The author of Straw Dogs, famous for his provocative critiques of scientific hubris and the delusions of progress and humanism, turns his attention to cats—and what they reveal about humans' torturous relationship to the world and to themselves. The history of philosophy has been a predictably tragic or comical succession of palliatives for human disquiet. Thinkers from Spinoza to Berdyaev have pursued the perennial questions of how to be happy, how to be good, how to be loved, and how to live in a world of change and loss. But perhaps we can learn more from cats--the animal that has most captured our imagination--than from the great thinkers of the world. In Feline Philosophy, the philosopher John Gray discovers in cats a way of living that is unburdened by anxiety and self-consciousness, showing how they embody answers to the big questions of love and attachment, mortality, morality, and the Self: Montaigne's house cat, whose un-examined life may have been the one worth living; Meo, the Vietnam War survivor with an unshakable capacity for "fearless joy"; and Colette's Saha, the feline heroine of her subversive short story "The Cat", a parable about the pitfalls of human jealousy. Exploring the nature of cats, and what we can learn from it, Gray offers a profound, thought-provoking meditation on the follies of human exceptionalism and our fundamentally vulnerable and lonely condition. He charts a path toward a life without illusions and delusions, revealing how we can endure both crisis and transformation, and adapt to a changed scene, as cats have always done.

Everyone agrees that America is polarized, with ever-hardening positions held by people less and less willing to listen to one another. No one agrees on what to do about it. One solution that hasn’t yet been tried, says Adam Hamilton, is for thinking persons of faith to model for the rest of the country a richer, more thoughtful conversation on the political, moral, and religious issues that divide us. Hamilton rejects the easy assumptions and sloppy analysis of black and white thinking, seeking instead the truth that resides on all sides of the issues, and offering a faithful and compassionate way forward. He writes, "I don't expect you to agree with everything I've written. I expect that in the future even I won't agree with everything I've written here. The point is not to get you to agree with me, but to encourage you to think about what you believe. In the end I will be inviting those of you who find this book resonates with what you feel is true, to join the movement to pursue a middle way between the left and the right - to make your voices heard - and to model for our nation and for the church, how we can listen, learn, see truth as multi-sided, and love those with whom we disagree." Read more about this title Adam Hamilton's Seeing Gray Blog Now available! Seeing Gray in a World of Black and White - DVD UPC: 843504001902 A five-session video resource featuring Adam Hamilton teaching these concepts on DVD for group or individual study. Includes leader's guide as well as bonus video. Click below to view a preview of each video session. Where Faith and Politics Meet Christ Christians and the Culture Wars How should we live, The Ethics of Jesus Spiritual Maturity and Seeing Gray What Would Jesus Say to America?

This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.

Alasdair Gray is Scotland's best known polymath. Born in 1934 in Glasgow, he graduated in design and mural art from the Glasgow School of Art in 1957. After decades of surviving by painting and writing TV and radio plays, his first novel, the loosely autobiographical, blackly fantastic Lanark, opened up new imaginative territory for such varied writers as Jonathan Coe, A.L. Kennedy, James Kelman, Janice Galloway and Irvine Welsh. It led Anthony Burgess to call him 'the most important Scottish writer since Sir Walter Scott'. His other published books include 1982 Janine, Poor Things (winner of the Whitbread Award), The Book of Prefaces, The Ends of our Tethers and Old Men in Love. In this book, with reproductions of his murals, portraits, landscapes and illustrations, Gray tells of his failures and successes which have led his pictures to be accepted by a new generation of visual artists.

The long-awaited sequel to THE UNEXPECTED JOY OF BEING SOBER 'Exquisite' - Fearne Cotton, Happy Place 'A paean to the longer-term pleasures of staying booze-free' - The Guardian 'The kind of book that changes lives, and very possibly saves them' - The Lancet Psychiatry 'A reflective, raw and riveting read. A beautiful book on what it takes to root for yourself' - Emma Gannon, Ctrl Alt Delete 'No other author writes about sober living with as much warmth or emotional range as Catherine Gray. Her deep insight into the subtle psychologies of drinking, and of life, means that everything she writes is both utterly relatable and stretches our minds. Hers is a rare wisdom.' - Dr Richard Piper, CEO, Alcohol Change UK What's it like to give up drinking forever? We know now that being teetotal for one, three, even twelve months brings surprising joys and a recharged body... but nothing has been written about going years deep into being alcohol-free. As Catherine Gray, author of runaway success The Unexpected Joy of Being Sober, streaks towards a decade sober, she explores this uncharted territory in her trademark funny, disruptive and warm way. This is a must-read for anyone sober-curious, whether they've put down the bottle yet or not. Praise for The Unexpected Joy of Being Sober: 'Fascinating' - Bryony Gordon 'Truthful, modern and real' - Stylist 'Brave, witty and brilliantly written' - Marie Claire 'Gray's tale of going sober is uplifting and inspiring' - Evening Standard 'Not remotely preachy' - Sunday Times 'Jaunty, shrewd and convincing' - Sunday Telegraph 'Admirably honest, light, bubbly and remarkably rarely annoying' - Guardian 'An empathetic, warm and hilarious tale from a hugely likeable human' - The Lancet Psychiatry

"Lawyer for Rosa Parks, Martin Luther King, Jr., the Montgomery bus boycott, the Tuskegee syphilis study, the desegregation of Alabama schools and the Selma march, and founder of the Tuskegee human and civil rights multicultural center."

From the author of Straw Dogs, John Gray's Gray's Anatomy is a pugnacious and brilliantly readable collection of essays from across his career. Why is progress a pernicious myth? Why do beliefs that humanity can be improved end in farce or horror? Is atheism a hangover from Christian faith? John Gray, one of the most iconoclastic thinkers of our time, smashes through civilization's most cherished beliefs, overturning our view of the world, and our place in it. 'The most prescient of British public intellectuals' Pankaj Mishra, Financial Times 'Gray has consistently anticipated the shape of things to come ... he teaches us that true humanism is to be found in uncertainty and doubt' Will Self 'Gray's dissection of modern delusion, cant and wishful thinking is to be welcomed in this moment of convulsion ... This is a book to learn from and argue with' Ben Wilson, Literary Review 'A thoroughly enjoyable book ... These essays cover a remarkable range of topics, from Isaiah Berlin to Damien Hirst, from torture to environmentalism. But their unifying theme is that our naïve belief in the idea of progress has turned modern life into a constant round of shadow-boxing' David Runciman, Observer 'Demolishes the theory that we have reached the "end of history", the dogmas of secular liberalism, the weaknesses of financial casino capitalism and the limits of energy-intensive economic growth' Economist John Gray is most recently the acclaimed author of Straw Dogs: Thoughts on Humans and Other Animals, Heresies: Against Progress and Other Illusions, Al Qaeda and What It Means To Be Modern and Black Mass: Apocalyptic Religion and the Death of Utopia. He is Emeritus Professor of European Thought at the University of London.

Mack incorporates recent scholarship on Gray, drawing on developments in 18th-century and gender studies, as well as on extensive archival research into the life of the poet and his family. The result is an eloquent and enlightening book, sure to be the definitive biography of this great poet, a forefather of the Romantic Movement. 50 illustrations.

Generally considered the least lively and most bleak of casts, gray is the taint of vagueness and uncertainty. Marking the threshold region where luminous life seems suspended but death has not yet darkened the horizon, it belongs to an evasive and evanescent world, carrying the tint of smoke, fog, ashes, and dust. As the ambiguous space of thought and remembrance where things blend and blur, gray measures the difference between distance and proximity, shading into tinges of hesitation, hues of taciturnity, tones of time past and lost. Thus it may also be the spectral medium of literature itself—that grainy gas of language. Written with a lead pencil akin to those found in Nabokov, Rilke, Svevo, Poe, and Dickinson, The Gray Book chronicles the vicissitudes of such equivocal articulation—registering the graphite traces it leaves behind but also recording the dwindling span of its life. The book situates itself in a region beyond criticism but this side of literature, characterized by forgetting and finitude, and investigating important yet seemingly inaccessible "gray areas" in texts as old as those of Homer, and as recent as those of Beckett. Loosely arranging these literary finds according to a revision of the four elements, The Gray Book distances itself from tradition and treats not water but tears, not fire but vapor, not earth but grain, not air but clouds. The narrative thus construed, proceeding in the meandering movements of volatile thought rather than in the prudent steps of a treatise, appears gradually affected by its subject. Themes and facts previously confined to the realm of quoted texts leak into the narrative itself. The border between fiction and fact slowly dissolves as the book approaches the curious void that the author locates at the heart of "gray literature." Shaped by an omnipresent though increasingly unreliable narrator, The Gray Book may thus ultimately yield a poetics cast in the form of a ghost story.