#1 INTERNATIONAL BESTSELLER AN ADAM SAVAGE BOOK CLUB PICK The book-length answer to anyone who ever put their hand up in math class and asked, “When am I ever going to use this in the real world?” “Fun, informative, and relentlessly entertaining, Humble Pi is a charming and very readable guide to some of humanity's all-time greatest miscalculations—that also gives you permission to feel a little better about some of your own mistakes.” —Ryan North, author of How to Invent Everything Our whole world is built on math, from the code running a website to the equations enabling the design of skyscrapers and bridges. Most of the time this math works quietly behind the scenes . . . until it doesn’t. All sorts of seemingly innocuous mathematical mistakes can have significant consequences. Math is easy to ignore until a misplaced decimal point upends the stock market, a unit conversion error causes a plane to crash, or someone divides by zero and stalls a battleship in the middle of the ocean. Exploring and explaining a litany of glitches, near misses, and mathematical mishaps involving the internet, big data, elections, street signs, lotteries, the Roman Empire, and an Olympic team, Matt Parker uncovers the bizarre ways math trips us up, and what this reveals about its essential place in our world. Getting it wrong has never been more fun.

99 Ways to Tell a Story is a series of engrossing one-page comics that tell the same story ninety-nine different ways. Inspired by Raymond Queneau’s 1947 Exercises in Style, a mainstay of creative writing courses, Madden’s project demonstrates the expansive range of possibilities available to all storytellers. Readers are taken on an enlightening tour—sometimes amusing, always surprising—through the world of the story. Writers and artists in every media will find Madden’s collection especially useful, even revelatory. Here is a chance to see the full scope of opportunities available to the storyteller, each applied to a single scenario: varying points of view, visual and verbal parodies, formal reimaginings, and radical shuffling of the basic components of the story. Madden’s amazing series of approaches will inspire storytellers to think through and around obstacles that might otherwise prevent them from getting good ideas onto the page. 99 Ways to Tell a Story provides a model that will spark productive conversations among all types of creative people: novelists, screenwriters, graphic designers, and cartoonists.

In his moving debut collection, Matt Rasmussen faces the tragedy of his brother's suicide, refusing to focus on the expected pathos, blurring the edge between grief and humor. In "Outgoing," the speaker erases his brother's answering machine message to save his family from "the shame of dead you / answering calls." In other poems, once-ordinary objects become dreamlike. A buried light bulb blooms downward, "a flower / of smoldering filaments." A refrigerator holds an evening landscape, "a tinfoil lake," "vegetables / dying in the crisper." Destructive and redemptive, Black Aperture opens to the complicated entanglements of mourning: damage and healing, sorrow and laughter, and torment balanced with moments of relief.

FROM THE AUTHOR OF NUMBER ONE BESTSELLER, FUNNY KID FOR PRESIDENT! Being funny is a good gig and it’s pretty much the only thing Max Walburt is good at. At least he thinks he’s good at it . . .

Is it ok to laugh during your devotions?If not, you should stay away from Matt Fore's "The Truth Shall Make You Laugh."Filled with hilarious tales and humorous wit, this twist on your quiet time surprises you with encouragement and delights you with practical insights from God's Word.From a father who had to instruct his son to stop responding to the alter call every Sunday to an uncle who was outsmarted by a mule, "The Truth Shall Make You Laugh" is proof that real-life is funnier than fiction.Be blessed by a running theme of God's provision and protection. Encounter real-life accounts of angelic protection, divine healing, miraculous provisions, an experience at the fringes of heaven and other evidence of a supernatural God."Matt hits the head and the heart with his devotions! Matt's not just a funny man, he's a minister that touches your soul... And that's why you will be blessed with a smile. So get a cup of dark roast and feed your soul for a while."Dr. Dennis "The Swan" Swanberg, Minister of Encouragement

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

The clock ticks down in a heart-pounding crusade for justice Susan Lentigo's daughter was murdered twenty years ago—and now, at long last, this small-town waitress sets out on a road trip all the way from Upstate New York to North Dakota to witness the killer's execution. On her journey she discovers shocking new evidence that leads her to suspect the condemned man is innocent—and the real killer is still free. Even worse, her prime suspect has a young daughter who's at terrible risk. With no money and no time to spare, Susan sets out to uncover the truth before an innocent man gets executed and another little girl is killed. But the FBI refuses to reopen the case. They—and Susan's own mother—believe she's just having an emotional breakdown. Reaching deep, Susan finds an inner strength she never knew she had. With the help of two unlikely allies—a cynical, defiant teenage girl and the retired cop who made the original arrest—Susan battles the FBI to put the real killer behind bars. Will she win justice for the condemned man—and her daughter—at last? Perfect for fans of Karin Slaughter and Harlan Coben Optioned for film—with Leonardo DiCaprio attached as producer

Stanley R. Matthews' book, 'Motor Matt's Submarine; or, The Strange Cruise of the Grampus,' is a thrilling adventure story set in the early 20th century. The book follows the protagonist, Motor Matt, as he embarks on a perilous journey aboard the submarine, Grampus, facing dangers and mysteries along the way. The narrative style is engaging, with vivid descriptions of underwater scenes and heart-pounding action sequences, making it a captivating read for fans of adventure fiction. Matthews' attention to detail and historical accuracy adds depth to the story, bringing the setting to life. This book is a prime example of early 20th-century adventure literature, providing readers with a glimpse into the popular themes and writing styles of the era. Stanley R. Matthews, a prolific author of adventure stories, draws on his own experiences and interests in maritime exploration to craft this captivating tale. His passion for storytelling and intricate plot development shines through in 'Motor Matt's Submarine,' making it a must-read for adventure enthusiasts and fans of historical fiction. With its gripping storyline and well-developed characters, this book is sure to captivate readers of all ages.

In 'Motor Matt's Engagement; or, On the Road with a Show' written by Stanley R. Matthews, readers are taken on a thrilling journey through the early 20th century American countryside. The book, with its fast-paced narrative and vivid descriptions, captures the essence of the era's fascination with automobiles and traveling shows. The characters are well-developed and the plot is filled with unexpected twists and turns, keeping the readers engaged until the very end. Matthews' writing style is simple yet effective, making the story accessible to a wide audience while still maintaining its literary value. This book can be seen as a valuable insight into the cultural and social norms of the time, offering a glimpse into a bygone era. Stanley R. Matthews, a prolific writer of adventure stories, drew inspiration from the burgeoning fascination with automobiles and traveling shows in writing 'Motor Matt's Engagement'. His attention to detail and strong character development sets him apart as a master storyteller of his time. I highly recommend 'Motor Matt's Engagement; or, On the Road with a Show' to readers looking for a captivating adventure story that also provides a window into early 20th century American culture.

This challenging and original book questions the accepted conclusions of synoptic research. It argues, first, that Matthew is an adaptation and expansion of Mark by midrash - that is, by standard Jewish expository techniques - depending on no written source other than Mark, and only to a very small extent on oral tradition; and, secondly, that Matthew was written to be read in Christian worship round the year, as a cycle of lessons following the Jewish festal lectionary. Part I establishes the characteristics of the Matthaean manner - his vocabulary, his rhythms and images, the form and mode of his parables. With so much typical of Matthew as a gospel, sources other than Mark become progressively less plausible. Part II is a commentary on the gospel from this base. It finds a basic Marcan text for each new unit and a reason for its development, and works out in detail the correspondence between the five teaching sections of Matthew and the five Jewish festal seasons of Pentecost, New Year-Atonement, Tabernacles, Dedication, and Passover. A striking piece of corroborative evidence is found in the section numbers of the old Greek manuscript tradition. Michael Goulder believes that lectionary schemes also underlie Mark and Luke, and that at least one major part of the Old Testament, the work of the Chronicler, has a similar character. A gospel, in fact, is not a literary genre at all, but a liturgical one. Matthew himself comes into focus as a converted Jewish scribe who possessed the substance of the Pauline teaching, and who has been the dominant influence in forming the Church's image of Jesus in his adaptation of Mark by midrash and through lection.