The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. * The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held, and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion—Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there. * Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.

The Greatest Story Ever Told Dispute over land and kingdom may lie at the heart of this story of war between cousins—the Pandavas and the Kouravas—but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes us on a great journey with incredible ease.

Ramayana is the story of Rama, the prince of Ayodhya. Poet Valmiki describes Rama as a dutiful son, loving brother, devoted husband, fierce warrior and wise statesman, of pleasant manners and speech. Rama is above all an upholder of Dharma so it is no wonder that he is hailed as an avatar or incarnation of Lord Vishnu.

"Over the centuries India has been ruled by men and women who as great conquerors and able administrators have shaped the history of this land. This Pancharatna features five such rulers. Chandragupta Maurya defeated his rivals to found the Mauryan dynasty which reached unprecedented power under his grandson, Ashoka, who later saw the futility of war and renounced violence. Samudragupta of the Gupta dynasty, was a military genius. Harsha ascended the throne at age 16. His story has been taken from the Harshacharita and from the accounts of the Chinese traveller, Hiuen Tsang. Krishnadeva Raya of the Vijayanagara dynasty was described by the Portuguese traveller, Domingo Paes, as the 'perfect king'"--Page 4 of cover

A new selection and translation of the great epic story of ancient India, revealing a mythic world of bloody conflict, magic and beauty.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Mausala Parva, the sixteenth, in which Krishna and Balarama die, the Yadavas are destroyed, the Yadava women mourne their dead husbands and Dwaraka, the city of Krishna, is submerged in the sea. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

"This Amar Chitra Katha collection brings together a sample of the Indian literary tradition down the years. It starts with the works of Kalidasa, moving to Sanskrit romances of the Gupta Age, and ancient Tamil Sangam literature which was influenced by Jain and Buddhist thought. As language and literature evolved, each region in the country began to develop its own special modes of writing and story-telling. By the nineteenth century, India was home to not one but a multitude of literatures, each borrowing from, referring to, and overlapping with the others.