This volume of Tudor Roses presents new and reimagined garments based on the original Tudor Roses published in 1998. Alice Starmore looks to historical female figures of the Tudor Dynasty as inspiration for her stunning knitwear, and her modernization of traditional Fair Isle and Aran patterns has created a sensation in the knitting world. Through garment design, Starmore and her daughter Jade tell the stories of fourteen women connected with the Tudor dynasty. They weave a narrative around the known facts of their subjects' lives using photography, art, and the only medium through which the Tudor women could leave a lasting physical record in their world — needlework. Tudor Roses includes fourteen patterns for sweaters and other wearables that follow the chronological order of the Tudor dynasty. A different model portrays each of the Tudor women, from Elizabeth Woodville, grandmother of Henry VIII, through Mary, Queen of Scots. The stunning design and photography appeals to knitters seeking designs that offer an attractive balance of historic and modern elements.

"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

A modern classic about the bitter rivalry between Mary, Queen of Scots, and her cousin and fellow ruler, Elizabeth I of England - retold by Scotland's most popular playwright. Mary and Elizabeth are two women with much in common, but more that sets them apart. Following the death of her husband, the Dauphin of France, the beautiful, and staunchly Catholic Mary Stuart has returned from France to rule Scotland, a country she neither knows nor understands. Ill-prepared to rule in her own right, Mary has failed to learn what her protestant cousin, Elizabeth Tudor, knows only too well - that a queen must rule with her head, not her heart. All too soon the stage is set for a deadly endgame in which there can only be one winner and one queen on the one green island.

Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?

New York Times Bestseller Named a Best Book of the Year by NPR, Wall Street Journal, Publishers Weekly, Kirkus Reviews, and Library Journal "Hilarious…This book charmed my socks off." —Patricia O’Conner, New York Times Book Review Mary Norris has spent more than three decades working in The New Yorker’s renowned copy department, helping to maintain its celebrated high standards. In Between You & Me, she brings her vast experience with grammar and usage, her good cheer and irreverence, and her finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.

Mary Queen of Scots: Catholic martyr or manipulative femme fatale On 10 February 1567, conspirators bent on killing Henry, Lord Darnley, King-Consort of Mary Queen of Scots successfully razed his Edinburgh residence at Kirk o' Field in a huge explosion. Soon afterwards, Darnley's partially-clothed body was discovered in a nearby orchard, strangled to death by an unknown assailant. Rumours of Mary's involvement in his murder quickly surfaced. Placards across Edinburgh implied that she had provoked the Earl of Bothwell into killing her husband in a crime of passion. This became more plausible when she tried to avoid having to prosecute him for the murder, and subsequently married him, encouraged by her most senior Protestant nobles. While Mary's motives for the marriage might be explained by her need for his protection, those of the Nobility who had encourage it are confusing. Why would they want a union, which would inevitably place Bothwell, a man they hated, as head of government? Was their motif to associate her in the murder plot? Mary's involvement in Darnley's murder has remained one of the great historical mysteries. Genealogist and author Robert Stedall has spent ten years researching the inter-marriages within Scottish peerage to provide an explanation for their motives in removing Mary from the throne. In this first volume, of his two volume history of Mary and James, he explains in vivid detail the switching allegiances of the nobility, and can reveal for the first time, the gripping true story of Mary's downfall and imprisonment.

The trial of Mary Queen of Scots took place in the Star Chamber, and was the first formal trial of a crowned and accredited Sovereign in historic times. The unfortunate Queen was not tried, as many people think, for any deeds or misdeeds done during her reign in Scotland, but on account of her alleged complicity in the Babington plot which designed to free her and kill Queen Elizabeth of England. This volume gives the State Trial, the legal processes which led up to it, the tortuous policy of the English lawyers, and a rare account of the Queen's last miseries borne with such dignity and bravery.