Shining a spotlight on the life, vision, and cultivation of one of Canada's most influential historical figures.

There is a missing chapter in the narrative of Canada’s Indigenous peoples—the story of the Métis Nation, a new Indigenous people descended from both First Nations and Europeans Their story begins in the last decade of the eighteenth century in the Canadian North-West. Within twenty years the Métis proclaimed themselves a nation and won their first battle. Within forty years they were famous throughout North America for their military skills, their nomadic life and their buffalo hunts. The Métis Nation didn’t just drift slowly into the Canadian consciousness in the early 1800s; it burst onto the scene fully formed. The Métis were flamboyant, defiant, loud and definitely not noble savages. They were nomads with a very different way of being in the world—always on the move, very much in the moment, passionate and fierce. They were romantics and visionaries with big dreams. They battled continuously—for recognition, for their lands and for their rights and freedoms. In 1870 and 1885, led by the iconic Louis Riel, they fought back when Canada took their lands. These acts of resistance became defining moments in Canadian history, with implications that reverberate to this day: Western alienation, Indigenous rights and the French/English divide. After being defeated at the Battle of Batoche in 1885, the Métis lived in hiding for twenty years. But early in the twentieth century, they determined to hide no more and began a long, successful fight back into the Canadian consciousness. The Métis people are now recognized in Canada as a distinct Indigenous nation. Written by the great-grandniece of Louis Riel, this popular and engaging history of “forgotten people” tells the story up to the present era of national reconciliation with Indigenous peoples. 2019 marks the 175th anniversary of Louis Riel’s birthday (October 22, 1844)

Chester Brown reinvents the comic book medium to create the critically acclaimed historical biography Louis Riel. Brown won the Harvey Awards for best writing and best graphic novel for his compelling, meticulous, and dispassionate retelling of the charismatic, and perhaps insane, nineteenth-century Metis leader's life. Brown coolly documents with dramatic subtlety the violent rebellion on the Canadian prairie led by Riel, an embattled figure in Canadian history, regarded by some as a martyr who died in the name of freedom, while others consider him a treacherous murderer.

Luis Riel, the compelling leader of the Metis, hanged by Sir John A. MacDonald's government in 1885, sits at the core of the Canadian national imagination. Among partisans, he is either a poltroon or prophet, politically adept or an inept fool. He was a visionary, and a very interesting poet, full of rancor and tenderness, self-pity and dignity. This is the first selection of his poetry to be published in this country in both French and English.

Published to widespread critical acclaim, Riel: A Life of Revolution proved that an intimate and revealing portrait of one of our most enduring—and most isunderstood—legends could be an almost instant national bestseller. ‘Who is Louis Riel?’ Maggie Siggins asks, and comes up with some fascinating answers. Seen by many as an unrepentant traitor, a messianic prophet and a pathetic tyrant, Siggins uncovers the real Louis Riel—a complex man full of contradiction and angst, a charismatic visionary and poet, a humanitarian who gave up prestige and wealth to fight for the Métis people. Infused with atmosphere and detail, this fascinating portrait is illuminating in its accounts of the people and events that moulded the enigmatic rebel. Revealing a man passionate about forging an equitable and just relationship between native and white people, Riel: A Life of Revolution is more relevant today than ever before.

A picture of the Riel Resistance from one of Canada's preeminent MéŽtis poets With a title derived from John A. Macdonald's moniker for the MéŽtis, The Pemmican Eaters explores Marilyn Dumont's sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel. Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont's ancestors. In Dumont's The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.