To understand the minds of serial killers, a journalist embarks on a disturbing project. Speaking first-hand to convicted serial killers and the psychiatrists and criminologists study their crimes, she gives a nuanced and troubling report on the personalities and motivations of men who have committed unthinkable crimes.

Journalist Nadia Fezzani spent years probing the minds of serial killers in search of answers to unsettling questions: What went on in their heads as they prepared for their next crime? What drove them to murder not once, but habitually? Were they born killers, or had they begun as normal individuals and been somehow transformed into predators? Fezzani conducted groundbreaking, uncensored interviews with multiple-murderers behind bars. The account she pieces together from interviews, psychological research, criminal profiling, and genetic studies, is as unsettling as it is undeniable. The scars of abuse, and cold-blooded logic all emerge as Fezzani dissects serial killers' personalities in a quest to understand those who have committed unthinkable crimes. Through the Eyes of Serial Killers explores the leading theories on the psychology of serial killing, victim selection, and telling signs of potentially dangerous mental disturbance. It is hoped that a clear-headed understanding of serial killings can unlock better strategies to prevent, or even predict this rarest and most evil of crimes.

Lurking in the caves of eastern New Mexico, Falke, a thousand-year-old vampire, chooses his next bride: Melissa Roanhorse, an Albuquerque teenager. To regain his granddaughter’s life, Michael Roanhorse, an old Navajo sheepherder wise to the power of myth, must outwit the vampire and his loyal coven. So begins A.A. Carr’s Eye Killers, a novel that combines the Eastern European legend of the vampire with the Navajo tale of the monster slayer. The songs of Michael Roanhorse’s childhood include potent chants passed down through his grandmother, who sang to him of Changing Woman and her Warrior Twins, Monster Slayer and Child of the Water. But Michael’s spiritual strength and his memory have waned with the years. Who is left to help reunite him with his family and his family with their heritage? Michael enlists Diana Logan, Melissa’s young English teacher, to wrestle Melissa from the vampire. But to conquer Falke they must also overpower his coven: Elizabeth, captured by Falke in the 1850s during her family’s journey along the Santa Fe Trail, and Hanna, once a prostitute in Old Albuquerque, who aspires to supplant Falke’s vampire reign. Michael must invoke ancient traditions to bring Melissa home. The elders undertake to teach Diana, but her Irish-American heritage has not prepared her for a fight against shape-shifting vampires who have lived-and murdered-for centuries. In Eye Killers, Carr delivers an imaginative clash of cultures-both a suspenseful thriller and a valid rendering of Navajo and Pueblo tribal life in contemporary New Mexico. His inventiveness, expressed through melodic prose and layers of fine storytelling, weaves new legends of the American Southwest.

Mitchell reveals the chilling true story of serial killer Coral Eugene Watts, the prime suspect in more than 90 unsolved murders in and around Texas in a case that was featured on "60 Minutes." of photos. Original.

In the summer of 1993, James Wood brought terror to the unassuming town of Pocatello, Idaho. Wood, the stranger in town, looked quite ordinary. The truth came to light only after the abduction and murder of Jeralee Underwood, the 11-year-old daughter of a devout Mormon family. Author Terry Adams teams up with lead investigator Scott Shaw and forensic psychologist Mary Brooks-Mueller to take readers behind the headlines into the heart of the Idaho investigation. Photo insert.

Through the Eyes of a Killer By: Scott Millard Atherton Through the Eyes of a Killer takes you deep into the minds of murder for profit schemes like snuff films, secret agents and organized crime. Dive into the world's of Axel, Jennifer, Vic, Louie and Chase to see which disturbing task will come next. You will be biting your fingernails as the story unravels as you witness the five main characters' meet their fate. This is a dark tale, not for the weak hearted.

From his very first poem in 1990, D. Alexander Holiday has engaged in an intense form of poetry that might be called Reality Writing. He has dealt with issues both personal (the abandonment and loss of never knowing his own parents), and universal (racism, genocide, imperialism). Now he returns with more poignant poems in which he continues a tradition he began long ago: putting people on trial in the public arena. In this case, the defendants include those who have united against him to prevent him from gaining custody of the granddaughter he was never informed he had – until the death of his own daughter, the little girl’s mother. Together with assorted letters and documents, this body of work tells the often horrifying story of Mr. Holiday’s run-ins with the human race: with the abusive and sadistic foster parents with whom he spent his first 18 years of life, having been abandoned by his mother and father (“Somehow Mama Knew”); with his daughter’s mother (“Ashes to Ashes,” “All the Killers Gathered”); and with co-workers (“Please Tell Massuh,” “How I Am Perceived”). But they also offer a few moments of gentle respite in the form of salutes to comedians whose work got him through the worst of times (“Stop Laughing at Me” and “Final Curtain”). As you read these poems, you will gradually learn of the insidious pattern of betrayal and deceit to which Mr. Holiday has been subjected to since his daughter’s mother packed up their child and moved her back down to New York City when she was still an infant. You will learn why he had no contact with his daughter, whom he loved deeply, for over 10 years – until he learned of her death in a most bizarre manner. And as you read of his conflicts with the human race - the years spent in abusive foster homes, repeated betrayals at the hands of family members, acquaintances, and others - you will marvel at the amazing story of a man who faced utter abandonment and turned to reading and writing instead of drugs, alcohol, or even more destructive forms of catharsis and escape which he might have (understandably) chosen.

Where murder takes on a rhyming quality and capture ends the verse. Detective Katie Knight is Philadelphia's top monster hunter. Katie and her partner, Avis Rent are assigned to the Pied Piper case, the name the newspapers have given to the latest serial killer running amuck in the city. The killer's signature is one Katie has never seen. Everything about the case is unusual and eluding. Katie has to prove herself since the antiquated Chief of Detectives wants all women ...especially her out of the homicide division. Katie refuses to give up in spite of the numerous dilemmas she faces. The Rhyme Killers has an ending so bizarre no reader will be able to determine the outcome.

SUPER Fabulous Fathers NOT HIS WIFE Kate McDaniel had stolen Walker Ford's heart years ago, and she held it still—even though she'd married his best friend. NOT HIS BABY Now Kate was widowed, and it was Walker's last chance to convince her that he was the one she should have married, he who should have been her baby's father—but could he put their relationship at risk just when Kate needed him most? BUT FINALLY HIS FAMILY? This SUPER FABULOUS FATHER would settle for nothing less than the permanent position of husband!

Robert Keppel explores in unflinching detail the monstrous patterns, sadistic compulsions, and depraved motives of serial killers. From the Lonely Hearts Killer who hunted the most desperate of women in 1950s America to such infamous symbols of evil as Jeffrey Dahmer, Ted Bundy, and John Gacy, these are the cases--horrifying, graphic and unforgettable--that Keppel ingeniously taps to shed light on the darkest corners of the pathological mind. Foreword by Ann Rule.