Fall in love with boro & sashiko stitching 30+ authentic stitch patterns, 9 projects. Combine hand stitches to create dramatic, unique designs and learn to embrace imperfection, admiring the utilitarian beauty of every stitch. “Shibaguyz” Shannon and Jason Mullett-Bowlsby invite you to try your hand at boro, the traditional Japanese art of mending and quilting, and more than 30 authentic sashiko designs. Stitching lessons are true to tradition, inspired by historical works by Japanese masters. This guide in sashiko and boro includes patterns, stitch how-tos, and needle-threading and knotting tips. Put your handwork to good use with 9 contemporary projects like a sashiko sampler wallhanging, reversible knot bag, or a kimono-inspired jacket! With step-by-step instructions, even beginners can embrace the art of visible mending. Hand sew 30+ authentic sashiko patterns with best-selling authors the Shibaguyz Recreate the traditional art of boro (mending textiles) with 9 useful projects from jackets and bags to home decor Read stitch charts, mark fabrics, and thread your needle with tips from the pros

A collection of boro-inspired projects and techniques which celebrates this traditional Japanese textile and its relevance to the modern sewer and quilter. Learn about the history of boro and how it is being revived for a new audience using contemporary fabrics including denim, linen and shibori tie dye as well as sashiko and other embroidery stitches. The word boro comes from the Japanese boroboro meaning something tattered or repaired. It refers to textiles that have been mended or patched together for utilitarian, not decorative, purposes to make the fabric stronger and warmer, and to mend torn and threadbare areas. The techniques section includes a short stitch directory with traditional stitches (running stitch and applique) and contemporary stitches (herringbone stitch, blanket stitch, chain stitch and whipped running stitch). Other techniques include instructions on improvisational patchwork; applique: raw, turned edge and reverse; darning techniques and methods for distressing and ageing fabrics to achieve an authentic boro finish.

Rip in your jeans? Snag in a sweater? Tear in a tea towel? They all present an opportunity for one-of-a-kind creativity! With this fun introduction to unconventional mending techniques in a format that's half how-to guide, half idea book, anyone can give worn and torn items new life. Start by learning hand-mending methods, including boro, embroidery, patching, and darning. Then rev up the sewing machine for fast mends that put the pedal to the metal. Even with a limited budget and not much time to spare, you can create eye-catching repairs with visible mending--35 examples and more than 150 photos make it easy to put your unique mark on everything you mend!

This guide explores visible mending techniques in both hands-on projects and thoughtful insight about how mending relates to mindful well-being. Mending Matters explores sewing on two levels: First, it includes more than twenty projects that showcase visible mending—styles that are edgy, modern, and bold, yet draw on traditional stitching. It does all this with just four simple mending techniques: exterior patches, interior patches, slow stitches, darning, and weaving. In addition, the book addresses the way mending leads to a more mindful relationship to fashion and to overall well-being. In essays that accompany each how-to chapter, Katrina Rodabaugh explores mending as a metaphor for appreciating our own naturally flawed selves. She also examines the ways in which mending teaches us new skills, self-reliance, and confidence, all gained from making things with our own hands.

Sashiko, the traditional Japanese technique of needlework quilting, uses simple running stitch to create beautifully decorative patterns ideal for patchwork, quilting and embroidery. This little book describes everything you need to begin stitching.

An exquisite, full-color guide to sashiko, a simple Japanese stitching technique that uses stunning patterns to decorate or repair clothing, accessories, and home textiles. Requiring no special equipment other than a sewing needle and thread, Make and Mend introduces the incredibly simple technique of sashiko--a striking hand-sewing method using a running stitch to form pleasing geometric patterns. Sashiko is traditionally used to mend and repair clothing and textiles, but it can just as easily be used to create beautiful, decorative projects for the home. With fifteen projects applying a modern, on-trend aesthetic to this ancient craft, Make and Mend shows readers how to apply sashiko stitching to a variety of craft projects, such as repairing torn jeans, mending a ripped hem, and making decorative pillows, napkins, a tablecloth, and a totebag. Touching on the concepts of beauty in minimalism and resourceful simplicity, as well as a fascination with Japan and Japanese design, this easy and accessible book appeals to both the seasoned maker and total beginner.

Let this book show you the pleasure of repairing, reinforcing and making beloved items using sashiko embroidery! Sashiko for Making and Mending shows you how to use sashiko stitching to mend rips, repair things like fraying cuffs and create original accessories that look fabulous. With this book, you'll be able to embrace the visible mending movement--the practice of repairing high quality items you already own instead of replacing them with cheaper "fast fashion" alternatives. It also gives you the opportunity to practice the craft, with instructions for 15 handmade items, including: Gorgeous indigo pouches A rustic linen book cover Breezy, multipurpose cotton stoles A simple, elegant tote bag And so much more! This book teaches many easy variations of the traditional sashiko stitches--highlighting the impact simple, well-executed stitching can have on everything from embellishing napkins to repairing a jacket. Its gorgeous, thoughtful aesthetic and high-functionality makes sashiko the perfect all-purpose embroidery!

Several years ago, writer and textile artist Krista Barmer discovered the Asian hand embroidery techniques sashiko, boro, and kantha stitching. As she immersed herself in these simple traditions, a new freedom of expression emerged. But creating with only reclaimed linen, a running stitch, and the occasional rusty object yielded more than just textile art. In mending, Krista found a gentle rhythm that invited her not to produce or perfect, but to be still. And in the stillness, poetry poured forth.The Mending Space merges Krista's passion for textiles and poetry along with her heart for tender healing and organic imperfections. There are no tidy edges here. Many are frayed and tattered. And this is where the beauty is found.There is a thread that will hold.There is a remnant that will endure.And we are the ones who mend.

The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.

Boro is a word used to describe Japanese textiles that have been pieced, patched, repaired and passed down from generation to generation. Boro textiles are utilitarian objects that are rich and sumptuous and that, although old in age, possess a contemporary aesthetic, and are rooted in sustainability. This book contains information from three popular in-person workshops taught by Jody Alexander: Boro Sampler Book, Boro Bags, and Zakka, Zokin, and Chiku-Chiku. Included are images from Jody's personal collection of Japanese boro textiles, images of class samples, class handouts, and writing that reflects workshop discussions. Class handouts include instructions on mending techniques specific to boro textiles, Japanese side-sewn binding, tsunobukuro (horn bag), azuma bukuo, and zokin inspired coaster/placement or table runner for the home. There is also a glossary of Japanese terms that will be useful when studying boro textiles. This book is appropriate for beginners wanting to learn stitching and mending techniques or experienced artists and makers wanting to incorporate a new aesthetic into their work.