Nothing can quench the urgent fires of love they were born to share, except one ruthless enemy, in Lady Vixen, a historical romance by Shirlee Busbee. —English High Seas to New Orleans Pirate Havens, 1808— Outwitting a ruthless plot against her life, Nicole Ashford flees her aristocratic England home on a privateer's ship bound for the luxurious pirate havens of New Orleans. Yet Nicole’s daring escape has plunged her into even graver peril... as the captive mistress to the notorious high-seas outlaw, Captain Saber. In the night hours, his savage passion makes her a woman. But it is his tender kisses that are plundering her soul. Nothing can seem to stop what has begun between them. Nothing will satiate the urgent fires of love they seem born to share. Nothing except Nicole’s cunning and ruthless enemy who refuses to let her go. Publisher Note: Shirlee Busbee's page-turning historical romance transports readers to a world of strong men, vibrant women, heart-stopping plot twists, and breathless passion that is not for the faint of heart. Don't miss these other titles from Shirlee Busbee: THE RECKLESS BRIDES, in series order The Spanish Rose Gypsy Lady Lady Vixen THE RELUCTANT BRIDES, in series order A Heart for the Taking Swear by Moonlight While Passion Sleeps THE SOUTHERN WOMEN, in series order The Tiger Lily Each Time We Love At Long Last Love a Dark Rider THE LOUISIANA LADIES, in series order Deceive Not My Heart Midnight Masquerade Love Be Mine

When beautiful and innocent Alexa Ashley is kidnapped by Adam Foxworth, she falls prey to his masterful seduction, only to find out that it is all part of a game of revenge. But two can play at that game.

From the Diary of Leonie Noirot: The perfect corset should invite its undoing . . . Lethally charming Simon Blair, Marquess of Lisburne, has reluctantly returned to London for one reason only: a family obligation. Still, he might make time for the seduction of a certain redheaded dressmaker—but Leonie Noirot hasn't time for him. She's obsessed with transforming his cousin, the dowdy Lady Gladys, into a swan. Leonie's skills can coax curves—and profits—from thin air, but his criminally handsome lordship is too busy trying to seduce her to appreciate her genius. He badly needs to learn a lesson, and the wager she provokes ought to teach him, once and for all. A great plan, in theory—but Lisburne's become a serious distraction and Leonie's usual logic is in danger of slipping away as easily as a silk chemise. Could the Season's greatest transformation be her own?

After eight years, Lucy Endcott has finally returned to London to visit her dying father, a cold disciplinarian who never approved of his eldest daughter. Lucy is a respected widow, residing in the countryside away from the wicked excess the city has to offer and her unscrupulous ex-lover, the Marchioness Irena de Macey. When Lucy finds out her youngest brother has gambled away his inheritance at the Pythos Club, she enters the den of iniquity in order to save him. Inside the club she meets the owner’s alluring daughter, Tisha McGrath, who is more than willing to help her brother…for a price. Tisha longs to introduce Lucy to those secret passions she’s kept hidden away for so long. But dark secrets and transgressions from the past connect their families in shocking ways. Both women will work together to resolve this scandal before it unravels further but Irena is waiting for the right moment to strike, and Lucy may have no other choice but to give into Irena’s demands in order to save the ones she loves from utter ruin. *Re-edit and revised 2013 title*

In Lady into Fox, Silvia Tebrick, the 24-year-old wife of Richard Tebrick, suddenly becomes a fox while they are out walking in the woods. Mr. Tebrick sends away all the servants in an attempt to keep Silvia's new nature a secret, although Silvia's childhood nurse returns. While Silvia initially acts human, insisting on wearing clothing and playing piquet, her behavior increasingly becomes that characteristic of a vixen, causing the husband a great deal of anguish. Eventually, Mr. Tebrick releases Silvia into the wild, where she gives birth to five kits, whom Tebrick names and plays with every day. Despite Tebrick's efforts to protect Silvia and her cubs, she is ultimately killed by dogs during a fox hunt. Tebrick, who tried to save Silvia from the dogs, is badly wounded, but eventually recovers. In A Man in the Zoo, Josephine Lackett and John Cromartie walking around London Zoo. They had been dating for some time and John was keen to marry Josephine but they are having an argument about it as her father didn’t approve, presumably due to the lack of money on John’s behalf. Josephine Lackett and John Cromartie walking around London Zoo as they were wont to do on a pleasant weekend. He wants them to be married regardless, but she is reluctant to fall out with her family. Exasperated, John compares his situation with the caged animals they are viewing and decides to join them as an exhibit. John’s proposal is accepted by the Zoo’s Board, and he packs his bags and takes up residence in a new cage in the Ape-house.

Reproduction of the original: Vixen by M.E Braddon

ÊWho could resist those little soft hands in doeskin? Certainly not Rorie. He resigned himself to the endurance of his mother's anger in the future as a price to be paid for the indulgence of his inclination in the present, gave Vixen his arm, and turned his face towards the Abbey House. They walked through shrubberies that would have seemed a pathless wilderness to a stranger, but every turn in which was familiar to these two. The ground was undulating, and vast thickets of rhododendron and azalea rose high above them, or sank in green valleys below their path. Here and there a group of tall firs towered skyward above the dark entanglement of shrubs, or a great beech spread its wide limbs over the hollows; here and there a pool of water reflected the pale moonshine. The house lay low, sheltered and shut in by those rhododendron thickets, a long, rambling pile of building, which had been added to, and altered, and taken away from, and added to again, like that well-known puzzle in mental arithmetic which used to amuse us in our childhood. It was all gables, and chimney-stacks, and odd angles, and ivy-mantled wall, and richly-mullioned windows, or quaint little diamond-paned lattices, peeping like a watchful eye from under the shadow of a jutting cornice. The stables had been added in Queen Elizabeth's time, after the monks had been routed from their snug quarters, and the Abbey had been bestowed upon one of the Tudor favourites. These Elizabethan stables formed the four sides of a quadrangle, stone-paved, with an old marble basin in the centreÑa basin which the Vicar pronounced to be an early Saxon font, but which Squire Tempest refused to have removed from the place it had occupied ever since the stables were built. There were curious carvings upon the six sides, but so covered with mosses and lichens that nobody could tell what they meant; and the Squire forbade any scraping process by officious antiquarians, which might lead to somebody's forcible appropriation of the ancient basin. The Squire was not so modern in his ideas as to set up his own gasometer, so the stables were lighted by lanterns, with an oil-lamp fixed here and there against the wall. Into this dim uncertain light came Roderick and Vixen, through the deep stone archway which opened from the shrubbery into the stable-yard, and which was solid enough for the gate of a fortified town. Titmouse's stable was lighted better then the rest. The door stood open, and there was Titmouse, with the neat little quilted doeskin saddle still on his back, waiting to be fed and petted by his young mistress. It was a pretty picture, the old low-ceiled stable, with its wide stalls and roomy loose-boxes and carpet of plaited straw, golden against the deep brown of the woodwork.

Part tell-all, part cautionary tale, this emotionally charged memoir from a former video vixen nicknamed 'Superhead' goes beyond the glamour of celebrity to reveal the inner workings of the hip-hop dancer industry—from the physical and emotional abuse that's rampant in the industry, and which marked her own life—to the excessive use of drugs, sex and bling. Once the sought-after video girl, this sexy siren has helped multi-platinum artists, such as Jay-Z, R. Kelly and LL Cool J, sell millions of albums with her sensual dancing. In a word, Karrine was H-O-T. So hot that she made as much as $2500 a day in videos and was selected by well-known film director F. Gary Gray to co-star in his film, A Man Apart, starring Vin Diesel. But the film and music video sets, swanky Hollywood and New York restaurants and trysts with the celebrities featured in the pages of People and In Touch magazines only touches the surface of Karrine Steffans' life. Her journey is filled with physical abuse, rape, drug and alcohol abuse, homelessness and single motherhood—all by the age of 26. By sharing her story, Steffans hopes to shed light on an otherwise romanticised industry and help young women avoid the same pitfalls she encountered. If they're already in danger, she hopes to inspire them to find a way to dig themselves out of what she knows first-hand to be a cycle of hopelessness and despair.

Aware of the covetous interest in his land, the laird of Brae Aisir announces that any man who can outfight his spitfire of a granddaughter will have her as a wife, along with her inheritance. It's a heated contest that inspires the passion of one man and the jealous wrath of another.