A “lucid, detailed, and imaginative analysis” (The Nation) of the model city that working-class New Yorkers created after World War II—and its tragic demise More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all. Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power. A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.

Mid-March 2020: native New Yorker Gregory Peterson is on an early evening walk through the city, suddenly shut down by the coronavirus pandemic. Manhattan's grand public spaces are bare. The monumental Lincoln Center Plaza is empty. The sounds of skates on ice and bustle of tourists and workers at Rockefeller Center are absent. Not a soul on Easter Sunday at the Cathedral of Saint John the Divine. Starkly silent, the city is stilled, as no one had ever seen it before. Traveling on foot and by bike to avoid public transportation, Peterson took more than 400 photographs of over 200 locations in Manhattan, Brooklyn, and Queens through the spring and summer of 2020. Using his iPhone 11, he captured myriad surreal landmarks--the United Nations Secretariat with no traffic, people, or flags, Grand Central Terminal without a person or even a car in sight, as well as gelled neighborhood streets, churches, shops, and other tourist destinations. Without people, these photos reveal the city's primeval soul. They unveil a serene beauty most often obscured by the frenzy of our fast-paced lives. We see New York with new eyes.The first reaction to Gregory Peterson's poised, chilled shots of New York City is: Must be trick photography. He's Photoshopped the people out--or else a sunny daylight in--in what must have been shots from the dead of night. But no: This is the capital of the world in lockdown. One has to go to de Chirico's imaginary metaphysical paintings of Italian cities to find such radical depopulation. --David Cohen, editor, Artcritical.com During the height of the lockdown, Peterson also captures the city's response to swelling Black Lives Matter protests that shook the world after the killing of George Floyd. For the first time in living memory, midtown Manhattan and other areas were boarded up following Memorial Day due to fears of civil unrest as, documented in the chapter "Plywood New York." New York: Stilled Life is a comprehensive record of a unique, vanished moment; a memento of a time we all endured and how it changed us and our cities--perhaps forever.

This is a historical study of acculturation in New York City. It documents the Americanization of foreign enclaves within the city, showing the effects produced by church, school, foreign-language press and libraries - the methods by which the Democratic Party enlisted the immigrant vote.

The classic social history of corruption and vice in nineteenth-century NYC: “A cacophonous poem of democracy and greed, like the streets of New York themselves” (John Vernon, Los Angeles Times Book Review). Lucy Sante’s Low Life is a portrait of America’s greatest city, the riotous and anarchic breeding ground of modernity. This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city’s slums; the teeming streets—scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape. Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era’s opportunities for vice and entertainment—theaters and saloons, opium and cocaine dens, gambling and prostitution; Part Three investigates the forces of law and order which did and didn’t work to contain the illegalities; Part Four counterposes the city’s tides of revolt and idealism against the city as it actually was. Low Life is one of the most provocative books about urban life ever written—an evocation of the mythology of the quintessential modern metropolis, which has much to say not only about New York’s past but about the present and future of all cities.

How did a scrawny black kid -- the son of a barber and a domestic who grew up in Harlem and Trenton -- become the 106th mayor of New York City? It's a remarkable journey. David Norman Dinkins was born in 1927, joined the Marine Corps in the waning days of World War II, went to Howard University on the G.I. Bill, graduated cum laude with a degree in mathematics in 1950, and married Joyce Burrows, whose father, Daniel Burrows, had been a state assemblyman well-versed in the workings of New York's political machine. It was his father-in-law who suggested the young mathematician might make an even better politician once he also got his law degree. The political career of David Dinkins is set against the backdrop of the rising influence of a broader demographic in New York politics, including far greater segments of the city's "gorgeous mosaic." After a brief stint as a New York assemblyman, Dinkins was nominated as a deputy mayor by Abe Beame in 1973, but ultimately declined because he had not filed his income tax returns on time. Down but not out, he pursued his dedication to public service, first by serving as city clerk. In 1986, Dinkins was elected Manhattan borough president, and in 1989, he defeated Ed Koch and Rudy Giuliani to become mayor of New York City, the largest American city to elect an African American mayor. As the newly-elected mayor of a city in which crime had risen precipitously in the years prior to his taking office, Dinkins vowed to attack the problems and not the victims. Despite facing a budget deficit, he hired thousands of police officers, more than any other mayoral administration in the twentieth century, and launched the "Safe Streets, Safe City" program, which fundamentally changed how police fought crime. For the first time in decades, crime rates began to fall -- a trend that continues to this day. Among his other major successes, Mayor Dinkins brokered a deal that kept the US Open Tennis Championships in New York -- bringing hundreds of millions of dollars to the city annually -- and launched the revitalization of Times Square after decades of decay, all the while deflecting criticism and some outright racism with a seemingly unflappable demeanor. Criticized by some for his handling of the Crown Heights riots in 1991, Dinkins describes in these pages a very different version of events. A Mayor's Life is a revealing look at a devoted public servant and a New Yorker in love with his city, who led that city during tumultuous times.

What are New York City's best apartment buildings? Before 1900, it was the Dakota and the Osborne; soon after came McKim, Mead & White's 998 Fifth and the ultra-soigne 820 Fifth Avenue. The roaring twenties produced true luxury: 740 Park Avenue, the art deco-inspired River House, and Rosario Candela's extraordinary 778 and 720 Park Avenue. Today, the city's skyline sparkles with palatial new buildings, such as Robert A. M. Stern's 15 Central Park West, Richard Meier's glass-walled Perry Street towers, and 432 Park Avenue, New York's tallest residential building. Kirk Henckels and Anne Walker, real estate and architectural insiders, chronicle the fortunes and features of 15 outstanding apartment houses with a wealth of vintage and new photography and architectural plans, and show off select apartments as they look today, designed by top interior designers.

"Harvey Stein documents the iconic areas of Midtown and Downtown Manhattan in 172 beautiful black-and-white photographs taken over 41 years, from 1974 through 2014"--Front jacket flap.

As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.

This social history describes the lives of the rich and trendy who have lived at the Dakota, a New York apartment house daringly erected in 1884, too far up and on the wrong side of town. The book covers tenants such as the Gustav Schirmers, Boris Karloff, Judy Holliday and Lauren Bacall.

Since its emergence in the mid-nineteenth century as the nation's "metropolis," New York has faced the most challenging housing problems of any American city, but it has also led the nation in innovation and reform. Plunz traces New York's housing development from 1850 to the present, exploring the housing of all classes, discussing the development of types ranging from the single-family house to the high-rise apartment tower.