It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

The most comprehensive guide to U.S. newspaper comics ever published

Krazy Kat & the Art of George Herriman is a tribute to one of the most influential and innovative comic strips and creators of all time. This unique collection of rare art, essays, memorabilia, and biography highlights the career of the first genius of comics, George Herriman, and his iconic creations, Krazy Kat and Ignatz Mouse. During its 31-year run, Krazy Kat was enormously popular with the public, as well as influential writers, artists, and intellectuals of the time. This book includes original essays by Jay Cantor, Douglas Wolk, Harry Katz, Richard Thompson, Dee Cox (Herriman's granddaughter), Craig McCracken, Bill Watterson, and authorized reprints of two seminal essays on Herriman by Gilbert Seldes and E. E. Cummings, alongside newly discovered vintage essays by TAD, Summerfield Baldwin, and Toots Herriman. With Krazy Kat & the Art of George Herriman, Craig Yoe reveals this influential artist and writer for a whole new generation. Praise for Krazy Kat & the Art of George Herriman "The gorgeous volume includes essays by comics historians and creators (including Calvin & Hobbes' reclusive Bill Watterson and poet e.e. cummings) as well as generous servings of sketches, strips, original art and more." --Miami Herald "Craig Yoe has dug up never-published artwork, artifacts, and letters that will bring Herriman to life for the uninitiated while giving fans something new to feast on." --Los Angeles Magazine "It's the ephemera that make this collection invaluable." --The A.V. Club "Craig Yoe has crafted a book that shows as well as it tells; it's a wonderful combination of elegant design and informed and insightful scholarship that does a fine job of conveying why the comic strip is still so fondly remembered nearly a hundred years after its creation." --ICv2

A collection of "Krazy Kat" comic strips published in American daily newspapers during the 1920s.

GRAPHIC NOVEL. The complete run of Gustave Verbeek's most famous creation, The Upside-Downs of Little Lady Lovekins and Old Man Muffaroo, and his Loony Lyrics of Lulu and Adventures of the Tiny Tads. With comics and illustrations from Verbeek's curious and varied career. Foreword by Martin Gardner. The book includes a free set of 12 Tiny Tads postcards: replicas from the 1907 series created by Verbeek.

Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.

"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.

Drawing on comic strip characters such as Buster Brown, Winnie Winkle, and Superman, Ian Gordon shows how, in addition to embellishing a wide array of goods with personalities, comic strips themselves increasingly promoted consumerist values and upward mobility.

A series of comic strips by George Herriman which feature the adventures of Krazy and Ignatz.