This book presents the findings of an in-depth qualitative longitudinal investigation into the willingness to communicate (WTC) of individuals who, through varying migration channels, left one cultural/linguistic context to make a new life in another. It examines communication behaviours and language choice in multilingual community contexts and emphasises how even the most trivial of communication events are embedded in histories of previous communication and are influenced by emotions connected with a person’s overall life situation. The book fills a gap in contemporary WTC research by examining how WTC operates in multilingual community contexts. Through the use of a complexity lens and the presentation of a revised 3D pyramid model, the authors demonstrate the dynamic nature of WTC and shed new light on processes that affect communication, migration and well-being. This book will be of interest to researchers seeking to explore individual differences using context sensitive and temporally focused designs.

This book provides a pioneering and provocative exploration of the rich synergies between adaptation studies and translation studies and is the first genuine attempt to discuss the rather loose usage of the concepts of translation and adaptation in terms of theatre and film. At the heart of this collection is the proposition that translation studies and adaptation studies have much to offer each other in practical and theoretical terms and can no longer exist independently from one another. As a result, it generates productive ideas within the contact zone between these two fields of study, both through new theoretical paradigms and detailed case studies. Such closely intertwined areas as translation and adaptation need to encounter each other’s methodologies and perspectives in order to develop ever more rigorous approaches to the study of adaptation and translation phenomena, challenging current assumptions and prejudices in terms of both. The book includes contributions as diverse yet interrelated as Bakhtin’s notion of translation and adaptation, Bollywood adaptations of Shakespeare’s Othello, and an analysis of performance practice, itself arguably an adaptive practice, which uses a variety of languages from English and Greek to British and International Sign-Language. As translation and adaptation practices are an integral part of global cultural and political activities and agendas, it is ever more important to study such occurrences of rewriting and reshaping. By exploring and investigating interdisciplinary and cross-cultural perspectives and approaches, this volume investigates the impact such occurrences of rewriting have on the constructions and experiences of cultures while at the same time developing a rigorous methodological framework which will form the basis of future scholarship on performance and film, translation and adaptation.

The Short Stories In This First English Anthology Forcefully Convey The Differentness Of Dalit Literature. The Protagonists Of These Stories Are Shown Struggling For Survival At Their Different Levels Confronting Limitations, Abject Poverty, Misery And Brutality And Fighting A Brave Battle.

While many books have been written about basic literacy, few offer detailed information on how to plan and carry out a community literacy project. Fewer still give guidance in tackling the additional barriers of language, culture, and logistics in developing countries and in treating the local community as an active partner rather than a passive recipient in the literacy process. In Local Literacies: Theory and Practice, Glenys Waters includes these elements and presents a practical guide for developing a literacy program. Beginning with a discussion of the theories of learning and reading, the author provides a detailed description of how to plan and organize a literacy program when the practitioner has little to go on but wit, knowledge, and determination. With approximately one half of the book given to the development of instructional methods and materials in reading, writing, and basic math, Local Literacies will be especially helpful to those doing literacy work in linguistically diverse settings in much of the developing world. The reader will quickly discover that this is a book written by a person who has “been there and done that.” Waters has spent more than twenty years in Australia and Papua New Guinea, both as a practitioner and a consultant in programs of literacy for adults and children. This personal experience, plus a thorough knowledge of the professional literature, makes Local Literacies a “must” for the pioneering literacy worker.

Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.

Tana Toraja is a highland region in the Indonesian province of South Sulawesi, best known today for its exquisite Arabica coffee and as an exotic destination for cultural tourism. Toraja is a place, but more importantly, it is a people who have been shaped by location, and by selective absorption of and resistance to cultural forces from the Islamic lowlands. This ambitious, multifaceted study traces the history of Tana Toraja over more than a century, from 1870, forty years before the Dutch took control of the highlands, to the 1990s. It shows how the people of this area renegotiated their place in the province and in the Indonesian nation during times of major political change, and succeeded in avoiding ethnic and religious hostility of the sort that has recently plagued nearby Central Sulawesi and other parts of Eastern Indonesia. Drawing from Dutch and Indonesian archives as well as extensive interviews, Terance Bigalke discusses a wide range of subjects, including trade (in coffee, slaves and arms), the missionary presence, colonial administration, modern education and the development of ethnic consciousness, religious change, and the growth of political activity.

In a quiet village, disaster strikes in the form of an apparent, vicious murder. This is followed by a series of bizarre deaths. The frightened villagers seek supernatural explanations. All the superstition that lay under the peaceful life of the villagers surface. Who was the murderer? In a tale of murder, mystery, fear and magic, find out if the villagers would be able to comprehend and fight the forces against them in The Village of Shadows.

Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.