigration from Latin America and Asia has further altered metropolitan life and complicated the black-white divide. Engaging in original research and interpretation, Teaford tells the story of this fascinating metamorphosis.

This interpretation of the cultural consequences of social, economic, religious, and political change in early modern London challenges many long-held assumptions of historians and literary critics.