Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature

The exciting pieces in these collections are designed to entertain, reinforce and enhance the important music and technical skills being studied during the early levels. Students will develop their own magical imaginations with the repertoire contained in this series.

A new ribbon appears as Mama Bird teaches Baby Bird each note of the scale.

Presents six stories about Airy Fairy, a student at Fairy Gropplethorpe's Academy for Good Fairies who always gets everything wrong and keeps getting into trouble as she tries to best her enemy, Scary Fairy, and succeed at magic.

Young readers can sing along with Po as she sings a magical song that changes everything around to her favorite color, red.

The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.

The acclaimed interactive picture book about the changing seasons. “Like Hervé Tullet’s Press Here, Matheson’s Tap the Magic Tree proves you don’t need apps for interactivity,” praised the New York Times. This board book edition is perfect for little hands. Every book needs you to turn the pages. But not every book needs you to tap it, shake it, jiggle it, or even blow it a kiss. Innovative and timeless, Tap the Magic Tree asks you to help one lonely tree change with the seasons. Now that’s interactive—and magical! It begins with a bare brown tree. But tap that tree, turn the page, and one bright green leaf has sprouted! Tap again—one, two, three, four—and four more leaves have grown on the next page. Pat, clap, wiggle, jiggle, and see blossoms bloom, apples grow, and the leaves swirl away with the autumn breeze. The collage-and-watercolor art evokes the bright simplicity of Lois Ehlert and Eric Carle and the interactive concept will delight fans of Pat the Bunny. Combining a playful spirit and a sense of wonder about nature, Christie Matheson has created a new modern classic that is a winner in every season—and every story time! And don't miss the follow-up, Touch the Brightest Star!

"Scratching around at home on an acoustic guitar, singing into my phone with these funny little rough ideas. All of a sudden, it turns into something beautiful or complete... it's a fascinating thing. It's magic." -- Paul Weller In Magic: A Journal of Song, Paul Weller gives the first and definitive account of his illustrious songwriting career, recounting a lifetime of lyrics in Weller's most candid and intimate commentary to date. As one of the most innovative and remarkable songwriters of the last fifty years, Paul Weller has proved to be the ultimate shapeshifter, moving from the Jam's punk sensibilities to the genre-defying Style Council, and later through a remarkable 30-year solo career. Alongside Lennon and McCartney, Weller is one of few artists that has attained a UK number one album over five consecutive decades, and he's also received career defining awards from the BRITs (Lifetime Achievement Award), NME Awards (Godlike Genius Award) and a GQ Award for Songwriter of the Year. The book chronicles a lifetime worth of lyrics with impressive clarity. We follow Weller through his upbringing on Stanley Road and founding the Jam in his teenage years, creating the Style Council alongside keyboardist Mick Talbot, and later into his 16-album solo career, including stories behind iconic albums such as Stanley Road and Wild Wood, as well as his latest album, Fat Pop Vol. 1. Magic presents 130 of Weller's finest lyrics to date, accompanied by an illuminating commentary which sees him give unprecedented insight into his life and lyrics, as told to GQ editor and author, Dylan Jones OBE, in their first collaboration. "Paul Weller has proved that he is not only beyond reproach, in some senses he is quite possibly without equal." -- Dylan Jones "The thing I have discovered is that music in its truest sense is beyond any trend or movement or category." -- Paul Weller

Everyone knows that learning is easy and comes naturally when we’re having fun! Magic Music on the Guitar is a vibrant fresh approach to learning guitar. It's a bright fantasy and magic themed comic book so it’s fun to read and follow. It's also in delicious harmony with your child’s individual learning style to motivate them. To discover improvement easily. So they can achieve phenomenal results quickly! Using lots of examples they can play along to, it shows your child how to read and write music and play riffs; how to achieve a clear understanding of the relationships between notes, chords and scales...and sharps and flats too. It shows them different types of chords and how to remember them and even how to write their own songs! It's a valuable reference for classroom tuition as well as private home learning environments. It also follows closely the requirements of the National Curriculum for music education in UK schools.