This study offers a comprehensive typology of the Figure of the Medieval go-between across several Near-Eastern and European genres, and pays special attention to the role of intertextuality and history in the conception of the figure.

"Mediating Fictions examines the variety of strategies that these authors use to deprecate women healers, and in the process, to create early modern "others" to whom the ideal, male physician could be contrasted. Spill, La Celestina, and La Lozana andaluza all attempt to dissuade their readers from seeking the healing service of ordinary women."--BOOK JACKET.

Miller argues that one incarnation of monstrosity in the Middle Ages—the female body—exists in special relation to medieval conceptualizations of the monstrous. Because female corporeality is pervasive, proximate, and necessary, it illustrates the supreme allure and danger of the monster, thereby highlighting the powers and problems of teratology.

Challenging prevalent conceptualizations of modernity—which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation—this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa’a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.

This study places the Scottish compilation of saints' legends within the hagiographic landscape of medieval Britain.

This book explores how Medieval and Early Modern writers reconstructed, and also how readers read, the contradictory meanings of "Lady" Wisdom.

This book explores the complexity of Iberian identity and multicultural/multi-religious interactions in the Peninsula through the lens of spells, talismans, and imaginative fiction in medieval and early modern Iberia. Focusing particularly on love magic—which manipulates objects, celestial spheres, and demonic conjurings to facilitate sexual encounters—Menaldi examines how practitioners and victims of such magic as represented in major works produced in Castile. Magic, and love magic in particular, is an exchange of knowledge, a claim to power and a deviation from or subversion of the licit practices permitted by authoritative decrees. As such, magic serves as a metaphorical tool for understanding the complex relationships of the Christian with the non-Christian. In seeking to understand and incorporate hidden secrets that presumably reveal how one can manipulate their environment, occult knowledge became one of the funnels through which cultures and practices mixed and adapted throughout the centuries.

This Life of Charles Kingsley is a detailed intellectual biography, which is at the same time a critical and contextual study. Working from the original manuscript letters, the author has placed the events of Kingsley’s life against a social-historical-religious background, paying much attention to such mid-nineteenth-century issues as geological discoveries, the Oxford Movement, biblical Higher Criticism, Chartism, sanitary reform, the Crimean War, the Indian Mutiny, Darwinism, the American Civil War, and the anti-slavery campaigns. Analyses of Kingsley’s relationships with important contemporaries are allotted ample space, and special emphasis has been given to themes on which previous biographies have remained relatively silent. Kingsley emerges from this study as one of England’s leading nineteenth-century voices as poet, novelist, social reformer, churchman and historian.

Representing Others in Medieval Iberian Literature explores the ways Arabic, Jewish and Christian intellectuals in medieval Iberia (courtiers and clerics) adapt and transform the Andalusi go-between figure in order to represent their own role as cultural intermediaries. While these authors are of different religious, ethnic and linguistic backgrounds, they use the go-between, an essential figure in the Andalusi courtly discourse of desire, to open up a secular, more tolerant intellectual space in the face of increasingly fundamentalist currents in their respective cultures. The way this study focuses on the hybrid discourses and identities of medieval Iberia as Muslim, Jewish and Christian responses to continual contact/conflict reflects a methodological approach based in Cultural and Translation Studies.

The contributors to this volume offer, in the light of specialised knowledge of leading philosophers of the ancient world, answers to the question: how are we to read and understand the surviving texts of Parmenides, Plato, Aristotle, Plotinus and Augustine?