Krishna's Mahabharatas: Devotional Retellings of an Epic Narrative is a comprehensive study of premodern regional Mahabharata retellings. This book argues that Vaishnavas (devotees of the Hindu god Vishnu and his various forms) throughout South Asia turned this epic about an apocalyptic, bloody war into works of ardent bhakti or "devotion" focused on the beloved Hindu deity Krishna. Examining over forty retellings in eleven different regional South Asian languages composed over a period of nine hundred years, it focuses on two particular Mahabharatas: Villiputturar's fifteenth-century Tamil Paratam and Sabalsingh Chauhan's seventeenth-century Bhasha (Old Hindi) Mahahbharat.

Records publications acquired from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, by the U.S. Library of Congress Offices in New Delhi, India, and Karachi, Pakistan

Even after he has composed the awesome Mahabharata, the Maharishi Vyasa finds no peace. Narada Muni says to him, Ordinary men will be delighted by your work, but what about the Sages of heaven and earth? You have described the human life, its strife and its ends, but you have not yet described the Lord himself. You must turn your great gift to that task; only then will you find peace. Veda Vyasa composes the Bhagavata Purana, in eighteen thousand slokas and twelve kandas. He teaches it to his illumined son Suka, who narrates the Secret Purana to Yudhishtira s heir, King Parikshit, on the banks of the Ganga. The Bhagavata Purana is a living embodiment of the Lord Narayana and claims to bestow moksha merely by being heard. Just before Krishna, the Avatara, leaves the world, Uddhava says to him, leave us a tangible form, Lord, in which we can find you, touch you, and be near you. Krishna enters the Bhagavata Purana with all of his being. This book is a full literary rendering of the Bhagavata Purana, bringing all the wonder, wisdom and grace of the Book of God to the modern reader.

On Krishna (Hindu deity).

Widely read, The Bhagavad Gita is a classic of world spirituality while The essential companion to The Bhagavad Gita, The Uddhava Gita has remained overlooked. This new accessible and only English translation in print of The Uddhava Gita offers a previously unexplored path to understanding Hinduism and Krishna’s wisdom. Written centuries apart, the ideas of the two dialogues are similar although their approach and contexts differ. The Bhagavad Gita is filled with the urgency of battle while The Uddhava Gita takes place on the eve of Krishna’s departure from the world. The Uddhava Gita offers the reader philosophy, sublime poetry, practical guidance, and, ultimately, hope for a more complete consciousness in which the life of the body better reflects the life of the spirit.

Krishna is utterly incomparable, he is so unique. Firstly, his uniqueness lies in the fact that although Krishna happened in the ancient past he belongs to the future, is really of the future. Man has yet to grow to that height where he can be a contemporary of Krishna’s. He is still beyond man’s understanding; he continues to puzzle and battle us. Only in some future time will we be able to understand him and appreciate his virtues. And there are good reasons for it.

Treatise on Sanskrit poetics and Vaishnava poetry.

Radha and Krishna have been worshipped as a couple for so many ages. Despite this, why is Rãdhã not listed as one of Krishna’s 16,000 wives? There are many unasked and unanswered questions about the relationship of Rãdhã and Krishna. Due to many myths and folklore, the divine relationship is mistaken as unethical. Rãdhã is said to have been married to Rayan. At the same time, there are numerous stories of Krishna’s and her amorous pastime in the isolated woods of the Vrindavan. It is also said that once Krishna left Vrindavan, he didn’t turn back to Rãdhã. Are all these the partial truths, are they facts or just white lies? My Affair with Rãdhã is a book that unfolds many untold stories about Rãdhã and Krishna—stories beyond their birth, about their passionate love and love-making, about the reason behind their incarnation and separation, stories about their reunion and return from planet Earth. It is an attempt to glorify the divine love.

Although Hudson died without completing 'The Body of God', the work has been edited and brought to fruition by Margaret Case. The book is a detailed study of a renowned Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 CE). Hudson uses this temple as an illustration of a major current and historical stage in South Indian Vaisnava religion.