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This book is a retelling of legends featuring the well-known Polynesian mythological character, Māui (Maui), who is regarded as a significant cultural hero and trickster. His origins and exploits vary among different Polynesian cultures, but many of his main achievements remain similar. Māui's feats and adventures are recounted throughout much of Polynesia, with some stories tracing back as far as islands off New Guinea. Some of his most famous exploits include obtaining fire for humans from the underworld, fishing up islands with his magical hook, and capturing the Sun to lengthen the days.

The story of Maui in comic strip form.

"A beautiful collection of artist Peter Gossage's beloved Maori myths, in one stunning volume.Peter Gossage's memorable retellings of Maori oral myths have captivated the children of New Zealand for generations. Their dramatic and distinctive illustrations with minimal yet evocative language form a powerful combination, and each has earned its place among the beloved classics of our literature. These are exciting, magical tales of adventure and intrigue. Several feature the remarkable culture hero Maui - the quick-witted and the trickster - whose exploits include slowing the sun in its course across the sky, fishing up the North Island/Te Ika a Maui, discovering the secret of fire and his attempt to trick the goddess of death and become immortal. Maui and Other Legends contains eight essential legends. In this volume you will find timeless favourites such as How Maui Found his Mother, Battle of the Mountains, Pania of the Reef and many more. The treasury includes- How Maui Found his Mother How Maui Found his Father and the Magic Jawbone The Fish of Maui How Maui Slowed the Sun How Maui Found the Secret of Fire How Maui Defied the Goddess of Death Battle of the Mountains Pania of the Reef"

Legends of Maui (1910) is a collection of Hawaiian folktales and myths anthologized by W. D. Westervelt. Paying homage to the importance of Maui across Polynesian cultures, Westervelt introduces his groundbreaking collection of legends on Hawaii’s founding deity. Westervelt's collection connects the origin story of Hawaii to the traditions of other Polynesian cultures, providing an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Drawing on the work of David Malo, Samuel Kamakau, and Abraham Fornander, Westervelt, originally from Ohio, became a leading authority on the Hawaiian Islands, publishing extensively on their legends, religious beliefs, and folk tales. With a beautifully designed cover and professionally designed manuscript, this edition of W. D. Westervelt’s Legends of Maui is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.

Maui's rich history and culture are the foundation of these new, original short stories by Maui's award-winning author/playwright. Under Maui Skies, and Other Stories presents seven Maui tales in different genres set in a variety of Maui locales ranging in time from pre-contact Hawai`i to the 1960s. In The Cave of Whispering Spirits, a couple and family face the wrath of the goddess of fire, Pele, in the last eruption of Haleakala. That legend is followed by The Cruel Sun, the true story of a love affair in Old Lahaina and the demons that haunt them - alcoholism and missionaries. Under Maui Skies, the title story, is a western set in 1908 Kula and Kama`ole where an ordinary ranchworker is enlisted by the local sheriff to trail and report on the activities of an opium dealer called Albert Devil. The action changes in Aloha `Oe, E Ku`uipo (Goodbye, Sweetheart) when a money-strapped Wailuku detective takes on the case of a femme fatale. A rainbow of multiracial usual suspects is under the microscope in this island style homage to Dashiell Hammett and Raymond Chandler. A soldier in 1942 Pa`ia and Kihei previews, in a Twilight Zone world, the horrors of World War II at Guadalcanal in Aunty Becky's Tavern. Hawaiian culture and science fiction blend in An Island Beyond Hokule`a. A diaspora from a war-ravaged planet use the universal porthole of Haleakala in search of someone who will take a philosophy of aloha to their new home at the edge of the galaxy. The final story, Climbing Woman, a ghost story, tells the sad legend of a young woman who spirals into depression and eventually death - later sighted as the legendary White Lady who haunts `Iao Valley. Moniz's fresh voice and cadence captures the flavor of the islands and their history, using these traditional storytelling genres.

Four brothers, each bearing the name of Maui, belong to Hawaiian legend. They accomplished little as a family, except on special occasions when the youngest of the household awakened his brothers by some unexpected trick which drew them into unwonted action. The legends of Hawaii, Tonga, Tahiti, New Zealand and the Hervey group make this youngest Maui "the discoverer of fire" or "the ensnarer of the sun" or "the fisherman who pulls up islands" or "the man endowed with magic," or "Maui with spirit power." The legends vary somewhat, of course, but not as much as might be expected when the thousands of miles between various groups of islands are taken into consideration. Maui was one of the Polynesian demi-gods. His parents belonged to the family of supernatural beings. He himself was possessed of supernatural powers and was supposed to make use of all manner of enchantments. In New Zealand antiquity a Maui was said to have assisted other gods in the creation of man. Nevertheless Maui was very human. He lived in thatched houses, had wives and children, and was scolded by the women for not properly supporting his household. The time of his sojourn among men is very indefinite. In Hawaiian genealogies Maui and his brothers were placed among the descendants of Ulu and "the sons of Kii," and Maui was one of the ancestors of Kamehameha, the first king of the united Hawaiian Islands. This would place him in the seventh or eighth century of the Christian Era. But it is more probable that Maui belongs to the mist-land of time. His mischievous pranks with the various gods would make him another Mercury living in any age from the creation to the beginning of the Christian era. The Hervey Island legends state that Maui's father was "the supporter of the heavens" and his mother "the guardian of the road to the invisible world." In the Hawaiian chant, Akalana was the name of his father. In other groups this was the name by which his mother was known. Kanaloa, the god, is sometimes known as the father of Maui. In Hawaii Hina was his mother. Elsewhere Ina, or Hina, was the grandmother, from whom he secured fire. The Hervey Island legends say that four mighty ones lived in the old world from which their ancestors came. This old world bore the name Ava-iki, which is the same as Hawa-ii, or Hawaii. The four gods were Mauike, Ra, Ru, and Bua-Taranga. It is interesting to trace the connection of these four names with Polynesian mythology. Mauike is the same as the demi-god of New Zealand, Mafuike. On other islands the name is spelled Mauika, Mafuika, Mafuia, Mafuie, and Mahuika. Ra, the sun god of Egypt, is the same as Ra in New Zealand and La (sun) in Hawaii. Ru, the supporter of the heavens, is probably the Ku of Hawaii, and the Tu of New Zealand and other islands, one of the greatest of the gods worshiped by the ancient Hawaiians. The fourth mighty one from Ava-ika was a woman, Bua-taranga, who guarded the path to the underworld. Talanga in Samoa, and Akalana in Hawaii were the same as Taranga. Pua-kalana (the Kalana flower) would probably be the same in Hawaiian as Bua-taranga in the language of the Society Islands.

Soon after moving to Maui in 1983, Michelle Anderson met Maui County historian Inez Ashdown, who was then 83 years old. They hit it off immediately and Michelle became Mrs. Ashdown's close companion for the remainder of her life. She took Mrs. Ashdown holo-holo all across Maui and escorted her to many events and to her weekly show at the old Kapalua Bay Hotel. Michelle developed a deep appreciation for the wahi pana (storied places) of Maui during these outings with Mrs. Ashdown, who regaled her with stories of the distant past in every district they visited. Michelle came to realize that many of her Hawaiian friends had never heard these stories, so she promised Mrs. Ashdown that one day she would write about Maui's wahi pana to safeguard it for future generations.