Mark Anthony Neal reads the story of black communities through the black tradition in popular music. His history challenges the view that hip-hop was the first black cultural movement to speak truth to power.

What we think music is shapes how we hear it. This book traces the history of the idea of pure - 'absolute' - music from Pythagoras to the present, with special emphasis on efforts to reconcile the irreducible essence of the art with its profound effects on the human spirit. The core of this study focuses on the period 1850-1935, beginning with the collision between Richard Wagner and the Viennese critic Eduard Hanslick.

The Third Edition has been thoroughly revised and updated to cover recent developments and current concerns in the field.

The first music-driven analysis of electronic dance music.

Third Day guitarist Mark Lee is no stranger to heartache and hopes deferred; the road to success is never traveled without missteps along the way. Life is messy and uncertain and full of surprises. And one of the best things he's ever done is let go of his expectations about how life should be in order to embrace life as it is: a moment-by-moment walk with God. Hurt Road is the engaging true story of a man who, as a teen, found in music a refuge from the uncertainties of life. Who set out to discover a better way to live than constantly struggling to make sure life turned out the way he planned it. Who stopped substituting what's next for what's now and learned the truth--that coming or going, God's got us. Poignant, funny, and thoughtful, Hurt Road dares anyone feeling knocked down or run over by their circumstances to give up control to the One who already has the road all mapped out. Includes black and white photos.

In his groundbreaking book 'Musical Truth, ' DJ-turned author/ researcher Mark Devlin showed how the true nature of the corporate music industry tells a very different story to what's conveyed on its glossy, glamorous surface. The manipulations run so deep, however, that the full story couldn't be told in just that first book. Here, in Volume 2, he continues to guide readers through the dark labyrinth of machinations. Discover the world of Lifetime Actors and the crucial part they play in social engineering; delve into Heavy Rock, frequently touted as the most 'satanic' of all music genres; consider the evidence for the hip-hop scene being a cult-like fraternity on a staggering scale; reflect on the nature of sound itself and the ways it can be used to affect human behaviour; and study the striking parallels between the 1960s counter-culture and the UK's Acid House scene that kicked off 21 years later, all bearing the hallmarks of Establishment manipulation. Crucially, Volume 2 reminds readers of how the music industry's activities form only one small part of what's really going on in this reality, and how the power to bring it all to an end lies with us and us alone. It always has. We've just been programmed to forget. Amazon review excerpts for 'Musical Truth, Volume 1' "I came across this book by chance, and am so glad I did. It's very well-written and a fascinating subject. It goes far deeper than just the music, too, the first chapter explaining how music fits into the larger scheme of things is spot-on. The author explains everything he speaks about, and provides links and other resources so the reader can check all the facts for themselves... and it all checks out!" "Excellent tome! Very well-researched, engagingly presented, pithy, witty, incisive and compelling." "I was aware of much of its content already, but Mark Devlin has brought so many pieces of a puzzling jigsaw together in an immensely comprehensive and articulate way. His style of writing is very natural and readable which makes it effortless for the reader - a skill that not all writers of this genre possess." "Beautiful, easy-reading language, where his soul combined with his intellect controls the pen. I just wanted to continue reading the whole night. Important stuff about our reality."

In Falling Through the Music, his fifth major book of poetry, Mark Halperin gives us consolation, guidance, and companionship while delivering an accomplished meditation on the first real glimpses of the limits on a life. Displaying an agility of formal invention--he moves easily from a Whitmanesque and witty litany to rhymed quatrains--Halperin deftly melds technique to theme. As in "Someone Pausing, he is able to place us in the mind of someone--any one of us--who has stood on an island in the street, fully attentive and present, knowing nothing stays, not even the observer.

"Concord of Sweet Sounds presents, in words and images, the musical instruments of Shakespeare's time. In his plays and poems, Shakespeare mentions twenty-seven different instruments specifically. In this remarkable volume, celebrated wood engraver Gerard Brender a Brandis has collaborated with a distinguished professor of English to create a work of art and scholarship both beautiful and informative." --Book Jacket.

Genre: Musical Characters: 7 males, 8 females, and chorus of 8 males and 5 females In the honky tonk world of marathon dancing in Atlantic City in 1933, a captivating assortment of depression era souls eager to dance their way into fame and prizes gather on the Steel Pier. The spectacle is presided over by an oily tongued emcee who is secretly married to Rita Racine, the champion dancer. Her usual partner doesn't show up, so she is paired with a handsome pilot on leave. As the hours o

Computers in music have gone from being a niche subject to becoming a ubiquitous presence that all music students are bound to encounter in their professional lives. Meant to serve as a general reference for music technology courses, Essentials of Music Technology provides an overview ofmusical acoustics, psychoacoustics, MIDI, digital audio, and sound recording.Topics covered include:* The Internet* MIDI software* The nature of digital audio storage* Filters* Effects* Room acoustics* Sampling and synthesis techniques