Based on extensive original research, this book examines the extent to which media in Russia upholds the Russian government’s stance on sexuality. It considers the Russian government’s policies designed to uphold ‘traditional sexuality’, reveals the strategies of resistance used by Russian media outlets to create positive portrayals of non-heteronormative people and circumvent the restrictive 2013 legislation banning positive representations of ‘non-traditional sexual relations’, and highlights particular examples of subversive media practices. Overall, the book challenges the prevailing view that media in authoritarian regimes are completely compliant with their government’s position.

"Based on extensive original research, this book examines the extent to which media in Russia upholds the Russian government's stance on sexuality. It considers the Russian government's policies designed to uphold "traditional sexuality", reveals the strategies of resistance used by Russian media outlets to create positive portrayals of non-heteronormative people and circumvent the restrictive 2013 legislation banning positive representations of "'non-traditional sexual relations", and highlights particular examples of subversive media practices. Overall, the book challenges the prevailing view that media in authoritarian regimes are completely compliant with their government's position"--

This book provides a multi-faceted picture of the many complex processes taking place in the field of contemporary Russian media and popular culture. Russian social and cultural life today is strongly individualised and consumers are offered innumerable alternatives; but at the same time options are limited by the new technologies of control which are a key feature of Russian capitalism. Based on extensive original research by scholars in both Russia itself and in Finland, the book discusses new developments in the media industry and assesses a wide range of social and cultural changes, many of which are related to, and to an extent generated by, the media. The book argues that the Russian mass media industry, whilst facing the challenges of globalization, serves several purposes including making a profit, reinforcing patriotic discourse and popularizing liberalized lifestyles. Topics include changing social identities, new lifestyles, ideas of "glamour" and "professional values". Overall, the book demonstrates that the media in Russia is far from homogenous, and that, as in the West, despite new technologies of control, media audiences are being offered a new kind of pluralism which is profoundly influencing Russia's cultural, social and political landscape.

Rebecca Kay assesses how men in post-Soviet Russia are represented through media and popular discourses. Using case studies she explores the challenges which have arisen for men since 1991 and the ways in which their responses are shaped by and viewed through the prism of widely accepted attitudes towards gender. The lives and concerns of men in provincial Russia are examined through ethnographic fieldwork, combining extensive participant observation with in-depth interviews. The book reveals how individual men strive to maintain a sense of equilibrium between the activities in which they are engaged and the ways in which they are perceived, both by others and by themselves. The findings of the research have produced significant areas of contrast and comparison with the author's earlier work on women. This is drawn out throughout the book, placing the study of Russian men in a broader gendered context. The issues raised by the men mirror concerns discussed in men's studies literature and popular discourse beyond Russia. The book is therefore of interest to a wider international audience as well as contributing to ongoing interdisciplinary debates, in Russian Studies, Anthropology, Sociology and Human Geography, addressing the need for new approaches to understanding post-Socialist change.

This book explores how queerness and representations of queerness in media and culture are responding to the shifting socio-political, cultural and legal conditions in post-Soviet Russia, especially in the light of the so-called ‘antigay’ law of 2013. Based on extensive original research, the book outlines developments historically both before and after the fall of the Soviet Union and provides the background to the 2013 law. It discusses the proliferating alternative visions of gender and sexuality, which are increasingly prevalent in contemporary Russia. The book considers how these are represented in film, personal diaries, photography, theatre, protest art, fashion and creative industries, web series, news media and how they relate to the ‘traditional values’ rhetoric. Overall, the book provides a rich and detailed, yet complex insight into the developing nature of queerness in contemporary Russia.

This book explores the phenomenon of violence in Russian culture, showing how violence has been a legitimate articulation of masculinity in Russia, and how popular attitudes towards violence have differed from those in the west, with Russians often approving of violence and of macho, militaristic political leadership. The book examines the nature of violence and masculinity in film, literary fiction and popular television series, and discusses the repercussions of this culture of violence for cultural symbolism, political decision-making, nation-building and international relations. It shows how Putin's continuing popularity is linked to his projection of himself as a macho leader, and how some media is subversive of these popular and state attitudes, portraying "real men" who turn out to be weak and hollow, as is the ideology underpinning them.

This book examines civic activism, democratization and gender in contemporary Russian society. It describes the character and central organizing principles of Russian democratic civic life, considering how it has developed since the Soviet period, and analyzing the goals and identities of important civic groups - including trade unions - and the meanings they have acquired in the context of wider Russian society. In particular, Suvi Salmenniemi investigates the gender dimensions, both masculine and feminine, of socio-political participation in Russia, considering what kinds of gendered meanings are given to civic organizations and formal politics, and how femininity and masculinity are represented in this context. Exploring the role of state institutions in the development of democratic civic life, the volume shows how, under the increasingly authoritarian Putin regime and its policy of 'managed democracy', independent civic activism is both thriving yet at the same constrained. Based on extensive fieldwork research, it provides much needed information on how Russians themselves view these developments, both from the perspective of civic activists and the local authorities.

This book explores the lives and expectations of young women in the new Russia, looking at the enormous changes that the new social and economic environment have brought. The authors draw on the growing literature on gender and generation in the West which has arisen as a result of the recognition that the experience of youth is classed, raced and gendered and that the experience of gender is mediated by class, race, ethnicity, sexuality and age. They consider the role of the media, state and social institutions in shaping opportunities and experiences in the post-Soviet environment, focusing on the strategies employed by individual women to reforge social identities in a society in which they have been dislocated more acutely than in any other `postmodern' society.

This book introduces readers to the Russian media, its current landscape, and its history by outlining the chief challenges faced by Russian journalists on their quest for media freedom. Focusing on how the Government has traditionally controlled the media through censorship, financial involvement, and relations between media moguls and the State, the book analyses to what extent the Russian media has become 'free' since the fall of Communism. The author questions whether freedom is possible at all in a society where the media has traditionally been so closely linked to the State. There are chapters on different forms of media including print, television, radio and the Internet. Each chapter identifies the main hurdles faced by the particular medium and considers the potential it has for becoming truly independent. Key features include: Vivid examples and case studies of the power play between television and the State during the tumultuous 1990s Clear outline of various different forms of media Comprehensive historical overview supported with examples from relevant publications Drawing on her own experience as a professional journalist, the author, provides a first hand account of what journalists in Russia are encountering today. This position allows the author to frankly discuss the tangible issues that impact those involved in the media and their audiences. By providing both a description of the current situation and an overview of Russian media history, The Media in Russia offers a unique introduction to the field and is key reading for students across various disciplines including Russian studies, media studies and politics.