Reprint of the original, first published in 1841.

The History of the Life and Adventures of Mr. Duncan Campell emerges as a significant anthology, weaving together a fascinating tapestry of literary styles that range from biographical accounts to fictional narratives. This collection encapsulates the early 18th-century literary milieu, engrossing readers with its diversity and the literary prowess of its contributors. The anthology stands out for its eclectic mixture of reality and imagination, offering a unique window into the societal and cultural nuances of its time. Its significance is further underscored by standout pieces that delve into themes of disability, communication, and the nuances of human experience, articulated through a blend of memoir, fiction, and critical analysis. The contributing authors, including the well-known Daniel Defoe alongside Anonymous and William Bond, bring a rich array of backgrounds and perspectives to the anthology. This collective effort reflects the vibrant literary movements of the period, such as the rise of the novel and the exploration of individual identity and societal roles. Their contributions illuminate the complexities of the era, interweaving personal narratives with broader historical and cultural contexts, thereby providing a multifaceted exploration of the 18th century. This anthology invites readers to immerse themselves in the depth and diversity of early 18th-century literature. It offers a unique opportunity to engage with a range of themes and styles, presenting a comprehensive look into the eras social and cultural fabric through the lens of its literature. Ideal for both scholars and casual readers alike, this collection not only educates but also entices with its intriguing blend of stories and analyses. Engaging with this volume promises a rewarding exploration of the myriad ways in which the life and adventures of Mr. Duncan Campell intersect with broader literary and historical discussions.

This is a study of the 'secret history', a polemical form of historiography which flourished in England during the late seventeenth and early eighteenth centuries.

Although Mrs. Haywood was evidently not responsible for the inclusion of her tale in "The Female Dunciad," and although the piece itself was entirely innocuous, her daring to raise her head even by accident brought down upon her another scurrilous rebuke, not this time from the poet himself, but from her former admirer, Richard Savage.