Fourteen-year-old Jess relates her sea voyage with other English families to Roanoke Island in 1587, their attempt to make a permanent settlement, and Jess's contact with the Croatoan Indians.

What will you do when the unthinkable happens? Her parents called her Lenya Lion because of her ferocious personality and hair that had been wild and mane-like since birth. But they never expected that, five days before Christmas, their five-year-old daughter would suddenly go to heaven after an asthma attack. How do you walk out of the ER without your daughter? More a manifesto for high-octane living than a manual for grieving, Through the Eyes of a Lion will help you turn your journey into a "roar story" by guiding you to look past what you can see with the naked eye survive Saturday--the space between promise and fulfillment let God turn your pain into a microphone cue the eagle and run toward the roar Whether you're currently facing adversity or want to prepare yourself for inevitable hardship, it's time to look at the adventure of your life through Jesus' eyes--the eyes of a Lion. "He has this story. And he has told it well. With candor. With honesty. With hope." --Max Lucado, pastor and New York Times bestselling author of Before Amen "One of the most powerfully transparent books I've ever read . . . a book we all need to read." --Sheila Walsh, speaker, Bible teacher, and bestselling author of 5 Minutes with Jesus "This is more than a book. It's a lifeline." --From the foreword by Steven Furtick, pastor and bestselling author of Crash the Chatterbox

Thirty years ago, they came together on a war-torn frontier. Now, they’ll stand together once more—to honor one of their own... It’s a thousand miles from snowbound Montana to the Arizona Territory. But for Trap O’Shannon and Clay Madison, it’s a journey they’re duty bound to make—for the bravest man they’d ever known had made it clear: Captain Hezekiah Roman wanted to be buried in Arizona’s dusty red soil. A train takes the fallen hero south, along with his two fellow Scout Trackers and a Nez Perce woman who once fought by their side. But as the veterans recall a tale that begins with a moment of blood and agony decades before, they cannot know that death is stalking this train... or that to a bury a hero, they’ll have to risk their lives one more time. Mark Henry brings the violence and raw beauty of the frontier to life in a bold and brilliant new saga that takes us on an unforgettable journey across the American West. "Crackling with authenticity and page-turning tension. Mark Henry will become a legend." —Richard S. Wheeler, 2005 Spur-winning author of Vengeance Valley

The woman who made self-presentation an art shows how to use professional presence to stand out, fit in and move ahead. Covers the empowering pause, posture, gestures, and more.

Your greatest regret at the end of your life will be the lions you didn't chase. You will look back longingly on risks not taken, opportunities not seized, and dreams not pursued. Stop running away from what scares you most and start chasing the God-ordained opportunities that cross your path. In a Pit with a Lion on a Snowy Day is inspired by one of the most obscure yet courageous acts recorded in Scripture, a blessed and audacious act that left no regrets: “Benaiah chased a lion down into a pit. Then, despite the snow and slippery ground, he caught the lion and killed it” (2 Samuel 23:20 -21). Unleash the lion chaser within! #InAPit “Mark has become one of the most important voices for a new generation. Anything he touches changes lives. Read this book and you’ll see what I mean.” — Craig Groeschel, pastor of Life.Church, author of Chazown and Dare to Drop the Pose “As a leader and teacher, Mark Batterson brings imagination, energy, and insight. I appreciate his willingness to take bold risks and go to extraordinary lengths to reach our culture with a message that is truly relevant.” — Ed Young, senior pastor, Fellowship Church “Don’t settle for a normal life. Conquer your fears, accept His anointing, jump into that pit, chase the lion, and watch God’s Kingdom come in amazing ways.” — Christine Caine, founder of Propel Women, author of Unashamed

A poignant story celebrating the 150th anniversary of the Emancipation Proclamation It’s 1862 and the Civil War has turned out to be a long, deadly conflict. Hope’s father can’t stand the waiting a minute longer and decides to join the Union army to fight for freedom. He slips away one tearful night, leaving Hope, who knows she may never see her father again, with only a conch shell for comfort. Its sound, Papa says, echoes the promised song of freedom. It’s a long wait for freedom and on the nights when the cannons roar, Papa seems farther away than ever. But then Lincoln finally does it: on January 1, 1863, he issues the Emancipation Proclamation, freeing the slaves, and a joyful Hope finally spies the outline of a familiar man standing on the horizon. Affectingly written and gorgeously illustrated, Hope’s Gift captures a significant moment in American history with deep emotion and a lot of charm.

Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.