__________________ The bookies always win. But one man has been proving them wrong for four decades. In the summer of 1975 Barney Curley, a fearless and renowned gambler, masterminded one of the most spectacular gambles of all time with a racehorse called Yellow Sam. With a meticulous, entirely legal plan involving dozens of people, perfectly timed phone calls, sealed orders and months of preparation, Curley and Yellow Sam beat the bookmakers and cost them millions. They said that it could never happen again. But in May 2010, thirty-five years after his first coup, Curley staged the ultimate multi-million-pound-winning sequel. The Sure Thing tells the complete story of how he managed to organise the biggest gamble in racing history - and how he then followed up with yet another audacious scheme in January 2014.

It was a cold and foggy February night in 1983 when a group of armed thieves crept onto Ballymany Stud, near The Curragh in County Kildare, Ireland, to steal Shergar, one of the Thoroughbred industry's most renowned stallions. Bred and raced by the Aga Khan IV and trained in England by Sir Michael Stoute, Shergar achieved international prominence in 1981 when he won the 202nd Epsom Derby by ten lengths -- the longest winning margin in the race's history. The thieves demanded a hefty ransom for the safe return of one of the most valuable Thoroughbreds in the world, but the ransom was never paid and Shergar's remains have never been found. In Taking Shergar: Thoroughbred Racing's Most Famous Cold Case, Milton C. Toby presents an engaging narrative that is as thrilling as any mystery novel. The book provides new analysis of the body of evidence related to the stallion's disappearance, delves into the conspiracy theories that surround the inconclusive investigation, and presents a profile of the man who might be the last person able to help solve part of the mystery. Toby examines the extensive cast of suspects and their alleged motives, including the Irish Republican Army and their need for new weapons, a French bloodstock agent who died in Central Kentucky, and even the Libyan dictator, Muammar al-Qadhafi. This riveting account of the most notorious unsolved crime in the history of horse racing will captivate serious racing fans and aficionados as well as entertain a new generation of horse racing enthusiasts.

The true story of a forgotten champion: “Bringing Sir Barton out from the shadows, Jennifer Kelly restores him to a richly-deserved spotlight.” ―Dorothy Ours, author of Man o’ War He was always destined to be a champion. Royally bred, with English and American classic winners in his pedigree, Sir Barton shone from birth, dubbed the “king of them all.” But after a winless two-year-old season and a near-fatal illness, uncertainty clouded the start of Sir Barton’s three-year-old season. Then his surprise victory in America’s signature race, the Kentucky Derby, started him on the road to history, where he would go on to dominate the Preakness and the Belmont Stakes, completing America’s first Triple Crown. His wins inspired the ultimate chase for greatness in American horse racing and established an elite group that would grow to include legends like Citation, Secretariat, and American Pharoah. After a series of dynamic wins in 1920, popular opinion tapped Sir Barton as the best challenger for the wonder horse Man o’ War, and demanded a match race to settle once and for all which horse was the greatest. That duel would cement the reputation of one horse for all time and diminish the reputation of the other for the next century—until now. Sir Barton and the Making of the Triple Crown is the first book to focus on Sir Barton, his career, and his historic impact on horse racing. Jennifer S. Kelly uses extensive research and historical sources to examine this champion’s life and achievements. Kelly charts how Sir Barton broke track records, scored victories over other champions, and sparked the yearly pursuit of Triple Crown glory.

If only they could talk? Now one of them does. And not just any nag. THE TETRARCH was one of the Turfs greatest racehorses. The oddly marked colt is acknowledged as the fastest two-year-old ever to set hoof on an English racecourse. His freakish powers set him apart: he was a phenomenon. Retired undefeated amid sensational circumstances, the charismatic grey proved an unenthusiastic stallion. Yet he fathered Classic winners and became champion sire, establishing dynasties that ensure his influence is felt to this day throughout the bloodstock world. Only an elite few racehorses become public idols and earn themselves a nickname. This is the story of THE SPOTTED WONDER as he might tell it.

Every year, on Valentine's Day, the great Thoroughbred farms open their breeding sheds and begin their primary business. For the next one hundred and fifty days, the cries of stallions and the vigorous encouragement of their handlers echo through breeding country, from the gentle hills of Kentucky to the rich valleys of California. Stud takes us into this strange and seductive world of horse breeding. We meet the world's leading sire, Storm Cat, the Triple Crown winner, Seattle Slew, and a nearly unmanageable colt, Devil Begone, who has found peace and prosperity on the banks of the Rio Grande servicing desert mares like Patty O'Furniture. Cheap stud, top stud, old stud, wild stud, from the Hall of Fame horse to the harem stallion with his feral herd, Stud looks at intimate acts in idyllic settings and the billion-dollar business behind them.

This is the definitive history of thoroughbred racing's three premier events, which have never before been explored in such detail. This book gives the history of America's classic races from the inaugural Belmont Stakes in 1867 through 2013, identifying which equine participants were truly worthy of lasting acclaim and which were one-hit wonders. Perhaps even more compelling are the stories of the men and women who rode, trained, owned, or bred classic winners, including their exploits on the turf and their triumphs and failures in arenas far removed from horse racing.

This book is about the life and work of David Milch, the writer who created NYPD Blue, Deadwood and a number of other important US television dramas. It provides a detailed account of Milch’s journey from academia to the heights of the television industry, locating him within the traditions of achievement in American literature over the past in order to evaluate his contribution to fiction writing. It also draws on behind-the-scenes materials to analyse the significance of NYPD Blue, Deadwood, John From Cincinatti and Luck. Contributing to academic debates in film, television and literary studies on authorship, the book will be of interest to fans of Milch’s work, as well as those engaged with the intersection between literature and popular television.