Have you ever wondered what a guide dog does? How do they know to lead a blind owner? Can they understand traffic lights? Most importantly, how does the owner know where to pick up the poop? This memoir answers these questionsand more. It tells what guide dogs are supposed to do. Theyre smart, loyal and well-trainedbut not all dogs are created alike. Musket is proof of that. Hes definitely got a thing for treats and belly rubs. For the first time, the dog has his say. (Of course he needed a little help with the typing, since he doesnt have opposable thumbs. Thats where author Mark Carlson came in. Still, Musket is the brains of the outfit.) Mark and Musket tell their story with humor, emotion, and Muskets occasional contradictions. And at the end of the day, Musket somehow manages to be a great guide dog too. Confessions of a Guide Dog was written so a wonderful, devoted dog could reach out to those who havent been lucky enough to meet him. Hell make you smile, laugh, cry, and want to give him treats. This is their story. (And theyre sticking to it.)

"Makhi Xenakis has been sketching, sculpting and writing since childhood. Born in Paris, she studied architecture under Paul Virilio, then began creating theater sets and costumes, notably with Claude Regy. In 1987 she moved to New York City for two years and met Louise Bourgeois. It was a turning-point." "The French-language edition of this book, Louise Bourgeois: L'aveugle guidant l'oveugle, was published in 1998. In 1999 Makhj's sculptures went on show for the first time, and her book Parfois seule (Sometimes Alone) was published. After the death of her father, Iannis Xenakis, she wrote Laisser venit les Fantomes (Let the Ghosts Come). In 2004, doing research in the archives of the La Pitie-Salpetriere Hospital in Paris, Makhi discovered the nightmarish lives of thousands of women who for centuries were locked in the old prison that once stood there. She wrote Les Folles d'Enfer de la Salpetriere (Madwomen of Hell: La Salpetriere), and exhibited two hundred and sixty sculptures in the chapel of the Salpetriere hospital." "Her drawings and sculptures are in numerous public collections, including the Centre Pompidou, the Fonds National de l'Art Contemporain, the Bibliotheque National de France, the Manufacture Nationale de Sevres and the Fonds Municipal d'Art Contemporain de la Ville de Paris."--BOOK JACKET.

Nothing is more important than what a person believes about Jesus Christ. To understand Christ correctly is to understand the very heart of God, Scripture, and the gospel. To get to the core of this belief, this latest volume in the Foundations of Evangelical Theology series lays out a systematic summary of Christology from philosophical, biblical, and historical perspectives—concluding that Jesus Christ is God the Son incarnate, both fully divine and fully human. Readers will learn to better know, love, trust, and obey Christ—unashamed to proclaim him as the only Lord and Savior. Part of the Foundations of Evangelical Theology series.

When the lines of sanity are blurred...With the intensity and rawness of Girl, Interrupted and The Luckiest Girl Alive comes this razor-sharp debut, which reveals how one woman can go so far off the deep end, she might never make it back up.In this unexpected and addictive psychological debut, A.F. Brady takes readers into the mind of a deeply disturbed woman desperately trying to keep her head above water, showing that sometimes what's most terrifying is what exists in your head. With the intensity and rawness of Girl, Interrupted and Luckiest Girl Alive comes this razor–sharp debut, which reveals how one woman can go so far off the deep end, she might never make it back up. Sam James has spent years carefully crafting her reputation as the best psychologist at Typhlos, Manhattan's most challenging psychiatric institution. She boasts the highest success rates with the most disturbed patients, believing if she can't save herself, she'll save someone else. It's this saviour complex that serves her well in helping patients battle their inner demons, though it leads Sam down some dark paths and opens her eyes to her own mental turmoil. When Richard, a mysterious patient no other therapist wants to treat, is admitted to Typhlos, Sam is determined to unlock his secrets and his psyche. What she can't figure out is why does Richard appear to be so completely normal in a hospital filled with madness? And what, really, is he doing at the institution? As Sam gets pulled into Richard's twisted past, she can't help but analyse her own life, and what she discovers terrifies her. And so the mind games begin. But who is the saviour and who is the saved? In this unexpected and addictive psychological debut, A.F. Brady takes readers into the psyche of a deeply disturbed woman desperately trying to keep her head above water, showing that sometimes what's most terrifying is what exists in your mind.

"Bold, deeply learned, and important, offering a provocative thesis that is worked out through legal and archival materials and in subtle and original readings of literary texts. Absolutely new in content and significantly innovative in methodology and argument, Stumbling Blocks Before the Blind offers a cultural geography of medieval blindness that invites us to be more discriminating about how we think of geographies of disability today." ---Christopher Baswell, Columbia University "A challenging, interesting, and timely book that is also very well written . . . Wheatley has researched and brought together a leitmotiv that I never would have guessed was so pervasive, so intriguing, so worthy of a book." ---Jody Enders, University of California, Santa Barbara Stumbling Blocks Before the Blind presents the first comprehensive exploration of a disability in the Middle Ages, drawing on the literature, history, art history, and religious discourse of England and France. It relates current theories of disability to the cultural and institutional constructions of blindness in the eleventh through fifteenth centuries, examining the surprising differences in the treatment of blind people and the responses to blindness in these two countries. The book shows that pernicious attitudes about blindness were partially offset by innovations and ameliorations---social; literary; and, to an extent, medical---that began to foster a fuller understanding and acceptance of blindness. A number of practices and institutions in France, both positive and negative---blinding as punishment, the foundation of hospices for the blind, and some medical treatment---resulted in not only attitudes that commodified human sight but also inhumane satire against the blind in French literature, both secular and religious. Anglo-Saxon and later medieval England differed markedly in all three of these areas, and the less prominent position of blind people in society resulted in noticeably fewer cruel representations in literature. This book will interest students of literature, history, art history, and religion because it will provide clear contexts for considering any medieval artifact relating to blindness---a literary text, a historical document, a theological treatise, or a work of art. For some readers, the book will serve as an introduction to the field of disability studies, an area of increasing interest both within and outside of the academy. Edward Wheatley is Surtz Professor of Medieval Literature at Loyola University, Chicago.

This volume explores the enigmatic primary source known as the ancient military manual. In particular, the volume explores the extent to which these diverse texts constitute a genre (sometimes unsatisfactorily classified as 'technical literature'), and the degree to which they reflect the practice of warfare. With contributions from a diverse group of scholars, the chapters examine military manuals from early Archaic Greece to the Byzantine period, covering a wide range of topics including readership, siege warfare, mercenaries, defeat, textual history, and religion. Coverage includes most of the major contemporary siege manual writers, including Xenophon, Frontinus, Vegetius, and Maurice. Close examination of these texts serves to reveals the complex ways in which ancient Greeks, Romans, and Byzantines sought to understand better, and impose order upon, the seemingly irrational phenomenon known as war. Providing insight into the multifaceted collection of texts that constituted military manuals, this volume is a key resource for students and scholars of warfare and military literature in the classical and Byzantine periods.

A high-water mark of postwar German literature, a profoundly skeptical meditation on the fragility of human communities and the pitfalls and contradictions of making art. A knocking on the barn door drags us out of our sleep. No, the knocking isn't inside us, it's outside, where the other people are. With that, six blind beggars--ragged, profane, irascible--find themselves waking to yet another grim day in the dark. Today, however, something is different. Today these men have an appointment with a painter: they have been hired as models, to pose for Pieter Bruegel's grotesque masterpiece-in-the-making. With tremendous verbal ingenuity and black humor, Gert Hofmann's novel follows this tattered sextet's shambling progress across a landscape in 16th century Flanders, peopled by half-heard voices and unseen dangers, towards their ultimate encounter with the great, capricious artist, and (perhaps) their own immortality.

Shows how leaders can access the deepest source of inspiration and vision • Includes dozens of tested exercises, practices, and real-world examples We live in a time of massive institutional failure, one that requires a new consciousness and a new collective leadership capacity. In this groundbreaking book, Otto Scharmer invites us to see the world in new ways and in so doing discover a revolutionary approach to leadership. What we pay attention to and how we pay attention is key to what we create. What prevents us from attending to situations more effectively is that we aren’t fully aware of and in touch with the inner place from which attention and intention originate. This is what Scharmer calls our blind spot. By moving through Scharmer’s U process, we consciously access the blind spot and learn to connect to our authentic Self—the deepest source of knowledge and inspiration—in the realm of “presencing,” a term coined by Scharmer that combines the concepts of presence and sensing. Based on ten years of research and action learning and interviews with over 150 practitioners and thought leaders, Theory U offers a rich diversity of compelling stories and examples and includes dozens of exercises and practices that allow leaders, and entire organizations, to shift awareness, connect with the best future possibility, and gain the ability to realize it.