Set in Paris, LE DIVORCE is an alluring and elegant comedy of love and divorce French-style. Isabel Walker, a young, not-so-innocent, American abroad, arrives in Paris to find that her sister's French husband ('the frog prince') has just walked out. While Isabel embarks on her own sentimental education - seduced by gourmet food, antiques, existentialism and an older man - her sister's marriage disintergrates into bitter Franco-American wrangles over money, titles and a mysterious painting. With a sharp tongue and an ironic eye for the foibles of the Parisian bourgeoisie, the French art world and American ex-patriots, Isabel is a collector of experience, even those she can't control. Comedy veers suddenly close to tragedy as passionate jealousy, self-interest and artistic intrigue interweave.

“Timely and provocatively incorrect."—Oprah.com (Mysteries Every Thinking Woman Should Read) The two-time Pulitzer Prize and three-time National Book Award-nominated author of Le Divorce returns with a mesmerizing novel of double standards and double agents Now, Diane Johnson brilliantly exposes the manners and morals of the cultural collision between Islam and the West. Lulu Sawyer arrives in Marrakech, Morocco, hoping to rekindle her romance with a worldly Englishman, Ian Drumm. It's the perfect cover for her assignment for the CIA: tracing the flow of money from well-heeled donors to radical Islamic groups. While spending her days poolside among Europeans in villas staffed by maids in abayas, and her nights at lively dinner parties, Lulu observes the fragile and tense coexistence of two cultures. But beneath the surface of this polite expatriate community lies a sinister world laced not only with double standards, but double agents. Johnson weaves a dazzling tale in the great tradition of works about naïve Americans abroad, with a fascinating new assortment of characters as well as witty and timely observations on the political and sexual complexities between Islamic and Western culture.

“[A] vivid . . . quest for roots. . . . Splendid.” —The New York Times Book Review Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of venturing off to see the world—and did. Now having traveled widely and lived part-time in Paris for many years, she is stung when a French friend teases her about Americans’ indifference to history. Could it be true? The j’accuse haunts Diane and inspires her to dig into her family’s past, working back from the Friday night football of her youth to the adventures illuminated in the letters and memoirs of her stalwart pioneer ancestors—beginning with a lonely young soldier who came to America from France in 1711. As enchanting as her bestselling novels, Flyover Lives is a moving examination of identity and the “wispy but material” family ghosts who shape us. As Johnson pays tribute to her deep Midwestern roots, she captures the perpetual tug-of-war between the magnetic pull of home and our lust for escape and self-invention.

A series of violent happenings add to a young woman's conviction that she is going to be murdered

“Funny, incisive, frightening and eminently skillful."—New York Times The year is 1978, the tumultuous period leading up to the Iranian Revolution. While visiting Iran with her husband, Chloe Fowler is left to travel alone after he is summoned home. Much to her surprise, she finds herself drawn to the country, intoxicated by each unfamiliar sight that reminds her how far from home she really is, both comforted and unsettled by the group of foreign and Iranian physicians and their wives who take her in. However, her exhilaration crashes when odd, often frightening events begin to occur, exposing the darker side of this "colonial life." Chloe is about to be liberated from everything she has ever known—in a place where her ordinary notions of reason and reality will run headlong into a wall of intrigue, and where every idea she has about herself will be put to the test. Persian Nights follows Chloe on a voyage through the seductively inexplicable, and has all the qualities one expects from the gifted author of Le Divorce—the quirky, vivid atmosphere; the intelligent, humane voice; the compelling narrative. Once again, Diane Johnson delivers an entertaining novel of an appealing woman caught up in a mysterious world of change and intrigue.

NATIONAL BOOK AWARD WINNER • An “eerie, brilliant, and touching” (The New York Times) modern classic about mass culture and the numbing effects of technology. “Tremendously funny . . . A stunning performance from one of our most intelligent novelists.”—The New Republic The inspiration for the award-winning major motion picture starring Adam Driver and Greta Gerwig Jack Gladney teaches Hitler Studies at a liberal arts college in Middle America where his colleagues include New York expatriates who want to immerse themselves in “American magic and dread.” Jack and his fourth wife, Babette, bound by their love, fear of death, and four ultramodern offspring, navigate the usual rocky passages of family life to the background babble of brand-name consumerism. Then a lethal black chemical cloud floats over their lives, an “airborne toxic event” unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladney family—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

In her most ambitious novel to date, New York Times bestselling author Joyce Maynard returns to the themes that are the hallmarks of her most acclaimed work in a mesmerizing story of a family—from the hopeful early days of young marriage to parenthood, divorce, and the costly aftermath that ripples through all their lives Eleanor and Cam meet at a crafts fair in Vermont in the early 1970s. She’s an artist and writer, he makes wooden bowls. Within four years they are parents to three children, two daughters and a red-headed son who fills his pockets with rocks, plays the violin and talks to God. To Eleanor, their New Hampshire farm provides everything she always wanted—summer nights watching Cam’s softball games, snow days by the fire and the annual tradition of making paper boats and cork people to launch in the brook every spring. If Eleanor and Cam don’t make love as often as they used to, they have something that matters more. Their family. Then comes a terrible accident, caused by Cam’s negligence. Unable to forgive him, Eleanor is consumed by bitterness, losing herself in her life as a mother, while Cam finds solace with a new young partner. Over the decades that follow, the five members of this fractured family make surprising discoveries and decisions that occasionally bring them together, and often tear them apart. Tracing the course of their lives—through the gender transition of one child and another’s choice to completely break with her mother—Joyce Maynard captures a family forced to confront essential, painful truths of its past, and find redemption in its darkest hours. A story of holding on and learning to let go, Count the Ways is an achingly beautiful, poignant, and deeply compassionate novel of home, parenthood, love, and forgiveness.

"Like Jane Austen, Johnson delights in the worldly rituals surrounding courtship and marriage... she is a philosopher as much as a novelist."—The New Yorker From the author of the acclaimed bestseller and National Book Award finalist Le Divorce, a sparkling comedy of manners once again set in the world of Americans in Paris Anne-Sophie is a young Frenchwoman engaged to Tim Nolinger, an American journalist hot on the trail of a breaking story: The theft of a valuable illuminated manuscript from a private collection in New York, which may now be in the possession of a reclusive film director living on the outskirts of Paris. As Tim, Anne-Sophie, a pair of American antique dealers, and one amorous member of the local gentry converge on the director's chateau, the director's wife—a former actress—is accused of desecrating a national monument. Add to that a disappearing American; a hunting contretemps; a wrongful arrest; and murder, and you have this sexy, stylish, delight of a novel that celebrates the paradoxes of marriage and morality as they are perceived on both sides of the Atlantic. Filled with the author's pithy insights and hilarious asides, Le Mariage is Diane Johnson at her very best.

New York Times Book Review Editors' Choice From acclaimed Argentine author Pedro Mairal and Man Booker International-winning translator Jennifer Croft, the unforgettable story of two would-be lovers over the course of a single day. Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up fifteen thousand dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly the tension he has with his wife. While she spends her days at work and her nights out on the town-with a lover, perhaps, he doesn't know for sure-Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the woman from Uruguay whom he met at a conference and has been longing to see ever since. But that woman, Magalí Guerra Zabala, is a free spirit with her own relationship troubles, and the day they spend together in this beautiful city on the beach winds up being nothing like Lucas predicted. The constantly surprising, moving story of this dramatically transformative day in their lives, The Woman from Uruguay is both a gripping narrative and a tender, thought-provoking exploration of the nature of relationships. An international bestseller published in fourteen countries, it is the masterpiece of one of the most original voices in Latin American literature today.

A deep--and darkly comic--dive into the nature of disasters, and the ways they shape how we think about ourselves in the world "In this brilliant book, David Thomson tells the story of how we came to make disaster and catastrophe our best friends--how we let terror cocoon and take over our imaginations to avoid seeing the things that really frighten us. Riveting and totally original."--Adam Curtis, BBC filmmaker and political journalist "Erudite. . . . Engaging. . . . A cri de coeur about art's struggle to keep up with reality."--Kirkus Reviews Audiences swell with the scale of disaster; humans have always been drawn to the rumors of our own demise. In this searching treatment, noted film historian David Thomson examines iconic disasters, both real and fictional, exposing the slippage between what occurs and what we observe. With reportage, film commentary, speculation, and a liberating sense of humor, Thomson shows how digital culture commodifies disaster and sates our desire to witness chaos while suffering none of its aftereffects. Ranging from Laurel and Hardy and Battleship Potemkin to Cormac McCarthy's The Road, and from the epic San Andreas to the intimate Don't Look Now, Thomson pulls back the curtain to reveal why we love watching disaster unfold--but only if it happens to others.