“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.

Gather the Olives is a dangerous book. That’s because it is about peace in a time when peace in the Holy Land is a faraway, even radical notion. It is about hope and food and community and the way there can be solidarity in sharing a meal. Hence the danger: this book might remind its brave readers of how peace is nourished and how hope can’t be extinguished. Over the years, Bret Lott—the bestselling author of more than a dozen books, including the novel Jewel (an Oprah’s Book Club selection)—has lived and taught in Jerusalem, affording him the opportunity to travel throughout Israel and the surrounding area. Now, in Gather the Olives, this gifted storyteller has brought together a collection of intimate portraits of the people, the food, and the hope for peace to be found in a region ravaged by war and conflict. Through meditations on such varied matters as an olive oil cooperative run by Israeli and Palestinian women, a non-kosher butcher shop in the middle of upscale—and very kosher—German Colony, the nighttime harvesting of olives by Bedouins in downtown Jerusalem, a traditional Shabbat dinner at an ancient home within the walls of the Old City, a simple yet beautiful plate of fruit in an office in Ramallah, Bret Lott considers how food and the people with whom we share it can bring together hearts and souls in a lasting, meaningful, and peaceful way.

The Poetics of Biblical Narrative, Sternberg's last book, established a new level of sophistication for biblical analysis. In Hebrews between Cultures, he shifts his focus from individual identity to the group, in this case the Hebrews. Sternberg's analysis of the development in the Bible of the Hebrew identity (and alternate identities) is brilliant, challenging, intellectually rigorous and unusual, and almost always unexpected and dramatic.

The Gospel of John

The poems in Birthright embody multiple legacies: genetic, historical, religious, and literary. Through the lens of one person's experience of inheritance, the poems suggest ways in which all of us may be influenced by how we perceive and process our lives and times. Here, a poet claims what is hers as a child of her particular parents; as a grandchild of refugees from Nazi Germany; as a Jew, a woman, a Gen Xer, and a New Yorker; as a reader of the Bible and Shakespeare and Flaubert and Lucille Clifton. This poet's birthright is as unique as her DNA. But it resonates far beyond herself. Erika Dreifus's poems in Birthright are about the skull and the heart, the bone, and the muscle. They are poems about holiness and everydayness and, in part, about the convergence of these two movements as a way to embrace and discover mercy, love, and honesty. What they illustrate is the beauty that happens in that space, when both elements are embraced and when forces collide: "I've always remembered the Sabbath day; I just haven't kept it holy." Birthright is a book that explores connectedness and connective tissue. These are poems that embrace faith, family, and the forest of good intention in all of its contradictory forces. It's about the expensive nature of coloring one's hair and the expansive nature, which explodes in the beaming colors of the Diaspora. Every time I come back to Birthright I am born again out of the little pieces in me that have died. This is the magic of Erika Dreifus's poems. They are the flame in the darkness of Deuteronomy; they are the spellbound silence of history that helps to bind you with the people right next to you and to the "ancestral spirits that mingle above." -Matthew Lippman, author of Mesmerizingly Sadly Beautiful and A Little Gut Magic. Full of humor and history, the personal and the painful, Erika Dreifus's Birthright is a thoughtful reflection on life and loss, on inheritance and the individual, collective, and intergenerational nature of Jewish experience. The book's midrashic reflections challenge readers to reconsider ancient texts and their modern resonances. Some of its more political poems, while offering a perspective that is not always easy to hear, add a critical voice to the dissonant chorus that composes today's commentary on Israel-Palestine. At its most moving moments, Birthright relays intimate and familial experiences with an earnest and generous vulnerability. With its honest, accessible language and straightforward storytelling, Erika Dreifus's first full-length collection is a welcome addition to the modern American poetry canon-narrative, Jewish, feminist, or otherwise.-Sivan Butler-Rotholz, Managing Editor, "Saturday Poetry Series," As It Ought to Be Magazine. These clear, unvarnished poems take us deeply into a life engaged with history, family, tradition, politics, and contemporary culture. -Richard Chess, author of Love Nailed to the Doorpost, Third Temple, and other books.

Vols. 2-6 include "Theological and Semitic literature for 1898- 1901, a bibliographical supplement to the American journal of theology and the American journal of Semitic languages and literatures. By W. Muss-Arnolt." (Separately paged)

Vols. 2-6 include "Theological and Semitic literature for 1898-1901, a bibliographical supplement to the American journal of theology and the American journal of Semitic languages and literatures. By W. Muss-Arnolt." (Separately paged)