Nobody likes a shakedown. Especially not Denis Carroll, proprietor of The Brass Lantern, a dive bar in a bleak southern Illinois town. Five years ago Denis gunned down a dirtbag who was attempting to hold up his bar. At least that’s what the cops think. After the shooting, Denis’ hotheaded younger brother, Vince, insisted on taking the rap. No big deal. He’d plead self-defense. Case closed. What the Carrolls didn’t count on was the cops discovering a huge stash of weed in a back room, locally sourced marijuana the Carrolls peddled “to make ends meet.” Weed supplied by the psychotic Goodwin Brothers, Clay and Randy. Vince ended up taking the fall for that, too. With Vince behind bars and Denis promising to keep his nose clean, the Goodwins turn to blackmail to force the Carrolls back into the illegal drug trade. Play along or the Goodwin Brothers (one of whom witnessed the shooting at the bar) will finger Denis as a murderer. Meanwhile the Goodwins have troubles of their own, specifically their niece, Erica. As a child, Erica witnessed her sister being sexually abused by her Uncle Clay. As a young woman, she saw her fiancé shot down at a local bar by one of the Carrolls. Erica is determined to get revenge on both men. How much better if she can kill two birds with one stone—get rid of her uncle and pin his murder on that murderous bar owner? In this darkly humorous small-town noir everyone has something to hide and nothing is as it seems.

Sarah M. Chen’s Anthony Award-nominated and IPPY Award-winning debut. Life is a constant party for restaurant manager, Finn Roose. When he seduces an underage woman on one of his booze cruises and loses her—literally, it sets off a massive search involving the police, her parents, and a private investigator. Finn is an expert manipulator but his endless lies only tighten the screws on himself and his unsuspecting best friend. Finn scrambles to make things right which may be too much to ask from a guy who can’t resist a hot babe and a stiff drink. Praise for CLEANING UP FINN: “Chen creates a compelling character with restaurant manager Finn Roose. Readers with certain taste (like me) will enjoy watching this self-deluded ladies man bumble from one mistake to another, trying to hide his involvement with a missing teenage girl. Sarah M. Chen creates a hybrid West Coast restaurant noir novella. A great read.” —Travis Richardson, author Lost in Clover “A speedboat ride along the Southern California coastline where the sun shines a light on the lecherous locals. Finn Roose is an opportunistic restaurant manager who finally gets in over his head when he meets an underage femme fatale. Lives are shattered and bullets fly through the salty ocean air in this fast-paced debut from Sarah M. Chen.” —S.W. Lauden, author of Bad Citizen Corporation and Crossed Bones “If you like your crime fiction the way Finn Roose likes his women, hard and fast, you’ll love Sarah M. Chen’s debut novella. A challenging, unsentimental look at a man who may be beyond redemption. Chen is a writer to watch.” —Matt Coyle, author of the Anthony Award-winning Rick Cahill crime series “Cleaning Up Finn is a complex morality tale of debauchery, selfishness, sacrifice, and guilt. This romp of a noir through Southern California’s South Bay will stay with you, challenging your ideas of poetic justice and leaving you wanting more from Sarah M. Chen.” —James W. Ziskin, author of the Anthony, Barry, Macavity and Lefty Award nominated Ellie Stone mysteries “A gritty and compelling journey, Chen navigates the intricate labyrinth of great modern storytelling with believable style. I’ll be tapping my foot waiting for more from this incredible author and more of her character Finn.” —Darrell James, author of the award-winning Del Shannon series

Jon Catlett, a misanthropic literary obsessive, is facing the loss of the only thing in the world he loves; his used bookstore, a haven for fellow weirdos, outcasts, misunderstood geniuses and malcontents. Jon has several other problems, the least of which are his love affair with a bi-polar femme fatale heiress to a thriving northern steel company or the exponentially growing opiate habit he has developed. When Jon, during a deal gone wrong, accidentally kills a fellow drug addict, getting away with murder turns out to be the least of his worries. The steps he and Paul, the obsessive-compulsive manager of Jon's store, must take to cover up the killing result in the two cornering Louisville's blossoming heroin trade. From West End gangbangers to dirty cops and crusading narcotics detectives, Jon and his unstable partner in crime must dilute their morals and thicken their skin if they are to have any hope of surviving the lucrative but deadly life they've stumbled upon. Praise for THE COST OF DOING BUSINESS: “Poetic, down trodden and nihilistic, Jonathan Ashley treads through parts of the human psyche that others fear for one black tar mind-f**k-ride of a novel.” —Frank Bill, author of Crimes in Southern Indiana and Donnybrook “Ashley breaks our hearts, he breaks all the rules and, most importantly, he breaks our expectations of what a simple crime story can be. He shatters it, in fact, leaving readers craving another deadly taste—much like the lost souls in this chilling, amazing story.” —Patrick Wensink, author of Broken Piano for President “We live in a capitalistic society, yes, but nobody said doing business is easy or even enjoyable. Jonathan Ashley makes this point quite well in The Cost of Doing Business. Of course when the business is the heroin trade, the stakes are life and death, but is the suspicion, the betrayal, the plotting and scheming, all that different than what goes on in the corporate world? Louisville bookstore owner Jon Catlett leaves his used volumes of Yeats behind to get into the drug trade and make some real money, and the result is blood-filled mayhem. He never loses his sense of literate irony, though, taking us through a fast, unpredictable novel with equal parts darkness and humor. A very confident debut.” —Scott Adlerberg, author of Spiders and Flies

A Crime Novella. When two young girls disappear with a trunk-load of pot, unaware their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California on a violent, twisted goose-chase that ends in a horrific place none of them could have foreseen. Praise for PIGGYBACK: “Piggyback restores noir to its dark kingdom, a rollicking pumping novel of losers, psychos, stone killers, idiotic amateur rip-off artists, and a road-movie of a story that is as fast as it is beautifully written. Think Don Winslow’s Savages meets Christopher Cook’s Robbers and you have the dark read of the year.” —Ken Bruen, two-time Shamus Award-winner “Piggyback is a wild frenzy of drugs, violence, and crazy plot twists. Somebody needs to make the film version.” Tony DuShane, author of Confessions of a Teenage Jesus Jerk

“The stories in this breathless and relentless collection are rendered in a voice both elegant and manic, as if we’re seeing the world through a surreal and yet precise kaleidoscope, one that both celebrates and condemns our foibles and follies. Satirical and cutting as Jonathan Swift, hectic and skewed as Van Gogh, bitter and morbid as Poe, the stories collected in The Selected Letters of the Late Biagio Serafim Sciarra show us that all is not well in Paradise, that the savage wealth of America has created a land of lunacy. Perhaps only Gogol and Barthelme have written stories this fantastically brutal and beautiful. George Williams is one of the finest minds and writers of our generation.” —Eric Miles Williamson

When rare photos‚ a scandalous diary‚ and a beautiful woman all go missing at once‚ the stage is set for three challenging cases for Henry Swann. It begins with an offer to partner up with his slovenly‚ unreliable frenemy‚ Goldblatt. The disbarred lawyer-turned-“facilitator” would provide the leads and muscle‚ while Swann would do all the fancy footwork. A lost diary by a free-loving Jazz Age flapper is worth enough to someone that Swann takes a beat down on an abandoned boardwalk. Pilfered photos of Marilyn Monroe propel him deep into the past of an alcoholic shutterbug‚ his wife; and he’s hired to search for a lonely writer’s runaway girlfriend. The cases converge and collide in a finale that lifts the curtain on crucial‚ deadly facts of life for everyone—including Swann himself. Praise for SWANN'S LAKE OF DESPAIR… “Smart, satisfying, even profound, this is exactly what every mystery reader is looking for: A terrific story, full of wit and originality, and a master class in voice. Charles Salzberg is a true talent, and his Henry Swann is a classic — complex, hilarious, and completely charming.” —Hank Phillippi Ryan, Mary Higgins Clark award winner for The Other Woman, Agatha winner for The Wrong Girl.

An estranged family member! A score to end all scores! Continued gastrointestinal issues! Five years after surviving the most harrowing heist of her life, Fantine Park is lured back to the United States by her aunt. The bait: a lead on the identity of her mother’s killer and a score known as the ‘pension plan’, a piece of software that can literally pay out in perpetuity if they can get their hands on it in time. Working with a team of actual professionals with their own motivations; Fan’s loyalties and beliefs will be tested as nothing is as it seems; especially when one of the members of this crew may have been the last person to see her mother alive. It’s going to be lies, murder, and gas station hot dogs all the way down as Fan races to get the answers about the day her mother died and maybe, just maybe, the kind of cash that will pull her away from a continued life of crime. Praise for PULL & PRAY: “Tough, sly, and funny as hell; Fantine Park is a noir hero for a new century. With Pull & Pray, Angel Luis Colón continues to show why he’s one of the finest voices in crime fiction.” —Nick Kolakowski author of Slaughterhouse Blues and Somebody’s Trying to Kill Me “Slick, smart and bristling with attitude, Pull & Pray is a fast-paced and fun romp of a heist novel. With the badass characters of Fan and Matty leading the way, Angel Luis Colón proves that he has his finger on the pulse of contemporary crime fiction.” —Steph Post author of Walk in the Fire “Pull & Pray will have you laughing a one minute and shaking your head in disbelief the next. Can’t wait to see where Colón takes Fantine Park next!” —Hector Acosta author of Hardway

When Jay Desmarteaux steps out of from prison after serving twenty-five years for murdering a vicious school bully, he tries to follow his convict mentor’s advice: the best revenge is living well. But questions gnaw at his gut: Where have his folks disappeared to? Why do old friends want him gone? And who wants him dead? Teaming with his high school sweetheart turned legal Valkyrie, a hulking body shop bodybuilder, and a razor-wielding gentleman’s club house mother, Jay will unravel a tangle of deception all the way back to the bayous where he was born. With an iron-fisted police chief on his tail and a ruthless mob captain at his throat, he’ll need his wits, his fists, and his father’s trusty Vietnam war hatchet to hack his way through a toxic jungle of New Jersey corruption that makes the gator-filled swamps of home feel like the shallow end of the kiddie pool.

The year is 1953. Disgraced in the psychiatric hospital where he’d practiced for nearly thirty years, Dr. Walter Freeman has taken to traversing the country and proselyting about a very new kind of salvation: the transorbital lobotomy. With an ice pick and a hammer, Freeman promises to cure depression and catatonia, delusions and psychosis, with a procedure as simple and safe as curing a toothache. When he enters the backwater Oklahoma town of Burnwood, however, his own sanity will be tested. Around him swirls a degenerate and delusional cast of characters—a preacher who believes his son to be the Messiah, a demented and violent young prostitute, and a trio of machete-wielding brothers—all weaved into a grotesque narrative that reveals how blind faith in anything can lead to destruction. Praise for THE INCURABLES: “A twisted tour through the asylum that Jon Bassoff calls his mind. The Incurables is filled with the mad and desperate, but ultimately it’s the humanity that Bassoff finds in his broken characters that sets this novel apart. Don’t get me wrong though, The Incurables is certifiably insane—and I mean that in the best possible way.” —Johnny Shaw, Anthony Award-winning author of Big Maria “Jon Bassoff’s The Incurables practically bleeds off the page with a dark poetry so intense, that you can still feel it after your eyes are closed. It’s the rarest type of novel that won’t only sink its teeth into you, it will leave you relishing the scar.” —Todd Robinson, author of The Hard Bounce “With influences and homage as wide and varied as The Alcoholics, Cuckoo’s Nest, and ‘Murder in the Red Barn,’ The Incurables oddly and most affectionately invokes Nick Cave—but not Cave the singer, Cave the novelist—with its backwoods preachers, hellbent harlots, and dead-eyed dreamers. Think And the Ass Saw the Angel, only superiorly written, carved by prose that cuts deep. Bassoff’s crooked trip to hell is a powerful rumination on the beauty of the damned.” —Joe Clifford, author of Junkie Love and Lamentation “The Incurables reads like an unhinged murder ballad. In it, Bassoff’s crafted a violent—and oddly affecting—ode to the outcasts, the downtrodden, the broken, the grotesque, and the misunderstood.” —Chris Holm, author of The Big Reap “The Incurables is terse, sparse and brutal, yet strangely touching at times. Another winner from the Bassoff pen.” —William Meikle, author of The Hole “Imagine One Flew Over the Cuckoo’s Nest as re-written by Elmore Leonard. A mesmerizing novel.” —Ken Bruen, Shamus Award-winning author of The Guards

Route 12 is two haunting novellas set in Appalachia in the seventies and eighties. These are stories of people down on their luck—a girl crippled by a bad dose of polio vaccine, a young pregnant woman with no one to turn to, a mother desperate for cash who makes a terrible mistake. In this debut book from Marietta Miles, God's country is as corrupt as any place on earth and trusting anyone is a dangerous proposition. Praise for ROUTE 12: “Miles rolls on instinct infused with raw talent, utilizing a palate of emotion to repaint what we thought was Southern noir, turning it into something new, something poignant, something entirely hers.” —Tom Pitts, author of Hustle and Knuckleball