Combining her consummate craft as a storyteller with her gift for dramatic travel writing, Morris presents a powerful collection of ten short stories.

This book focuses on Art and Design Education Research. Gathering 72 papers illustrated with diagrams and tables, they provide state-of-the-art information on infrastructure and sustainable issues in Art and Design, focusing on Design Industrial Applications, Visual Communication and New Media, Art Education Research, Cultural Studies, and the Social Implications of Art. They also offer detailed information on innovative research trends in Design Technology and Multimedia Design, as well as a compilation of interdisciplinary findings combining the Humanities and Quality of Life in Art and Design.

Andor Weer, a 36-year-old writer, lives in a small apartment with his reclusive mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, he finds himself caught in a web of bitter interdependence which spirals into a Sartrian hell of hatred, lies and appeasement. Tranquility is a living seismograph of the internal quakes and ruptures of a mother and son trapped within an Oedipal nightmare amidst the suffocating totalitarian embrace of Communist Hungary. A masterwork.

A journey around the United States in search of the truth about the threat of earthquakes leads to spine-tingling discoveries, unnerving experts, and ultimately the kind of preparations that will actually help guide us through disasters. It’s a road trip full of surprises. Earthquakes. You need to worry about them only if you’re in San Francisco, right? Wrong. We have been making enormous changes to subterranean America, and Mother Earth, as always, has been making some of her own. . . . The consequences for our real estate, our civil engineering, and our communities will be huge because they will include earthquakes most of us do not expect and cannot imagine—at least not without reading Quakeland. Kathryn Miles descends into mines in the Northwest, dissects Mississippi levee engineering studies, uncovers the horrific risks of an earthquake in the Northeast, and interviews the seismologists, structual engineers, and emergency managers around the country who are addressing this ground shaking threat. As Miles relates, the era of human-induced earthquakes began in 1962 in Colorado after millions of gallons of chemical-weapon waste was pumped underground in the Rockies. More than 1,500 quakes over the following seven years resulted. The Department of Energy plans to dump spent nuclear rods in the same way. Evidence of fracking’s seismological impact continues to mount. . . . Humans as well as fault lines built our “quakeland”. What will happen when Memphis, home of FedEx's 1.5-million-packages-a-day hub, goes offline as a result of an earthquake along the unstable Reelfoot Fault? FEMA has estimated that a modest 7.0 magnitude quake (twenty of these happen per year around the world) along the Wasatch Fault under Salt Lake City would put a $33 billion dent in our economy. When the Fukushima reactor melted down, tens of thousands were displaced. If New York’s Indian Point nuclear power plant blows, ten million people will be displaced. How would that evacuation even begin? Kathryn Miles’ tour of our land is as fascinating and frightening as it is irresistibly compelling.

On March 27, 1964, at 5-36 p.m., the biggest earthquake ever recorded in North America--and the second biggest ever in the world, measuring 9.2 on the Richter scale--struck Alaska, devastating coastal towns and villages and killing more than 130 people in what was then a relatively sparsely populated region. In a riveting tale about the almost unimaginable brute force of nature, New York Times science journalist Henry Fountain, in his first trade book, re-creates the lives of the villagers and townspeople living in Chenega, Anchorage, and Valdez; describes the sheer beauty of the geology of the region, with its towering peaks and 20-mile-long glaciers; and reveals the impact of the quake on the towns, the buildings, and the lives of the inhabitants. George Plafker, a geologist for the U.S. Geological Survey with years of experience scouring the Alaskan wilderness, is asked to investigate the Prince William Sound region in the aftermath of the quake, to better understand its origins. His work confirmed the then controversial theory of plate tectonics that explained how and why such deadly quakes occur, and how we can plan for the next one.

To Seismology Second, Revised Edition 1979 Springer Basel AG First published under Markus Bath, Introduktion till Seism%gin by Natur och Kultur Stockholm © 1970, Markus Bath and Bokforlaget Natur och Kultur, Stockholm CIP-Kurztitelaufnahme der Deutschen Bibliothek Bath, Markus: Introduction to seismology / Markus Bath. - 2., rev. ed. (Wissenschaft und Kultur; Bd. 27) Einheitssacht. : Introduktion till seismologin (dt.) ISBN 978-3-0348-5285-2 ISBN 978-3-0348-5283-8 (eBook) DOI 10. 1007/978-3-0348-5283-8 All rights reserved No part of this book may be reproduced by any means, nor transmitted, nor translated into a machine language without the written permission of the publisher English translation © 1973, 1979 Springer Basel AG Urspriinglich erschienen bei Birkhlluser Verlag Basel 1979 Softcover reprint of tbe hardcover 2nd edition 1979 ISBN 978-3-0348-5285-2 The data must be greatly amplified Preface and strengthened. to the First Edition BE NO GUTENBERG (1959) The purpose of this book is to give a popular review of modern seismology, its research methods, problems of current interest and results and also to some extent to elucidate the historical background. Especially in recent years, seismology has attracted much interest from the general public as well as from news agencies. The reasons for this are partly con nected with recordings of large explosions (nuclear tests), partly related to earthquake catastrophes. This interest and the questions which people have asked us for the past years have to a certain extent served as a sti mulus in the preparation of this book.

Offers an overview of American environmental literature across genres and time periods, introducing readers to a range of ecocritical methodologies.

To Be a Jew deals with the question of the meaning and rationale that the writer Joseph Chayim Brenner attributes to Jewish existence. Many of Brenner's readers assumed that Brenner completely negated Jewish existence and sought to form a new way of life completely disconnected from the traditional Jewish existence. In contrast to this perception, Avi Sagi proves that not only did Brenner not reject the value of the Jewish existence, but the core of his creation was written out of a deep Jewish commitment. Brenner's greatest innovation is found in his new conception of Jewish existence. To be a Jew, according to Brenner, involves the willingness to discover solidarity with actual Jews, to participate in a society in which Jews can live a free life and to fashion their culture as they wish. Sagi presents the idea that Brenner's is not a Utopian, but a realistic, conception of Jewish existence. Thus this unique conception of Jewish existence is founded on an infrastructure of existential thought.