Points to the many ways in which the study of autobiography can contribute to the theory, practice, and politics of women’s studies as curriculum, and to feminist theory more generally.

Canto 10 of the Bhagwat Purana deals mainly with the life events of Krishna. It covers his childhood escapades which are worth picturizing, and also the later incident where he acts as a divine hero, which surely everyone desires to contemplate. This series is a loose try to sketch major events of the Canto 10. This is second book of the series, which covers events after Kamsa is dead, where the real role of ‘divine hero’ is acted by the lord, up to the last chapter of the particular canto. The previous events of the Canto 10(before killing of Kamsa) is already covered in the first of this series – Feel little Krishna.

Lord Krishna is at once historical and mythological. He is the awesome architect of His age and the illuminating mentor whose discourse, the Bhagavad Gita, is regarded as a light unto all ages. The book Krishna: A Journey through the Lands & Legends of Krishna describes well known tourist places and narrates the famous legends associated with them. It also presents places that may not be known to a common man but have witnessed the glorious pastimes of Lord Krishna and associated legends. It is an innovative book that has a happy blending of a travelogue with mythological reminiscences. The centres visited are placed in a setting which gives them a tinge of human emotions; brick and marble speak to the visitor and tell stories. The past and the present mingle, and the visit becomes a memorable experience.

Love Is In The Air And This Volume Celebrates It In 19 Different Ways.

Harris Kakoulides exposes Hare Krishna what it is A Demon in Disguise

Major Vishal Vikram Singh Kinwar is returning home on leave when his whole family is wiped out in a terrorist shootout. He decides to fulfill the dream of his late father to find the real Dwarka under the sea. With the help of his friend Major Arunoday Singh Solanki, prince of Jahanpur, an estate near the present Dwarka, and his family, they discover the real Dwarka and its treasure, only to be challenged by the Chinese and the Pakistanis as the area is in disputed waters. In the face of destroyed radios, being shipwrecked upon an island being used by cocaine smugglers, and a battle on the sea involving the Chinese and the Pakistanis, the two friends and the family of the prince manage to retrieve some of the treasure. Amongst all this drama, romance sparkles between Vishal and the sister of Arunoday. All is well that ends well.

‘Ahalya, Draupadi, Kunti, Tara, Mandodari – each of the Pancha Kanyas is fascinating ... Koral Dasgupta’s wonderful retelling adds to this corpus, with a lyrical and poetic quality’ BIBEK DEBROY THE THIRD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend. Yet what do we really know of the fire-born queen’s dreams? What were her true desires? In Koral Dasgupta’s thrilling new interpretation, Draupadi’s interior story, often relegated to the margins, is vividly foregrounded – from her unique friendship with Krishna, unconventional marriage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home. Bold, intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless. *** In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from the Hindu epics and reinvents them with a feminist consciousness. Praise for the Sati series ‘Magical and thought-provoking’ CHITRA BANERJEE DIVAKARUNI ‘Enigmatic’ NAMITA GOKHALE ‘A must for those wishing to know about our past and the dialectics of gender within it’ PAVAN K. VARMA

The Greatest Story Ever Told Dispute over land and kingdom may lie at the heart of this story of war between cousins—the Pandavas and the Kouravas—but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes us on a great journey with incredible ease.