Late 12th-Century Poems About Love and Compassion Although she was born in France, Marie spent almost all her life in England, at the royal court of King Henry II, in the 12th century. There she wrote a series of rhymed fairy tales known as Breton lai or lays inspired from the ancients Greeks and Romans. Medieval Lays and Legends of Marie de France are a collection of 12 such poems written to both instruct and entertain the reader. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Though little is known about Marie de France, her work changed romantic writing forever. "The Lais of Marie de France" challenged social norms and the views of the church during the twelfth century concerning both love and the role of women. She wrote within a court unknown to scholars, in a form of Anglo-Norman French. Inspired by the Greeks and Romans long before her, Marie de France sought to write something not only morally instructive, but memorable, leaving an indelible imprint on the reader's memory. In her "Lais", Marie de France confronts the issue of love as a topic of suffering and misery, fraught with infidelity. What was revolutionary about this, however, was the fact that the infidelity she addressed was committed by women, and in some circumstances condoned. This challenged the submissive role of women in her time, and illustrated them with a sense of power and free will. Her condensed yet powerful imagery remains timeless, still relevant and evocative to modern day readers. This edition follows the translation of Eugene Mason and is printed on premium acid-free paper.

Could the Great Pyramid of Giza be a repository of ancient magical knowledge? Or perhaps evidence of a vanished pre–Ice Age civilization? Misinformation and myths have attached themselves to the Egyptian pyramids since ancient Greece and Rome. While many Americans believe that the pyramids were built by aliens, archaeologists understand that the Giza pyramids were built by the pharaohs of the Fourth Dynasty around 2450 BCE. So why is there such a disconnect between scholarly opinion and the popular view of Egypt? In The Legends of the Pyramids, Jason Colavito takes us back to Late Antique Egypt, where the replacement of polytheism with Christianity gave rise to local efforts to rewrite the stories of Egyptian history in the image of the Bible. When the Arab conquest absorbed Egypt into the Islamic community, these stories then passed into Islamic historiography and reentered the West. Colavito's The Legends of the Pyramids lays open pop culture's view of Egypt in movies, TV shows, popular books, and New Age beliefs, detailing how the hidden history of Egypt has grown alongside the official history of archaeology and Egyptology.

New editions, with translations and introductions. The three narrative lays presented here form a sequel to the authors' French Arthurian Literature IV: Eleven Old French Narrative Lays, published in 2007. No new edition of Ignaure has appeared since 1938 and in the meantime this poem has generated a considerable amount of critical comment, especially as it provides the first full-length example in medieval European literature of the theme of the "Eaten Heart". Oiselet recounts abird's use of three truths as a means of escaping from the clutches of an uncultivated vilain. In the extant manuscripts these truths occur in two different orders, both of which are provided in the present edition. Amours, which follows the progress of a love affair between a nobleman and his beloved, has not been edited since 1878. All three poems challenge our understanding of the term "lay", especially if we regard the lays of Marie de France as defining the principal features of this genre. GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool; LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.

A seasoned historian assembles a remarkable cadre of authors, who reveal forgotten, true stories of the American frontier.