Tales of children lost in the bush have frightened and fascinated the Australian public since colonial times. In August 1864, three children - Isaac aged nine, Jane aged seven and Frank aged three - survived nine long days and eight cold winter nights in the desolate scrub of the Wimmera region of west Victoria. The children walked for nearly 100 kilometres with no food and very little water. Against all odds, they were found alive. This is their inspiring story, illustrated throughout with reproductions of classic Australian artworks.

"Vanity Fair" editor Carter addresses the fragile state of U.S. democracy with a critical review of the Bush administration in regard to the invasion of Iraq, personal rights, women's rights, the economy, and the environment.

The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in “Little Boy Lost,” brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson’s poems of lost tramps, and preserved in the history books’ tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.

When 15-year-old Ramon Garza's grades start to slip, he's forced to help out his mother after school. She's a food service worker at the NASA, which is about to launch another rocket ship to the moon. While there, Ramon meets the crew and watches as Apollo 13 soars into space on April 11, 1970. But only two days after the launch, the mission goes horribly wrong.

"True survival odysseys of two wilderness adventurers who entered the woods in search of tranquility-- but found something else entirely"--Page 4 of cover.

A captivating novel by the author of the 2022 Booker Prize-longlisted Treacle Walker Based on a true story, Strandloper tells the extraordinary tale of a nineteenth-century Englishman, William Buckley, who was convicted and transported to Australia. Refusing to accept his fate he escaped and lived among the Aborigines for thirty years. In this visionary novel, Alan Garner is as true to William the Cheshire bricklayer and William the Aboriginal spiritual leader, as William is true to his fate. The result is extraordinary. 'A remarkable feat of literary imagination' Sunday Times

Coyote Bush is a book that pays homage to the earth. It is a paean to the stars and their constellations, the clouds and the wind, to the horses, cows, deer, and dogs, all who blessedly live without language. In these poems of place, Nash traces and retraces his time-worn paths into the hills of Northern California. He is content at times just to watch the light change or lie down in the hollow a pregnant doe has made in the night. But these are also poems of refuge and discovery, poems of love and of suffering. We find relationships, childhood memories, sudden enlightenment, rising to the surface, just as we are ready for them. Nash finds his place among the elements, firmly rooted between earth and sky.

Just before Election Day 2000, Al Gore figured the presidential race was his to win or lose. In the end, he did both. How did this happen? Bestselling author Roger Simon provides the first complete look at America's most bizarre and most explosive presidential campaign -- not just the final thirty-six days, but the two-year, three-way battle between George W. Bush, Al Gore, and, yes, Bill Clinton, to see who would dominate American politics. Simon reveals how the two candidates struggled to contend with the long shadow cast by Bill Clinton and the endless psychodrama of his presidency. Both studied Clinton's precision use of politics and his beguiling employment of stagecraft, avoiding hot-button issues and trying to become, as Clinton had been, First Friend to the nation. However, while Al Gore viewed the presidential race as a job interview, George Bush viewed it as a date. Divided We Stand is a book that makes news. Simon provides never-before-revealed details of the rift between Clinton and Gore, including Gore's secret plans if he had replaced Clinton during the Monica Lewinsky scandal of 1998. Simon also reveals how Clinton tried -- and failed -- to pick Gore's running mate in 2000 and offers new details of how Joe Lieberman snared the spot on the ticket. Simon further exposes new and shocking details about how the dirtiest politics of the 2000 race -- the deplorable smear campaign in South Carolina -- kicked off a campaign of open warfare between John McCain and George W. Bush. Readers will also learn: * How Ralph Nader affected the outcome of the race and how he feels today about his role. * How Al Gore lost his home state and why George Bush did sopoorly with African American voters, even after wooing them so hard. * How Republican Congressional staff members were so angry about union and black turnout for Al Gore and other Democrats that they held a secret meeting after the election to study ways of depressing black and labor voter turnout in the future. * Why the race was so close and what it means for the future of America. * Why, for better or worse, Bill Clinton continues to dominate our political landscape. Divided We Stand is the story not just of a campaign, but of a country. Simon's account will make you ask yourself what you might have done differently had you known what lurked in the corners you could not see. "Gore turns from the car and heads quickly down the passageway, a Secret Service agent preceding him. . . . 'Sir, ' David Morehouse, his trip director, says, trying to match him stride for stride, 'we need to go to hold.' "Gore gives him a look that could toast bread. 'I'm not going to hold, ' he says. He picks up his pace. Morehouse has been having trouble with a stiff knee and now he is hobbling after the vice president. 'Sir, we need to go to hold!' Morehouse says, praying the vice president does not ask him why. In point of fact, Morehouse does not know why. He just knows that moments ago his cell phone rang with a frantic call saying that the vice president should not, could not, must not go out to the plaza and concede defeat. "Over his shoulder, Gore now explains to Morehouse why there will be no delay. 'I just talked to the governor, ' Gore says. He already conceded to Bush in a telephone call a few minutes ago back at the hotel. . . . 'He's waiting on me, and I'm goingstraight to the stage, ' Gore says. "With Gore now almost at the bottom of the steps and Morehouse running out of any option he can think of, he limps quickly in front of Gore and blocks his way. Just blocks it. Just like that. Morehouse is six-foot-one and solidly built, and now he is blocking the path of the vice president of the United States. Gore is six-foot-two and a weightlifter, but if it is still possible to have something beneath your dignity after running for president for eighteen months, then wrestling one of your own aides to the ground is beneath his dignity. "Gore stops short and glares at Morehouse. Both of them can now hear the crowd noise from the plaza. The words tumble from Morehouse's lips. He isn't even sure what he is saying, but it goes, 'Sir, you need to get to the hold for five minutes. Daley has to talk to you. It's going to be fine; it's going to be fine.'" -- from Divided We Stand

An evocative, gorgeous four-season look at cooking in Maine, with 100 recipes No one can bring small-town America to life better than a native. Erin French grew up in Freedom, Maine (population 719), helping her father at the griddle in his diner. An entirely self-taught cook who used cookbooks to form her culinary education, she now helms her restaurant, The Lost Kitchen, in a historic mill in the same town, creating meals that draw locals and visitors from around the world to a dining room that feels like an extension of her home kitchen. The food has been called “brilliant in its simplicity and honesty” by Food & Wine, and it is exactly this pure approach that makes Erin’s cooking so appealing—and so easy to embrace at home. This stunning giftable package features a vellum jacket over a printed cover.