Quebecois cinema, too long neglected and too long unknown by American viewers, and often not appreciated on its own terrain, receives its well-deserved defense in Janis L. Pallister's The Cinema of Quebec: Masters in Their Own House.

In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.

De la période coloniale à nos jours, une anthologie qui répond pour l'essentiel à une volonté pédagogique et est le fruit d'une recherche collective (quatre universitaires : trois Français, un Américain). Tableaux chronologiques comparatifs, notes d'élucidation, introductions et références multiples. Les textes choisis, de bonne longueur, n'ont pas été traduits. [SDM].

Follows the life of Bill, a cowboy on the open range of Texas in the 1830s and continues with his son and grandson as they witness the ever-changing landscape, the expansion of the cattle business, growth of railroads, and the end of the frontier.

The experiences of a mouse-colored horse from his birth on the range, through his capture by humans and his work in the rodeo and on the range, to his eventual old age.

The stranger (survenant) represents an important theme in Quebec literature of the second half of the twentieth century. This book analyses the role of the survenant in five major novels dating from 1945 to 1992 and shows how the theme is constantly reworked and revitalised by the authors selected. The arrival of a survenant in a community brings to the surface the conflicts and tensions which had been latent. The consequences can be tragic for all concerned. At the least the community is changed forever. This is the first study of the way in which different Quebecois authors treat the survenant and should be of interest to all students of Quebec literature and culture.