The Book of Hours of Mary of Burgundy is among the most celebrated illuminated manuscripts of the Middle Ages. Written by one of the favourite scribes of the Burgundian Court, its pages contain the key works of the Master of Mary of Burgundy, the most famous Flemish illuminator of the 15th century. The complete manuscript is here reproduced in full colour.

In the course of the fifteenth century, the reputation of the Burgundian court rose to an unprecedented level, catapulted forward by ever growing territorial ambitions and accumulation of wealth. This reached a climax during the reign of Charles the Bold (1433-1477), the living embodiment of the pomp and pageantry of the Burgundian court and a generous patron of the fine arts. Rather than focusing on a single domain, this volume aims to shed light on Burgundian court culture as an organic whole, between the start of the reign of Philip the Good (1419) and the death of Mary of Burgundy (1482). It is intended to provide a forum for new research from the fields of History, History of Art, Literature and Musicology. With contributions (among others) from Wim Blockmans, Herman Brinkman, Barbara Haggh, Andrea Berlin, James Bloom, Till-Holger Borchert, Andrew Brown, Hendrik Callewier, Anna Campbell, Mario Damen, Sonja Duennebeil, Jonas Goossenaerts, Bieke Hillewaert, Andrew Hamilton, Eva Helfenstein, Jesse Hurlbut, Sophie Jolivet, Sascha Kohl, Sherry Lindquist, Jana Lucas, Samuel Mareel, Elizabeth J. Moodey, Klaus Oschema, Kathryn Rudy, Emily Snow, Olga Vassilieva-Codognet, Hanno Wijsman.

An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.

In 1477, the Low Countries were in chaos. On 5 January Charles the Bold, Duke of Burgundy, was killed in the battle of Nancy. His political adversaries used this fortuitous opportunity to reverse his much-hated policies. The late duke's confidents were executed, as nobles fled from court.The French king declared war on Charles' heir, Mary of Burgundy, and the cities rose in rebellion against the duchy. United in their opposition to the ducal court, the Estates-General instituted a new state structure which severely reduced the power of the central state. The duchess' new husband, Maximilian of Austria, was never able to dictate war policy nor appease the discontent of the populace, because his first priority was to strengthen the power of the Habsburg dynasty. In 1482, when Mary of Burgundy died after a tragic fall from her horse, revolt again spread across the county of Flanders. In this dramatic crisis that would last for a decade, central authority was again challenged by a political alternative, the Flemish regency council. This book examines the people behind the revolt.From a murky background of conflicting loyalties, it identifies the principal allies of the Habsburg dynasty and key political adversaries of Maximilian in the Flemish cities. An in-depth analysis of their lives and their socio-economic and cultural backgrounds on the eve of the Flemish Revolt elucidates their reasons for rebelling or remaining loyal to court.By focusing on disloyal nobles at court and urban dissenters in the county of Flanders, this book goes beyond previous studies of the revolt and offers new insights into the social history of medieval politics. In the end, readers will discover whether the court, the nobility, and the urban rebels were really striving for the goal they claimed, the common good.

The amazing life of Margaret of York, the woman who tried to overthrow the Tudors.

In January 1469, the accounts of Duke Charles the Bold of Burgundy (reigned 1467-77) record a payment to the noted scribe Nicolas Spierinc 'for having written ... some prayers for my lord.' Seven months later, the same accounts record a payment to the illuminator Lievin van Lathern for twenty-five miniatures plus borders and decorated initials in the same manuscript. In this study, the late Antoine de Schryver - an internationally renowned art historian - presents a thoroughly researched and balanced argument suggesting that the documents refer to the exquisite prayer book of Charles the Bold which can now be found in the collection of the J. Getty Museum. --book jacket.

This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.

"The happiest, sweetest, and liveliest little book imaginable."--John Canaday.

In recent years the study of medieval courts has become a flourishing field. The courts of kings and popes, or of the Burgundian dukes, have usually attracted most attention. This book offers by contrast a wide-ranging study of a little-known, medium-sized court - that of Guelders in the Low Countries. Guelders offers an excellent vantage point for the study of European late medieval court culture. It was surrounded by the vast territories of the dukes of Burgundy, and it felt the growing power of the Valois dukes, yet the duchy managed to remain independent until 1473. Rich archival sources - including a long and virtually unbroken series of ducal accounts - reveal much about the rise of territorial or 'proto-national' awareness and about the role of the court in this process. The book also conveys the striking cultural and political richness of the court, poised between French and German spheres of influence.

A fresh look at Anne of Cleves’ life as a German noblewoman, and the Continental politics that affected her marriage. Did the doomed union really cause the fall and execution of Thomas Cromwell?