The surprising story of how wrestling superstar Glenn "Kane" Jacobs beat all the odds to become the mayor of Knox County, Tennessee. Even in his heyday in wrestling, Jacobs was inspired to pursue politics by popular libertarian figures such as former Republican presidential candidate Ron Paul, Republican Senator Rand Paul, Fox News' Judge Andrew Napolitano and others, and that led him to fulfill his own political ambitions. Before becoming Mayor Kane, Glenn "Kane" Jacobs was one of WWE's top Superstars for over two decades and traveled the globe with the likes of "Stone Cold" Steve Austin, Dwayne "The Rock" Johnson, John Cena, Ric Flair, and many others. He dominated the WWE with The Undertaker as the "Brothers of Destruction." Kane reinvented himself with the help of Daniel Bryan forming "Team Hell No." He set "Good ol' JR," Jim Ross on fire. The wrestler-turned-politician hasn't hung up his wrestling boots yet. Politics is a contact sport and Jacobs is using his wrestling skills in that arena. Jacobs supports President Trump and his agenda, and is implementing conservative policies in Tennessee.

Kane has always been a dark, complex, and haunted man, and fans have always been drawn to him. They have wondered what caused his pain and suffering. What was his motivation?Instead of basking in the glow of the spotlight, Kane has shunned attention. Kane did not utter a single word for the first years of his career. In a time when Superstars scream for attention, he drew in the masses with onlyhis presence.Journey Into Darknessis the story of a boy who suffers an unspeakable childhood tragedy, losing his family in a fiery blaze. This left him aloneand at the mercy of strangers, who whispered about this friendless child who must be cursed.Follow Kane into a terrifying place that few would dare to go -- his life.

Collects five occult tales about Kane, red-haired and left-handed mighty being: • Reflections for the Winter of My Soul (1973) • Misericorde (1983) • The Other One (1977) • Sing a Last Song of Valdese (1976) • Raven's Eyrie (1977)

Eighteen year old Tatum O'Shea is a naive, shy, little rich girl. Twenty-three year old Jameson Kane is smart, seductive, and richer. They come together for one night, one explosion, one mistake, and Tate is hurled into space – no family, no money, and no Jameson.Seven years later, life is going pretty good for Tate, when she runs into Jameson again. This time, she thinks she's ready for him. She doesn't have a naive bone left in her body, and she can't even remember what shy feels like. Jameson has evolved into Satan – sharp teeth, sharper claws, and a tongue that can cut her in half. It all sounds like fun to a girl like Tate, and she is ready to play, determined to prove that she isn't the same girl he conquered once before. A series of games start, each one more devious than the last.But the devil likes to play dirty, and she learns that playing for souls is playing for keeps. The lines between games and reality, heaven and hell, get blurry. Can she beat Jameson at his own game before someone gets hurt? Or will he leave her soulless, making him the winner, once and for all?WARNING: contains a wannabe B-rate porn star, an impersonal personal assistant, and the F-word, A LOT. Also graphic sexual situations and sadomasochistic themes

In the great battle among the witches, Vampires and the Werewolves, one group came out triumphant, but it came with a price. Clara fell in love with Kane without both of them knowing the real identities of each other. Kane was the son of Conri, the sworn enemy of her mother and her kind and the individual responsible for her father’s death. Little they did when they finally discovered who they were by then, both of them were deeply in love with each other. They swore not to let the enmity between their kinds interfere in their love. Their love and trust for each other will be put to test when it was thought that, Ferahon disguised as her own daughter with the power of her magic and killed the almighty Alpha Conri. The witches have always blamed the wolves for the death of Clara’s father, and her mother vowed to take revenge. The heated wars with the Werewolves saw Clara's secret relationship with Alpha Kane (the Alpha Supreme of the Nazan Wolf clan), in jeopardy. In this quintessential example of forbidden love, follow our main characters as they navigate through their identities and their past. Will they let history dictate their future, or will they find the happiness they eventually deserve?

This beautifully designed and richly illustrated book recreates Paul Kane's heroic 1845 -- 48 journey from the Great Lakes to the Pacific coast, and brings to life the people, places, and events he encountered. He returned to Toronto with some 500 field sketches which he used as the basis for oil pointings depicting scenes of Indian life. Illustrated with a wide selection of the field sketches as well as his oil paintings, this book reintroduces a remarkable artist to a modern audience. This fascinating text helps us to understand a world now lost to us. It helps to preserve cultures and peoples swallowed up in the western migrations in both the United States and Canada. It takes us into the soul of its subject. -- Salem Statesman Journal

Sarah Kane was one of the landmark playwrights of 1990s Britain, her influence being felt across UK and European theatre. This is the first book to focus exclusively on Kane's unique approach to mind and mental health. It offers an important re-evaluation of her oeuvre, revealing the relationship between theatre and mind which lies at the heart of her theatrical project. Drawing on performance theory, psychoanalysis and neuroscience, this book argues that Kane's innovations generate a 'dramaturgy of psychic life', which re-shapes the encounter between stage and audience. It uses previously unseen archival material and contemporary productions to uncover the mechanics of this innovative theatre practice. Through a radically open-ended approach to dramaturgy, Kane's works offer urgent insights into mental suffering that take us beyond traditional discourses of empathy and mental health and into a profound rethinking of theatre as a mode of thought. As such, her theatre can help us to understand debates about mental suffering today.