King's Blood is a fast-paced retelling of history's greatest life-threatening journey ever taken to become king. It is the story of David and his unconventional rise to power, but this is not your Sunday school tale. To those that know him he is nothing more than a shepherd. To his family he is the servant and the youngest of eight, but David has a secret. It is a secret that will propel him into the national spotlight with the slaying of the most notorious giant in history. The once young boy that killed a lion, a bear, and a giant destined to become king finds himself the target of the kingdom he once served. Hunted now by his father figure King Saul, David is forced to grow an army of outlaws, find the reason for which he was anointed, and wage war against his true adversary. Surprisingly, it may not be the king.

War and madness cast shadows over the lands dragons once ruled. Geder Palliako's star is rising. He is a hero of Antea, protector to the crown prince, and darling of the court. But storms from his past are gathering, and with them, a war that will change everything. Cithrin bel Sarcour founded a powerful bank on stolen wealth, forged papers, and ready blades. Now every move she makes is observed, recorded, and controlled. Unless Cithrin can free herself from her gilded cage, the life she made will be for naught; war may provide just the opportunity she needs. An apostate priest sees the hidden hand behind all: a long-buried secret of the dragon empire threatens everything humanity has built. An age of madness and death approaches, with only a few doomed heroes to stand in its way. For more from Daniel Abraham, check out: The Dagger and the Coin The Dragon's Path The King's Blood The Tyrant's Law The Widow's House The Spider's War

In this definitive biography of Sinclair Lewis (Main Street, Babbitt), Lingeman presents an empathetic, absorbing, and balanced portrait of an eccentric alcoholic-workaholic whose novels and stories exploded shibboleths with a volatile mixture of caricature and realism. Drawing on newly uncovered correspondence, diaries, and criticism, Lingeman gives new life to this prairie Mercutio out of Sauk Centre, Minnesota.

In the 1920s, black janitor Sylvester Long reinvented himself as Chief Buffalo Child Long Lance, and Elizabeth Stern, the native-born daughter of a German Lutheran and a Welsh Baptist, authored the immigrant's narrative I Am a Woman--and a Jew; in the 1990s, Asa Carter, George Wallace's former speechwriter, produced the fake Cherokee autobiography, The Education of Little Tree. While striking, these examples of what Laura Browder calls ethnic impersonator autobiographies are by no means singular. Over the past 150 years, a number of American authors have left behind unwanted identities by writing themselves into new ethnicities. Significantly, notes Browder, these ersatz autobiographies have tended to appear at flashpoints in American history: in the decades before the Civil War, when immigration laws and laws regarding Native Americans were changing in the 1920s, and during the civil rights era, for example. Examining the creation and reception of such works from the 1830s through the 1990s--against a background ranging from the abolition movement and Wild West shows to more recent controversies surrounding blackface performance and jazz music--Browder uncovers their surprising influence in shaping American notions of identity.

"Were it not for the Buddhadharma, says Charles Johnson in his preface to Turning the Wheel, "I'm convinced that, as a black American and an artist, I would not have been able to successfully negotiate my last half century of life in this country. Or at least not with a high level of creative productivity." In this collection of provocative and intimate essays, Johnson writes of the profound connection between Buddhism and creativity, and of the role of Eastern philosophy in the quest for a free and thoughtful life. In 1926, W. E. B. Du Bois asked African-Americans what they would most want were the color line miraculously forgotten. In Turning the Wheel, Johnson sets out to explore this question by examining his experiences both as a writer and as a practitioner of Buddhism. He looks at basic Buddhist principles and practices, demonstrating how Buddhism is both the most revolutionary and most civilized of possible human choices. He discusses fundamental Buddhist practices such as the Eightfold Path, Taming the Mind, and Sangha and illuminates their place in the American Civil Rights movement. Johnson moves from spiritual guides to spiritual nourishment: writing. In essays touching on the role of the black intellectual, Uncle Tom's Cabin, and Ralph Ellison, Johnson uses tools of Buddhist thinking to clarify difficult ideas. Powerful and revelatory, these essays confirm that writing and reading, along with Buddhism, are the basic components that make up a thoughtful life.

How did immigrants to the United States come to see themselves as white? David R. Roediger has been in the vanguard of the study of race and labor in American history for decades. He first came to prominence as the author of The Wages of Whiteness, a classic study of racism in the development of a white working class in nineteenth-century America. In Working Toward Whiteness, Roediger continues that history into the twentieth century. He recounts how ethnic groups considered white today-including Jewish-, Italian-, and Polish-Americans-were once viewed as undesirables by the WASP establishment in the United States. They eventually became part of white America, through the nascent labor movement, New Deal reforms, and a rise in home-buying. Once assimilated as fully white, many of them adopted the racism of those whites who formerly looked down on them as inferior. From ethnic slurs to racially restrictive covenants-the real estate agreements that ensured all-white neighborhoods-Roediger explores the mechanisms by which immigrants came to enjoy the privileges of being white in America. A disturbing, necessary, masterful history, Working Toward Whiteness uses the past to illuminate the present. In an Introduction to the 2018 edition, Roediger considers the resonance of the book in the age of Trump, showing how Working Toward Whiteness remains as relevant as ever even though most migrants today are not from Europe.

America’s racial odyssey is the subject of this remarkable work of historical imagination. Matthew Frye Jacobson argues that race resides not in nature but in the contingencies of politics and culture. In ever-changing racial categories we glimpse the competing theories of history and collective destiny by which power has been organized and contested in the United States. Capturing the excitement of the new field of “whiteness studies” and linking it to traditional historical inquiry, Jacobson shows that in this nation of immigrants “race” has been at the core of civic assimilation: ethnic minorities in becoming American were re-racialized to become Caucasian. He provides a counter-history of how nationality groups such as the Irish or Greeks became Americans as racial groups like Celts or Mediterraneans became Caucasian.Jacobson tracks race as a conception and perception, emphasizing the importance of knowing not only how we label one another but also how we see one another, and how that racialized vision has largely been transformed in this century. The stages of racial formation—race as formed in conquest, enslavement, imperialism, segregation, and labor migration—are all part of the complex, and now counterintuitive, history of race. Whiteness of a Different Color traces the fluidity of racial categories from an immense body of research in literature, popular culture, politics, society, ethnology, anthropology, cartoons, and legal history, including sensational trials like the Leo Frank case and the Draft Riots of 1863.

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