Since the iconoclastic controversies of the eighth and ninth centuries, the visual arts have been the subject of much ecclesiastical discussion and contention. In particular, since the mid-1960s Protestant scholars and clergy have been paying more attention to the potential role of the visual arts in theology and liturgy of the Christian Church. As a result, numerous programs were begun under a variety of nomenclature, e.g., Religion and the Arts, Theology and the Arts, etc. Most of the essays in this book were originally presented as part of the Pruit Symposium on "Interpreting Christian Art, " held at Baylor University in October 2000. The symposium provided the opportunity to bring together scholars, clergy, and laity who are interested in the question of how religious art can contribute to the life of the contemporary Christian community. The resulting essays are a rich fare in interdisciplinary exploration of Christian art by art historians, theologians, and biblical scholars. Essayists include Margaret Miles, Robin M. Jensen, Graydon F. Snyder, Charles Barber, Anthony Cutler, William M. Jensen, Paolo Berdini, John W. Cook, and the editors, Heidi J. Hornik and Mikeal C. Parsons.

Representing four centuries of collecting and 1000 years of Jewish history, this book brings together extraordinary Hebrew manuscripts and rare books from the Bodleian Library and Oxford colleges. Highlights of the collections include a fragment of Maimonides' autograph draft of the Mishneh Torah; the earliest dated fragment of the Talmud, exquisitely illuminated manuscripts of the Hebrew Bible; stunning festival prayerbooks and one of the oldest surviving Jewish seals in England. Lavishly illustrated essays by experts in the field bring to life the outstanding works contained in the collections, as well as the personalities and diverse motivations of their original collectors, who include Archbishop William Laud, John Selden, Edward Pococke, Robert Huntington, Venetian Jesuit Matteo Canonici, Benjamin Kennicott and Rabbi David Oppenheim. Saved for posterity by religious scholarship, intellectual rivalry and political ambition, these extraordinary collections also detail the consumption and circulation of knowledge across the centuries, forming a social and cultural history of objects moved across borders, from person to person. Together, they offer a fascinating journey through Jewish intellectual and social history from the tenth to the twentieth century.

Though Eidlitz's career faltered in New York in the 1880s, his blend of idealism and pragmatism, of science and art, became crucial to the further development of organic architecture in Chicago."--BOOK JACKET.

A unique visual history of the bestselling book of all time, Bibles: An Illustrated History from Papyrus to Print provides a snapshot of the biblical tradition through over fifty rare and important Bibles.Following a general introduction, the Bibles are presented in chronological chapters giving a short introduction for each period. Every example, from the oldest biblical fragments dating from c. 200 AD to the lavishly decorated gospels of the fine press tradition in the twentieth-century, is illustrated and accompanied by a caption which explains its particular significance.Drawing exclusively on Oxford’s collection, one of the finest in the world, this book tells the remarkable story of the development of the Bible across media, language, and provenance. Containing many unusual examples, some of which have never been illustrated in print before, it includes many of the great biblical texts of the Eastern and Western tradition, including the Magdalen Papyrus, the Laudian Acts, the Anglo-Saxon Exodus, St Margaret’s Gospel-book, the Douce Apocalypse, the Bible Moralisee (MS. Bodley 270b), the Kennicot Bible, the Guttenberg Bible, and the King James Bible.Published in the year of the 400th anniversary of the King James Bible, Bibles: An Illustrated History from Papyrus to Print brings together an extraordinary range of biblical texts and marks a milestone in the history of one of the most influential and enduring books in the world.

First published in 2003, Medieval Iberia: An Encyclopedia, is the first comprehensive reference to the vital world of medieval Spain. This unique volume focuses on the Iberian kingdoms from the fall of the Roman Empire to the aftermath of the Reconquista and encompass topics of key relevance to medieval Iberia, including people, events, works, and institutions, as well as interdisciplinary coverage of literature, language, history, arts, folklore, religion, and science. It also provides in-depth discussions of the rich contributions of Muslim and Jewish cultures, and offers useful insights into their interactions with Catholic Spain. With nearly 1,000 signed A-Z entries and written by renowned specialists in the field, this comprehensive work is an invaluable tool for students, scholars, and general readers alike.

The Bible and Jews in Medieval Spain examines the grammatical, exegetical, philosophical and mystical interpretations of the Bible that took place in Spain during the medieval period. The Bible was the foundation of Jewish culture in medieval Spain. Following the scientific analysis of Hebrew grammar which emerged in al-Andalus in the ninth and tenth centuries, biblical exegesis broke free of homiletic interpretation and explored the text on grammatical and contextual terms. While some of the earliest commentary was in Arabic, scholars began using Hebrew more regularly during this period. The first complete biblical commentaries in Hebrew were written by Abraham Ibn ‘Ezra, and this set the standard for the generations that followed. This book analyses the approach and unique contributions of these commentaries, moving on to those of later Christian Spain, including the Qimhi family, Nahmanides and his followers and the esoteric-mystical tradition. Major topics in the commentaries are compared and contrasted. Thus, a unified picture of the whole fabric of Hebrew commentary in medieval Spain emerges. In addition, the book describes the many Spanish Jewish biblical manuscripts that have remained and details the history of printed editions and Spanish translations (for Jews and Christians) by medieval Spanish Jews. This book will appeal to scholars and students of medieval Spain, as well as those interested in the history of religion and cultural history.

This book discusses the decoration types of Sephardic illuminated Bibles in their broader historical, and social context in an era of cultural transition in Iberia and culture struggle within Spanish Jewry.