Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published.

"[...]a letter to a friend directly written on this subject, she says, "I am perfectly aware that some of the incidents ought to be transposed, and heightened by more harmonious shading; and I wished in some degree to avail myself of criticism, before I began to adjust my events into a story, the outline of which I had sketched in my mind."* The only friends to whom the author communicated her manuscript, were Mr. Dyson, the translator of the Sorcerer, and the present editor; and it was impossible for the most inexperienced author to display a stronger desire of profiting by the censures and sentiments that might be suggested.**[...]".

"Mary, A Fiction" is the only complete novel that Mary Wollstonecraft has ever written. She tells the tragic story of a heroine's successive "romantic friendships" with a woman and a man. "Emile", Jean-Jacques Rousseau's philosophical treatise on education, was one of the major literary influences on this book.

From Longman's Cultural Editions series, Wollstonecraft, edited by Anne K. Mellor and Noelle Chao, for the first time pairs Wollstonecraft's feminist tract, the first in English letters, A Vindication of the Rights of Woman, with her unfinished novel, The Wrongs of Woman, or Maria. By putting tract and novel together, this text presents a far richer and more complex discussion of Wollstonecraft's political and literary opinions. A wealth of cultural contexts bearing on the "wrongs" of woman (their social and political oppression) in the 18th century and on the development of the Gothic and realist novel further clarify these two texts. Handsomely produced and affordably priced, the Longman Cultural Editions series presents classic works in provocative and illuminating contexts-cultural, critical, and literary. Each Cultural Edition consists of the complete text of an important literary work, reliably edited, headed by an inviting introduction, and supplemented by helpful annotations; a table of dates to track its composition, publication, and public reception in relation to biographical, cultural and historical events; and a guide for further inquiry and study.

Maria: or, The Wrongs of Woman (1798) is a novel by English writer, philosopher, and feminist Mary Wollstonecraft. Intended as a fictional sequel to A Vindication of the Rights of Woman (1792), a groundbreaking work of feminism and political philosophy, Maria: or, The Wrongs of Woman was published posthumously by Wollstonecraft’s husband, anarchist philosopher and writer William Godwin. Denied her autonomy, Maria is sent to an insane asylum by her husband, a wealthy aristocrat. Separated from her child and unable to advocate on her own behalf, Maria is fortunate to befriend Jemima, an attendant from the lower classes who empathizes with Maria’s situation. Jemima secretly provides her with books, inadvertently introducing her to the marginalia of Henry Darnford, another inmate at the asylum. The three grow close, sharing their stories with one another. Darnford reveals his troubled past and struggles with alcohol, Jemima discloses her experiences as an abused orphan-turned-prostitute, and Maria discusses her abusive marriage to George Venables. As she turned toward literature and intellectual life to avoid George’s affairs and frequent gambling, Maria found herself desperately looking for a way out. After several escape attempts, George—who had been scheming for years to frame his wife in order to divorce her—conspires to send her to the asylum, taking their child and cutting off contact with Maria. Although unfinished, Maria: or, The Wrongs of Woman explores the themes of her political and philosophical writings while illuminating the injustices suffered by women and lower class individuals in English society. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Wollstonecraft’s Maria: or, The Wrongs of Woman is a classic of English literature reimagined for modern readers.

These three works of fiction - two by Mary Wollstonecraft, the radical author of A Vindication of the Rights of Woman, and one by her daughter Mary Shelley, creator of Frankenstein - are powerfully emotive stories that combine passion with forceful feminist argument. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for over a century - tells the story of a woman alienated from society by the incestuous passion of her father. Humane, compassionate and highly controversial, these stories demonstrate the strongly original genius of their authors.

A collected volume which addresses all aspects of Wollstonecraft's momentous and tragically brief career.

This book provides an historical account of feminism, exploring its earliest roots and key issues such as voting rights and the liberation of the sixties. Margaret Walters brings the subject completely up to date by providing a global analysis of the situation of women, from Europe and the United States to Third World countries.

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and the call for women to become defined by their profession, not their partner. Mary Wollstonecrafts work was received with a mixture of admiration and outrageWalpole called her a hyena in petticoatsyet it established her as the mother of modern feminism.