There was a ghastly murder in New York City, and Mark Twain's address was in the dead man's pocket. But even more alarming was that Twain had just received a message sent by anold friend from his riverboat days -- and the handwriting matched the note found on the corpse. So with his new secretary, Wentworth Cabot, Twain caught a steamboat bound for New Orleans. On board were all matter of people -- wealthy tourists and old river rats, literary amateurs and high-stakes gamblers . . . and a determined killer whose only goal was to bring Mark Twain's celebrated career to a stop!

The stunning true story of a murder that rocked the Mississippi Delta and forever shaped one author’s life and perception of home. “Mix together a bloody murder in a privileged white family, a false accusation against a Black man, a suspicious town, a sensational trial with colorful lawyers, and a punishment that didn’t fit the crime, and you have the best of southern gothic fiction. But the very best part is that the story is true.” —John Grisham In 1948, in the most stubbornly Dixiefied corner of the Jim Crow south, society matron Idella Thompson was viciously murdered in her own home: stabbed at least 150 times and left facedown in one of the bathrooms. Her daughter, Ruth Dickins, was the only other person in the house. She told authorities a Black man she didn’t recognize had fled the scene, but no evidence of the man's presence was uncovered. When Dickins herself was convicted and sentenced to life in prison, the community exploded. Petitions pleading for her release were drafted, signed, and circulated, and after only six years, the governor of Mississippi granted Ruth Dickins an indefinite suspension of her sentence and she was set free. In Deer Creek Drive, Beverly Lowry—who was ten at the time of the murder and lived mere miles from the Thompsons’ home—tells a story of white privilege that still has ramifications today, and reflects on the brutal crime, its aftermath, and the ways it clarified her own upbringing in Mississippi.

Growing up, Molly Walling could not fathom the source of the dark and intense discomfort in her family home. Then in 2006 she discovered her father's complicity in the murder of two black men on December 12, 1946, in Anguilla, deep in the Mississippi Delta. Death in the Delta tells the story of one woman's search for the truth behind a closely held, sixty-year old family secret. Though the author's mother and father decided that they would protect their three children from that past, its effect was profound. When the story of a fatal shoot-out surfaced, apprehension turned into a devouring need to know. Each of Walling's trips from North Carolina to the Delta brought unsettling and unexpected clues. After a hearing before an all-white grand jury, her father's case was not prosecuted. Indeed, it appeared as if the incident never occurred, and he resumed his life as a small-town newspaper editor. Yet family members of one of the victims tell her their stories. A ninety-three-year-old black historian and witness gives context and advice. A county attorney suggests her family's history of commingling with black women was at the heart of the deadly confrontation. Firsthand the author recognizes how privilege, entitlement, and racial bias in a wealthy, landed southern family resulted in a deadly abuse of power followed by a stifling, decades-long cover up. Death in the Delta is a deeply personal account of a quest to confront a terrible legacy. Against the advice and warnings of family, Walling exposes her father's guilty agency in the deaths of Simon Toombs and David Jones. She also exposes his gift as a writer and creative thinker. The author, grappling with wrenching issues of family and honor, was long conflicted about making this story public. But her mission became one of hope that confronting the truth might somehow move others toward healing and reconciliation.

A new American journey.

"Life on the Mississippi" is a memoir by Mark Twain, published in 1883. In this work, Twain reflects on his experiences as a steamboat pilot on the Mississippi River before the Civil War, as well as his return to the river years later as a passenger and observer of the changes that had occurred. The book is a combination of memoir, travelogue, and social commentary, offering a vivid depiction of life along the Mississippi River during the mid-19th century. Twain describes the bustling river towns, the colorful characters he encountered, and the challenges and dangers of navigating the river. "Life on the Mississippi" also explores broader themes such as the passage of time, the impact of technological advancements, and the nostalgic longing for a bygone era. Twain's witty and engaging writing style shines throughout the book, making it both entertaining and thought-provoking. Overall, "Life on the Mississippi" is not only a valuable historical document but also a literary masterpiece that continues to captivate readers with its humor, insight, and vivid portrayal of a vanishing way of life.

NEW YORK TIMES BESTSELLER • The award-winning book that inspired an Apple Original series from Apple TV+ • A landmark investigation of patient deaths at a New Orleans hospital ravaged by Hurricane Katrina—and the suspenseful portrayal of the quest for truth and justice—from a Pulitzer Prize–winning physician and reporter “An amazing tale, as inexorable as a Greek tragedy and as gripping as a whodunit.”—Dallas Morning News After Hurricane Katrina struck and power failed, amid rising floodwaters and heat, exhausted staff at Memorial Medical Center designated certain patients last for rescue. Months later, a doctor and two nurses were arrested and accused of injecting some of those patients with life-ending drugs. Five Days at Memorial, the culmination of six years of reporting by Pulitzer Prize winner Sheri Fink, unspools the mystery, bringing us inside a hospital fighting for its life and into the most charged questions in health care: which patients should be prioritized, and can health care professionals ever be excused for hastening death? Transforming our understanding of human nature in crisis, Five Days at Memorial exposes the hidden dilemmas of end-of-life care and reveals how ill-prepared we are for large-scale disasters—and how we can do better. ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times Book Review • ONE OF THE BEST BOOKS OF THE YEAR: Chicago Tribune, Seattle Times, Entertainment Weekly, Christian Science Monitor, Kansas City Star WINNER: National Book Critics Circle Award, J. Anthony Lukas Book Prize, PEN/John Kenneth Galbraith Award, Los Angeles Times Book Prize, Ridenhour Book Prize, American Medical Writers Association Medical Book Award, National Association of Science Writers Science in Society Award

Winner, Best History, 2012 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research When Mississippi John Hurt (1892-1966) was "rediscovered" by blues revivalists in 1963, his musicianship and recordings transformed popular notions of prewar country blues. At seventy-one he moved to Washington, D.C., from Avalon, Mississippi, and became a live-wire connection to a powerful, authentic past. His intricate and lively style made him the most sought after musician among the many talents the revival brought to light. Mississippi John Hurt provides this legendary creator's life story for the first time. Biographer Philip Ratcliffe traces Hurt's roots to the moment his mother Mary Jane McCain and his father Isom Hurt were freed from slavery. Anecdotes from Hurt's childhood and teenage years include the destiny-making moment when his mother purchased his first guitar for $1.50 when he was only nine years old. Stories from his neighbors and friends, from both of his wives, and from his extended family round out the community picture of Avalon. US census records, Hurt's first marriage record in 1916, images of his first autographed LP record, and excerpts from personal letters written in his own hand provide treasures for fans. Ratcliffe details Hurt's musical influences and the origins of his style and repertoire. The author also relates numerous stories from the time of his success, drawing on published sources and many hours of interviews with people who knew Hurt well, including the late Jerry Ricks, Pat Sky, Stefan Grossman and Max Ochs, Dick Spottswood, and the late Mike Stewart. In addition, some of the last photographs taken of the legendary musician are featured for the first time in Mississippi John Hurt.

Mark Twain relates the boyhood experiences on the Mississippi that led to his ambition to be a river-boat pilot.

?Mark Twain was the first truly American writer, and all of us since are his heirs.? --William Faulkner A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author. Written between the publication of his two greatest novels, Tom Sawyer and Huckleberry Finn, Twain?s rich portrait of the Mississippi marks a distinctive transition in the life of the river and the nation, from the boom years preceding the Civil War to the sober times that followed it. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today?s most distinguished scholars and writers. Each book features a detailed chronology of the author?s life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from Mark Twain: Mississippi Writings, volume number 5 in the Library of America series. It is joined in the series by six companion volumes, gathering the collected works of Mark Twain.