Elisabeth Tonnard's In This Dark Wood is a study of urban alienation in America. In a haunting, modern-gothic style, it pairs images of people walking alone in nighttime city streets with 90 different English translations, collected by Tonnard, of the famous first lines of Dante's Inferno: "Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura / ché la diritta via era smarrita." ("In the middle of the journey of our life / I found myself in a dark wood / for the straight way was lost"). The images were selected from the Joseph Selle collection at the Visual Studies Workshop in Rochester, New York, which contains over a million negatives from a company of street photographers who worked in San Francisco from the 1940s to the 70s. This edition is a reprint of a work originally self-published in 2008.

A story of love and grief. ‘I became a widower and a father on the same day’ says Joseph Luzzi. His book tells how Dante’s ‘The Divine Comedy’ helped him to endure his grief, raise their infant daughter, and rediscover love.

Have you left the faith you used to have but don’t know what to move toward? When you can’t see the road ahead, do you feel lost and alone? Do you wish you had a group of companions willing to wander with you? Welcome to the Dark Wood. As you journey through the unknown, you may feel tempted, lost, and uncertain. Though commonly feared and avoided, these feelings of uncertainty can be your greatest assets on this journey because it is in uncertainty that we probe, question, and discover. According to the ancients, you don’t need to be a saint or spiritual master to experience profound awakening and live with God’s presence and guidance. You need only to wander. In clear and lucid prose that combines the heart of a mystic, the soul of a poet, and the mind of a biblical scholar, Dr. Eric Elnes demystifies the seven gifts bestowed in the Dark Wood: the gifts of uncertainty, emptiness, being thunderstruck, getting lost, temptation, disappearing, and the gift of misfits. This is a book for anyone who feels awkward in their search for God, anyone who seeks to find holiness amid their holy mess, and anyone who prefers practicality to piety when it comes to finding their place in this world.

When children start to go missing in the local woods, a teen girl must face her fears and a past she can't remember to rescue them in this atmospheric YA novel, Lost in the Never Woods from the author of Cemetery Boys. It’s been five years since Wendy and her two brothers went missing in the woods, but when the town’s children start to disappear, the questions surrounding her brothers’ mysterious circumstances are brought back into the light. Attempting to flee her past, Wendy almost runs over an unconscious boy lying in the middle of the road... Peter, a boy she thought lived only in her stories, asks for Wendy’s help to rescue the missing kids. But, in order to find them, Wendy must confront what’s waiting for her in the woods. Praise for Aiden Thomas and Cemetery Boys: “This stunning debut novel from Thomas is detailed, heart-rending, and immensely romantic.” —Mark Oshiro, author of Anger is a Gift “Aiden Thomas masterfully weaves a tale of family, friendships, and love in a heartwarming adventure full of affirmation and being your best self." — C.B. Lee, author of Not Your Sidekick

A weekend away deep in the English countryside takes a sinister turn in this suspenseful and compulsive debut psychological thriller. Sometimes the only thing to fear...is yourself. Leonora (Lee to some, Nora to others) is a reclusive writer, but when an old friend unexpectedly invites her to a weekend away in an eerie glass house, she reluctantly agrees to make the trip. But a haunting realization creeps in to the party: they are not alone in the woods. Forty-eight hours later, Nora wakes up in a hospital bed with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?” she tries to piece together the events of the past weekend. In order to uncover secrets and reveal motives, Nora must revisit parts of herself that she’d rather leave buried where they belong: in the past. In the vein of The Girl on the Train and Gone Girl, this gripping thriller will have readers on the edge of their seats until the very last page.

A motherless girl hungry for hope . . . and the dream that could be leading her astray. Almost two years have passed since twelve-year-old Allie Granderson’s beloved mother, Mary, disappeared into the wild tornado winds. Her body has never been found. Allie clings to memories of her mother, just as she clings to the broken compass she left behind, the makeshift Nativity scene in the front yard, and her best friend Zach. But even with Zach at her side, the compass on her wrist, and the Nativity right outside the window, Allie cannot help but feel lost in all the growing up that must get done. When the Holy Mother disappears from the yard, Allie’s bewilderment is compounded by the sudden movement of her mother’s compass. Following the needle, Allie and Zach leave the city behind and push into the inky forest on the outskirts of Mattingly. For Allie, the journey is more than a ghost hunt: she is rejoining the mother she lost—and finding herself with each step deeper into the heart of the dark wood. Brimming with lyrical prose and unexpected discoveries, In the Heart of the Dark Wood illustrates the steep transition we all must undergo—the moment we shed our childlike selves and step into the strange territory of adulthood.

A dark fairytale, full of witchcraft, where nothing is as it seems Once upon a time there was and there wasn't a woman who went to the woods. In this dark fairy tale, a young woman sets off to pick berries in the depths of the forest, but can't find her way home again. Or perhaps she has fled or abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the wilderness. Alone and possibly lost, she meets another woman who offers her help. Then everything changes. On a journey that will take her to the depths of the witch-haunted woods, through a deep well wet with the screams of men, and on a living ship made of human bones, our heroine may find that the evil she flees has been inside her all along. Laird Huntis an American writer and translator. He has written seven novels, including Neverhome, which was a New York Times Book Review Editor's Choice selection, an IndieNext selection, winner of the Grand Prix de Littérature Américaine and The Bridge prize, and a finalist for the Prix Femina Étranger. His In the House in the Dark of the Woods is also available from Pushkin Press. A resident of Boulder, CO, he is on the faculty in the creative writing PhD program at the University of Denver.

You have received a business card. It invites you into the world of global capital brand management consultancy. Prepare for pain. You'll meet Nick, a hapless pawn in the world of global capital brand management consulting. And his girlfriend Sadie Parish, the first domestic suicide bomber. And his boss, emperor of b****t, Pontius J. LaBar. And PJ's dreaded orangutan. Their story is a hilarious, heartbreaking, painfully smart satire that guides you through the high dollar swamps of modern industry. "The world of Eric Raymond's winning novel may be the 'post-idea economy,' but rest assured, the book is never post-smart, or post-funny. It's a rollicking and inventive corporate (and cultural) satire -- get in now at the ground floor, people." –Sam Lipsyte, author of The Ask "In a world where cash has become language, Eric Raymond's Confessions from a Dark Wood wastes no syllable in converting cultural mechanisms into a well-oiled, wise-cracking machine. Smart as Saunders, tight as Ellis, but banking waters of its own, after this one we'll no longer 'forget they built the Magic Kingdom on swamps.'" –Blake Butler, author of There Is No Year

The story of a woman who loves her house so much that she'll do just about anything to keep it. Ellen Flanagan has two precious girls to raise, a cozy neighborhood coffee shop to run, terrific friends, and a sexy husband. She adores her house, a yellow Cape Cod filled with quirky antiques, beloved nooks and dents, and a million memories. But now, at forty-four, she's about to lose it all. After eighteen roller-coaster years of marriage, Ellen's husband, Sam--who's charismatic, spontaneous, and utterly irresponsible--has disappointed her in more ways than she can live with, and they're getting divorced. Her daughters are miserable about losing their daddy. Worst of all, the house that Ellen loves with all her heart must now be sold. Ellen's life is further complicated by a lovely and unexpected relationship with the husband of the shrewish, social-climbing woman who has purchased the house. Add to that the confusion over how she really feels about her almost-ex-husband, and you have the makings of a delicious novel about what matters most in the end. . . . Set in the gorgeous surroundings of Portland, Oregon, Kathleen McCleary's funny, poignant, curl-up-and-read debut strikes a deep emotional chord and explores the very notion of what makes a house a home.