Poet Ajit Sripad Rao Nalkur has been writing since age eleven and was initially inspired by the poor of the city in which he was raised. Throughout his many travels, he came to love the country folk he met. This empathy for the underprivileged, along with the innocence found in farming communities, defined his uncomplicated approach to writing poetry. In this poetry collection, his seventhand second of a possible trilogyNalkur continues to narrate the story of his love affair with the Muse, focusing on her and the effect she has on his world. Letters to the Muse II: The Return of Love flows on from the previous collection of the same title and is arranged chronologically to preserve continuity of the underlying story. His subjects are the poor and simple folk of the city and countryside. His love for humanity inspires the simplistic approach he chases throughout his life in writing. This is a peaceful collection that delves into the mysterious realms of love between dream and reality, seeking to achieve the fusion of the two worlds with poetic force and expression.

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The letters found in Volume II reveal inside accounts of how The Screwtape Letters came to be written, the early meetings of the Inklings (with J.R.R. Tolkien giving readings about "hobbits" and "Middle Earth"), how C.S. Lewis became popular through BBC radio talks, but mostly how this quiet professor in England touched the lives of many through an amazing discipline of personal correspondence.

Bringing together more than a thousand unpublished letters as well as all the widely scattered published ones, these four volumes represent the first attempt at a complete edition of the letters of Edward Fitzgerald (1809-1883). Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

During the 18th century, letter manuals became the most popular form of conduct literature. They were marketed to and used by a wide spectrum of society, from maidservants and apprentices, through military officers and merchants, to gentlemen, parents and children. This work presents the most influential manuals from both sides of the Atlantic.

I met Eric Williamson in Boulder, Colorado in 1984. We were in our early twenties and we both taught Introductory Creative Writing at the University of Colorado. We hung out in the same circles and joined other like-minded souls in late-night debates about literature and writing and philosophy and the meaning of life. Possessing a sense of unearned arrogance that comes naturally to graduate students in their early twenties, we looked forward to destinies of pre-ordained glory and success. Then we got older. Eric moved on to Houston and then Manhattan and eventually a town on the Mexican border. I moved to Syracuse and then Japan and eventually to Michigan. We would see each other from time to time in various parts of the world, but the true cement of our friendship came through our regular written correspondence. Through the years our swagger and self-importance met up with the tempering forces of actual life. Hope went to war against the realities of failed relationships and miserable jobs and poverty and alcohol and instability and despair. Getting a letter from Eric was always a momentous event. I remember delaying the gratification for hours, unsealing the envelope only when I knew I had an hour to read it and then re-read it, indulging his excessive observations and outrageous exaggerations set beside the anguished howls of genuine pain. You will never read anything like this again. Steve, 2018

Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”