Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers—a housewife and a battle-hardened veteran—fight to protect those they love in The Mere Wife. This modern fantasy tale transports you from the ancient mead halls of the Geats to the picket-fenced, meticulously planned community of American suburbia, known as Herot Hall. In the expert hands of Maria Dahvana Headley, this vibrant retelling underscores the timeless struggle between the protected and the outsiders. Enter the confines of Herot Hall, a gated community sequestered from the wild surroundings by sophisticated security systems. Here, life is a series of cocktail hours and playdates for Willa, the charming wife of Herot's heir, and her son Dylan. Meanwhile, deep in a nearby mountain cave lives Dana, a hardened soldier and mother of Gren, a child of mysterious origin. Their worlds collide in a shocking turn of events when Gren breaks into Herot Hall and escapes with Dylan. A brilliant literary novel that effortlessly melds modern literature with ancient mythology, The Mere Wife is a captivating testament to unintended consequences, the brutality of PTSD, and the enduring power of motherhood.

Explores the impact of C. S. Lewis through personal accounts from fifty-five Christians whose spiritual lives have been dramatically altered by reading his books.

How are Christians to live in such difficult times? Unique of all people, Christians are called to embrace a hopeful outlook on life. Mere Hope offers the core, Christ-centered perspective that all Christians share, and that Christians alone have to offer a world filled with frustration, pain, and disappointment. For those in darkness, despair, and discouragement, for those in the midst of trials, suffering, and injustice, mere hope lives. The spirit of the age is cynicism. When our leaders, our families, and our friends let us down at every turn, this isn't surprising. But we need another perspective; we need hope. Rather than reflecting resigned despair or distracted indifference, author Jason Duesing argues, our lives ought to be shaped by the gospel of Jesus—a gospel of hope.

This book does not find its starting point in a theory but in the recognition that the word "Wanderer," and other forms based on the common root of the verbs to "wander" and "wandern," recur with conspicuous frequency in the writings of Goethe and English Romantic poets such as William Wordsworth and Lord Byron. A notable scholar, Professor L. A. Willoughby sought an explanation for this phenomnon in Carl G. Jung's theory of the unconscious but Willoughby's sole ambit of reference was what he termed "Goethe's poetry." This restriction could not allow the scope necessary for the study of the collective aspect of the mind's power and influence. This study poses the attempt to widen the survey of "wandering" to a comparison of texts found in a wide variety of authors including Milton, Shakespeare and William Blake.

From the nation that elected Barack Obama in the flames of economic disaster comes the first novel of the New Era, The Mere Future, by award-winning novelist, activist, and playwright Sarah Schulman. In this dystopian vision, New York City has morphed into an idealized version of itself, the result of what the newly elected mayor calls The Big Change. Rent is cheap, homelessness is over, and everyone works in Marketing. Despite the utopian surface, however, there is a disturbing malaise that infects the population. Our heroine, a lowly copywriter, and her girlfriend Nadine just want to fall in love all over again, but can't help noticing that the social packaging may not be recyclable.

A New Statesman Best Book of the Year A Church Times Book of the Year We are facing a crisis of civility, a war of words polluting our public sphere. In liberal democracies committed to tolerating active, often heated disagreement, the loss of this virtue appears critical. Most modern appeals to civility follow arguments by Hobbes or Locke by proposing to suppress disagreement or exclude views we deem “uncivil” for the sake of social harmony. By comparison, mere civility—a grudging conformity to norms of respectful behavior—as defended by Rhode Island’s founder, Roger Williams, might seem minimal and unappealing. Yet Teresa Bejan argues that Williams’s outlook offers a promising path forward in confronting our own crisis, one that challenges our fundamental assumptions about what a tolerant—and civil—society should look like. “Penetrating and sophisticated.” —James Ryerson, New York Times Book Review “Would that more of us might learn to look into the past with such gravity and humility. We might end up with a more (or mere) civil society, yet.” —Los Angeles Review of Books “A deeply admirable book: original, persuasive, witty, and eloquent.” —Jacob T. Levy, Review of Politics “A terrific book—learned, vigorous, and challenging.” —Alison McQueen, Stanford University

“There are at least two kinds of games,” states James P. Carse as he begins this extraordinary book. “One could be called finite; the other infinite. A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play.” Finite games are the familiar contests of everyday life; they are played in order to be won, which is when they end. But infinite games are more mysterious. Their object is not winning, but ensuring the continuation of play. The rules may change, the boundaries may change, even the participants may change—as long as the game is never allowed to come to an end. What are infinite games? How do they affect the ways we play our finite games? What are we doing when we play—finitely or infinitely? And how can infinite games affect the ways in which we live our lives? Carse explores these questions with stunning elegance, teasing out of his distinctions a universe of observation and insight, noting where and why and how we play, finitely and infinitely. He surveys our world—from the finite games of the playing field and playing board to the infinite games found in culture and religion—leaving all we think we know illuminated and transformed. Along the way, Carse finds new ways of understanding everything, from how an actress portrays a role to how we engage in sex, from the nature of evil to the nature of science. Finite games, he shows, may offer wealth and status, power and glory, but infinite games offer something far more subtle and far grander. Carse has written a book rich in insight and aphorism. Already an international literary event, Finite and Infinite Games is certain to be argued about and celebrated for years to come. Reading it is the first step in learning to play the infinite game.