There is a prehistory of the adultery novel, which became a pan-European literary paradigm in the second half of the 19th century. In the wake of the French Revolution, secular marriage legislation emerges, producing a metaphorical surplus that is still effective today. Using legal history and canonical literary texts from Rousseau to Goethe and Manzoni to Hugo and Flaubert, this book traces how marriage around 1800 became a figure of reflection for the modern nation-state. In the process, original contributions to the philology of the individual texts emerge. At the same time, law and literature are made fruitful for a historical semantics of society and community. This book is a translation of an original German 1st edition “Ehe als Nationalfiktion” by Dagmar Stöferle, published by J.B. Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the support of Chris Owain Carter) has subsequently revised the text further in an endeavour to refine the work stylistically.

IS THIS MARRIAGE A BLESSING? OR A CURSE? ​Born talentless to a noble family famous for their supernatural abilities, Miyo Saimori is forced into an existence of servitude by her abusive stepmother. When Miyo finally comes of marriageable age, though, her hopes of being whisked away to a better life crumble after she discovers her fiancé’s identity: Kiyoka Kudou, a commander apparently so cold and cruel that his previous would-be brides all fled within three days of their engagements. With no home to return to, Miyo resigns herself to her fate—and soon finds that her pale and beautiful husband-to-be is anything but the monster she expected. As they slowly open their hearts to each other, both realize the other may be their chance at finding true love and happiness.

Full of practical advice, this bestselling book by Nicky and Sila Lee is easy to read and designed to prepare, build, and even mend marriages. The Marriage Book is essential reading for any married or engaged couple. This resource addresses questions like: How can we be happily married to one person for our entire life? How do we resolve conflict? How can we discover and rediscover sexual intimacy? The Marriage Course is a series of seven sessions, designed to help couples invest in their relationship and build a strong marriage. It serves as a bridge between the church and local community by recognizing the need to go beyond the social, as well as physical, walls of the church to help couples with their relationships. Marriage Course is easy to run; the talks are available on DVD (sold separately) and each guest and leader receives a manual. If you enjoy hosting people and have a passion for strengthening family life, you could run a course!

Marriage is the novel's traditional subject matter. But what happens to the novel when another genre of writing lays claim to the novel's traditional material? Primitive Marriage: Victorian Anthropology, the Novel, and Sexual Modernity shows how the foundational ideas of the new discipline of anthropology gave late-Victorian novelists and social scientists ways of rethinking heterosexual romance by referring to a new kind of history, one in which marriage systems, sexual behavior, and reproductive practices were temporalized and given historical agency. Temporalizing sexual relations, locating them in evolutionary and historical time, anthropologists and the novelists who wrote after them began to think modernity in sexual terms. This transformation of politics into sexual politics put sexuality and gender at the center of liberal stories of progress. The Victorian theorists responsible for this transformation--from well-known figures like Charles Darwin and Sigmund Freud to lesser-known writers like John McLennan and Henry Maine--and the novelists who engaged them--Anthony Trollope, George Eliot, Henry James, Sarah Grand, H. Rider Haggard, Thomas Hardy--not only helped produce sexually modern subjects, but also the theories about sexuality, time, and politics that we still draw upon to think modernity today.

The novel of adultery is a nineteenth-century form about the experience of women, produced almost exclusively by men. Bill Overton's study is the first to address the gender implications of this form, and the first to write its history. The opening chapter defines the terms 'adultery' and 'novel of adultery', and discusses how the form arose in Continental Europe, but failed to appear in Britain. Successive chapters deal with its development in France, and with examples from Russia, Denmark, Germany, Spain and Portugal.

After the Gifted Communion stages an operation in the Imperial Capital, crown prince Takaihito proposes that Miyo and Kiyoka start living in the Imperial Palace. There, Miyo finally realizes that she’s fallen for Kiyoka, only to find that her fear of change is holding her back from expressing her feelings to him. But things reach a crossroads one night when Kiyoka comes to Miyo with a confession of his own...

Drawing on a wide range of English and French fiction and advice literature, this study analyzes the problems of representation that emerge in light of the changing definition of marriage from one of hierarchy to companionship in the eighteenth century. Ranging from representations of ideal domesticity to the problems of intimacy and marital discontent, Roulston explores the paradox of the modern marriage as both utopian and unlivable, and expands the debate around its evolution.

HER LAST STAND... After Naoshi Usui takes over the military and imprisons Kiyoka on false charges, Miyo takes it upon herself to save her fiancé. However, just before Miyo rushes headfirst into the military headquarters to stage an ill-conceived rescue attempt, she comes across a boy who is the spitting image of Kiyoka. Claiming to be Kiyoka’s familiar, the boy urges Miyo to head to the Usuba estate and rethink her plan. From there, Miyo carves her own path to reunite with Kiyoka, delving into her family’s past and rallying the few allies she can still turn to. But will this be enough to stop Usui once and for all...?

During the first decade of this millennium Germany’s largest ethnic minority—Turkish Germans—began to enjoy a new cultural prominence in German literature, film, television and theater. While controversies around forced marriage and “honor” killings have driven popular interest in the situation of Turkish-German women, popular culture has played a key role in diversifying portrayals of women and men of Turkish heritage. This book documents the significance of marriage in 21st-century Turkish-German culture, unpacking its implications not only for the cultural portrayals of those of Turkish background, but also for understandings of German identity. It sheds light on the interactions of gender, sexuality and ethnicity in contemporary Germany. This book explores four notions of marriage in popular culture: forced marriage; romantic marriage; intercultural marriage; and gay marriage. Over five chapters, the book shows that in popular culture marriage is conventionally portrayed as little more than a form of oppression for Turkish-German women and gay men. The state of Turkish matrimony is seen as characterized by coercion, lack of choice, familial duty and “honor,” even violence. In German culture, by contrast, marriage stands for individual choice, love and equality. However, within comedy genres such as “chick lit”, “ethno-sitcom” and wedding film, there have been attempts to challenge the monolithic power of these gender stereotypes. This study finds that, in grappling with the legacy of these stereotypes, these genres reveal a yearning within German popular culture for the very kinds of “traditional” gender roles Turkish Germans are imagined to inhabit. The book provides a comprehensive account of the multiple ways in which the diverse portrayals of marriage shape views of Turkish Germans in popular culture, and are also revealing of the role of gender in contemporary Germany. It investigates some key genres—autoethnography, chick lit, ethno-sitcom, wedding film, “gay” Bildungsroman, documentary theater—within which questions of gender and cultural difference are “framed”. In new and innovative close readings of literary, filmic, television and dramatic texts, the work reveals the broad significance of cultural portrayals of Turkish-German intimacy.