“A funny and realistic coming-out tale... The rounded characters deal with betrayal and honesty and love and near tragedy in ways teen readers, gay or straight, will recognize. Just the right touch of humor, mystery, drama, and romance should earn this a place on every teen bookshelf.” — Kirkus Reviews (starred review) “We need stories that give courage to kids struggling to be honest with themselves and others about who they are. Logan tells one that will give you hope and make you laugh.” — Robbie Rogers, LA Galaxy midfielder, former midfielder for the US National Soccer Team “James and his friends have deep, meaningful, complex bonds... Logan’s look at a boy reconciling his private and public selves is well written and affecting.” — School Library Journal “Logan handles his material exceptionally well, building suspense as he dramatizes both the downside of being in the closet and the realistic complications of coming out, while creating, in James, an unusually thoughtful and sympathetic character... [a] satisfying debut.” — Booklist “A wonderful book that will encourage young readers to seek authenticity and stand up for their true selves... LGBT teens, as well as straight, will recognize much of their lives in this story. Highly recommended.” — Voice of Youth Advocates (VOYA) “Logan tackles the complexities of coming out thoughtfully, presenting realistic (and not always fully supportive) responses to James’s revelation.” — Publishers Weekly “[James’] painful, funny experiences with family, love, and friends will resonate with many teens.” — Bulletin of the Center for Children’s Books

"Logan is the oldest son of Michael and Tyra Shannon and the second of four children. When he was a toddler, his parents noticed his physical development began to deteriorate. Doctors in Cincinnati diagnosed him with Duchenne Muscular Dystrophy. Read the chronicles of how others shared his journey from walking with assistance to being confined to a wheelchair... you'll feel a part of his perspective in the value of family, friends, and faith in God"--Back cover.

Packed with superheroes, supervillains, and epic showdowns between good and evil, The Unforgettable Logan Foster from debut author Shawn Peters shows that sometimes being a hero is just about being yourself. Logan Foster has pretty much given up on the idea of ever being adopted. It could have something to with his awkward manner, his photographic memory, or his affection for reciting curious facts, but whatever the cause, Logan and his “PP’s” (prospective parents) have never clicked. Then everything changes when Gil and Margie arrive. Although they aren’t exactly perfect themselves—Gil has the punniest sense of humor and Margie’s cooking would have anyone running for the hills—they genuinely seem to care. But it doesn’t take Logan long to notice some very odd things about them. They are out at all hours, they never seem to eat, and there’s a part of the house that is protected by some pretty elaborate security. No matter what Logan could have imagined, nothing prepared him for the truth: His PP’s are actually superheroes, and they’re being hunted down by dastardly forces. Logan’s found himself caught in the middle in a massive battle and the very fate of the world may hang in the balance. Will Logan be able to find a way to save the day and his new family? 2024 Illinois Bluestem Reader's Choice Award Nominee

Robert Lowell once remarked, "When Elizabeth Bishop's letters are published (as they will be), she will be recognized as not only one of the best, but one of the most prolific writers of our century." One Art is the magificent confirmation of Lowell's prediction. From several thousand letters, written by Bishop over fifty years—from 1928, when she was seventeen, to the day of her death, in Boston in 1979—Robert Giroux, the poet's longtime friend and editor, has selected over five hundred missives for this volume. In a way, the letters comprise Bishop's autobiography, and Giroux has greatly enhanced them with his own detailed, candid, and highly informative introduction. One Art takes us behind Bishop's formal sophistication and reserve, fully displaying the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great artist.

Bestselling author Ally Carter returns with an exciting stand-alone novel, about a girl stranded in the middle of the Alaskan wilderness with the boy who wronged her... as an assassin moves in. Maddie thought she and Logan would be friends forever. But when your dad is a Secret Service agent and your best friend is the president's son, sometimes life has other plans. Before she knows it, Maddie's dad is dragging her to a cabin in the middle of the Alaskan wilderness.No phone.No Iinternet.And not a single word from Logan.Maddie tells herself it's okay. After all, she's the most popular girl for twenty miles in any direction. She has wood to cut and weapons to bedazzle. Her life is full.Until Logan shows up six years later . . .And Maddie wants to kill him. But before that can happen, an assailant appears out of nowhere, knocking Maddie off a cliff and dragging Logan to some unknown fate. Maddie knows she could turn back- and get help. But the weather is turning and the terrain will only get more treacherous, the animals more deadly. Maddie still really wants to kill Logan. But she has to save him first.

Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

Gertrude Stein wanted "Ida" to be known in two ways: as a novel about a woman in the age of celebrity culture and as a text with its own story to tell. With the publication of this workshop edition of "Ida," we have the novel exactly as it was published in 1941, and we also have the full record of its creation. Logan Esdale offers informative critical commentary and judiciously selected archival materials to illuminate Stein's experience of authorship from the novel's beginning in early summer 1937, through the various drafts and negotiations with her publisher, to the reviews that greeted the book's publication. Stein's careful and systematic preservation of all "Ida"-related materials for her archive at the Yale University Library was a conscious decision, and an invitation for us to study the complexity of her creative process.

From a nationally recognized expert, a fresh and original argument for bettering affirmative action Race-based affirmative action had been declining as a factor in university admissions even before the recent spate of related cases arrived at the Supreme Court. Since Ward Connerly kickstarted a state-by-state political mobilization against affirmative action in the mid-1990s, the percentage of four-year public colleges that consider racial or ethnic status in admissions has fallen from 60 percent to 35 percent. Only 45 percent of private colleges still explicitly consider race, with elite schools more likely to do so, although they too have retreated. For law professor and civil rights activist Sheryll Cashin, this isn’t entirely bad news, because as she argues, affirmative action as currently practiced does little to help disadvantaged people. The truly disadvantaged—black and brown children trapped in high-poverty environs—are not getting the quality schooling they need in part because backlash and wedge politics undermine any possibility for common-sense public policies. Using place instead of race in diversity programming, she writes, will better amend the structural disadvantages endured by many children of color, while enhancing the possibility that we might one day move past the racial resentment that affirmative action engenders. In Place, Not Race, Cashin reimagines affirmative action and champions place-based policies, arguing that college applicants who have thrived despite exposure to neighborhood or school poverty are deserving of special consideration. Those blessed to have come of age in poverty-free havens are not. Sixty years since the historic decision, we’re undoubtedly far from meeting the promise of Brown v. Board of Education, but Cashin offers a new framework for true inclusion for the millions of children who live separate and unequal lives. Her proposals include making standardized tests optional, replacing merit-based financial aid with need-based financial aid, and recruiting high-achieving students from overlooked places, among other steps that encourage cross-racial alliances and social mobility. A call for action toward the long overdue promise of equality, Place, Not Race persuasively shows how the social costs of racial preferences actually outweigh any of the marginal benefits when effective race-neutral alternatives are available.