More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.

This volume is an interdisciplinary investigation and contextualization of the various concepts of divine union in the private and public sphere of the Greek and Near Eastern worlds.

Memorable Bible-Era Fiction From Award-Winning Author King Manaseh and his friend Joshua were nurtured together in the faith of their godly fathers. but anger toward God smolders in Manasseh's heart after his father's unexpected death, and his insecurity makes him easy prey for the false claims of sorcery and divination. When Joshua stands up for the truth, the battle lines are drawn, and Joshua must flee his life of privilege. Unable to understand why his boyhood friend has turned against him, and why he must stand alone in the face of such opposition, Joshua comes perilously close to losing his faith. Can Joshua rescue the faithful remnant from Manasseh's persecution? Has it all gone too far..or will he rediscover his father's God? Faith of My Fathers is a riveting story of intrigue, deception, danger, and suspense.

Fleeing King Manasseh's tyranny, Joshua leads the faithful remnant to their new home in Egypt. But as years pass, Joshua's desire for vengeance becomes an obsession. Blinded by hatred, he makes rash decisions, placing his loved ones in jeopardy. Amid Joshua's turmoil comes an unexpected awakening of love--a love that burns so intensely it draws him from the dark inner seclusion where he often retreats. But what will it take for him to grasp the great love his Heavenly Father has for him...and for the chosen people of Judah? (Chronicles of the King Book 5)

"Gods, Sages and Kings presents a remarkable accumulation of evidence pointing to the existence of a common spiritual culture in the ancient world from which present civilization may be more of a decline than an advance. The book is based upon new interpretation of the ancient Vedic teachings of India, and brings out many new insights from this unique source often neglected and misinterpreted in the West. In addition, it dicussses recent archaeological discoveries in India whose implications are now only beginning to emerge."--Publisher.

Chronicles of the Kings Book 3- God has rewarded Hezekiah's faithfulness with great wealth and power, but the godly king has no heir. In desperation, his beloved wife takes forbidden measures to ensure fertility.With all that is going on in his kingdom-- and with the Assyrians approaching-- Hezekiah does not discover his wife's idolatry until it's almost too late. Her betrayal cuts to the very core of his being and belief in God. Will his faith sustain him in the face of this deceit, and against an overwhelming enemy?

A collection of African myths, legends and fables about gods, spirits, ghosts, heroes, and animals.

When King Hezekiah discovers that God's Law forbids him to take multiple wives, he must choose one woman to love. He must also choose to trust God's promises when he decides to rebel against his powerful Assyrian overlords. Hezekiah seeks to strengthen his nation's fortifications by building a tunnel in Jerusalem to hide his water supply. The tension mounts as the Assyrians march closer--and Hezekiah's tunnel remains incomplete.With his officials advising him to submit to the Assyrians, Hezekiah's faith is once more severely tested. Chronicles of the King Book 2.

One might be surprised, astonished or indignant seeing men and women prostrating themselves in front of other men and other women. Or one might feel it is right to bow down before God, Allah, the saints, the Holy Virgin or the gods. Kings into Gods: How Prostration Shaped Eurasian Civilizations investigates the reasons why men prostrate themselves before deities or before powerful men. Through an in-depth historical and cultural analysis, this book highlights the connection between rituality and royalty within the Eurasian civilizations. The narrative and iconic documentation gathered and analyzed concerns the Greek and Roman world, the Mongolian civilization during the Middle Ages, the Hindu and Chinese civilizations, the Islamic civilization in India in the fourteenth century, the Mughal civilization and European civilization in the late Middle Ages. The different forms of the rituals in the courts of kings and emperors are tightly connected with the concept of royalty. The prostration is an act of humiliation of defeated enemies, a means to establish a abysmal distance between powerful elite and the people, a way of creating hierarchies within the elite itself.