Turning Memories Into Memoirs contains countless helpful suggestions for remembering--researching--organizing--collecting and writing memories and family or personal stories. It includes* how-to writing exercises* clear explanation of literary techniques* proven motivational supports and* examples from the workshops. Turning Memories is a useful reference and guide for both beginners and experienced writers who want to write personal and family stories.

Now would-be writers can learn how to create a meaningful work that invites a touching glimpse into yesteryear. This guide will help them bring the past alive and share it with others in a captivating way, as the author offers advice and skills from his popular workshops. Highlighted with more than 60 photos.

When a painful change enters your life without warning, it throws your entire world into chaos. You're going through life thinking you've got it all figured out, but then something happens that knocks you off course. All of a sudden, you're heading in a direction that you don't want to be going. You reach a critical point in your life where you can continue down this path of suffering and misery and still not change the events of the past, or choose to accept what has happened, stop the pain and make the decision to save yourself. When contemplating this myself, I had a sudden realisation. If I continued down the path of suffering, I would be guaranteed a life of misery. But if I decided to change something, I would at least have a chance of making a better life for myself. It was a hugely liberating feeling because I had nothing to lose and everything to gain. I decided to make a change. I had no idea how so I wrote a list of 100 things I wanted to do in a year. My thinking was that if I could achieve half of what was on my list, I'd be in a much different place by the end of the year. And I was right; I had the best year of my life. I completed my first triathlon, went scuba diving for the first time, started a business, and read over 50 self-development books to name a few things. I went to some fantastic places, and I made some great memories but more than all of that I learnt a lot of valuable life lessons along the way. This book includes all those lessons that have helped me turn my life around. We are all in pursuit of something. Some call it success, others happiness or fulfilment. Whatever you are looking for from life is unique to you, and your actions are ultimately an attempt to find this feeling and make it last. Whatever this feeling means to you, the core theme of this book is helping you get there. The book offers a mix of philosophy, science, mindset hacks and practical tools for daily use. Each lesson starts with a quote followed by my attempt to tell a story, provide context, ask a question, or put forward an exercise so you may find a deeper understanding of whatever it is you are looking for. I hope that by the end of the book, you have learnt how to take complete control over your path in life and how to become a stronger, happier, and more confident person in every area of your life that is important to you. The lessons have helped me turn my life around, and I know it can do the same for you.

This volume examines the blending of fact and fiction in a series of cultural artefacts by post-dictatorship writers and artists in Argentina, many of them children of disappeared or persecuted parents. Jordana Blejmar argues that these works, which emerged after the turn of the millennium, pay testament to a new cultural formation of memory characterised by the use of autofiction and playful aesthetics. She focuses on a range of practitioners, including Laura Alcoba, Lola Arias, Félix Bruzzone, Albertina Carri, María Giuffra, Victoria Grigera Dupuy, Mariana Eva Perez, Lucila Quieto, and Ernesto Semán, who look towards each other's works across boundaries of genre and register as part of the way they address the legacies of the 1976-1983 dictatorship. Approaching these works not as second-hand or adoptive memories but as memories in their own right, Blejmar invites us to recognise the subversive power of self-figuration, play and humour when dealing with trauma.

Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization.

Memory is a constructed system of references, in equilibrium, of feeling and rationality. Comparing ancient and contemporary mechanisms for the preservation of memories and the building of a common cultural, political and social memory, this volume aims to reveal the nature of memory, and explores the attitudes of ancient societies towards the creation of a memory to be handed down in words, pictures, and mental constructs. Since the multiple natures of memory involve every human activity, physical and intellectual, this volume promotes analyses and considerations about memory by focusing on various different cultural activities and productions of ancient Near Eastern societies, from artistic and visual documents to epigraphic evidence, and by considering archaeological data. The chapters of this volume analyse the value and function of memory within the ancient Near Eastern and Egyptian societies, combining archaeological, textual and iconographical evidence following a progression from the analysis of the creation and preservation of both single and multiple memories, to the material culture (things and objects) that shed light on the impact of memory on individuals and community.

The contributors to the present volume approach World War I and World War II as complex and intertwined crossroads leading to the definition of the new European (and world) reality, and deeply pervading the making of the twentieth century. These scholars belong to different yet complementary areas of research – history, literature, cinema, art history; they come from various national realities and discuss questions related to Italy, Britain, Germany, Poland, Spain, at times introducing a comparison between European and North American memories of the two World War experiences. These scholars are all guided by the same principle: to encourage the establishment of an interdisciplinary and trans-national dialogue in order to work out new approaches capable of integrating and acknowledging different or even opposing ways to perceive and interpret the same historical phenomenon. While assessing the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories and by divided memories not to emphasise divisions, but to acknowledge the ethical need for a truly shared act of reconciliation.

Not all memories are created equal. Our memories for some very exceptional events seem to stand out in our minds, and as such they may form the very core of who we are. Perhaps you have a vivid recollection of a fateful day, an unforgettable face, or a hilarious joke. This book summarizes theories and data that provide insight into these extraordinary memories for exceptional events. The book begins with a classification scheme for exceptional events, followed by a theoretical overview grounded in four metaphors of memory. The classification scheme and theoretical perspectives are used to explore topics including: flashbulb memories, the influence of emotion on memory, the bizarre imagery effect, the humor effect, the serial position effect, and the isolation effect. The conclusion provides a framework for understanding these outstanding memories for exceptional events.