Spanning half a life, My Father's Garden tells the story of a young doctor--the unnamed narrator--as he negotiates love and sexuality, his need for companionship, and the burdens of memory and familial expectation. The opening section, 'Lover', finds him studying medicine in Jamshedpur. At college, he discovers an all-consuming passion for Samir, a junior, who possesses his body, mind and heart. Yet, on their last morning together, when he asks Samir to kiss him goodbye, his lover tells him, 'A kiss is only for someone special.' In 'Friend', the young doctor, escaping heartbreak, finds relief in Pakur where he strikes up an unusual friendship with Bada Babu, the head clerk of the hospital where he is posted. In Bada Babu's house, they indulge a shared love for drink, delicious food and convivial company. But when government bulldozers arrive to tear down the neighbourhood, and Bada Babu's house, the young doctor uncovers a sordid tale of apathy and exploitation--and a side to his new friend that leaves him disillusioned. And in 'Father', unable, ultimately, to flee the pain, the young doctor takes refuge in his parents' home in Ghatsila. As he heals, he reflects on his father--once a vital man who had phenomenal success at work and in Adivasi politics, then an equally precipitous downfall--and wonders if his obsessive gardening has anything to do with the choices his son has made. Written with deep empathy and searing emotional intensity, and in the clear, unaffected prose that is the hallmark of Hansda Sowvendra Shekhar's style, My Father's Garden marks a major talent of Indian fiction writing at the top of his form.

Rupi birthed her eldest son squatting in the middle of a paddy field, shin-deep in mud and slush. Soon after, Gurubari, her rival in love, gave her an illness that was like the alakjari vine which engulfs the tallest, greenest trees of the forest and sucks their hearts out. Now Rupi, once the strongest woman in her village, lives out her days on a cot in the backyard, and her life dissolves into incomprehensible ruin around her. The Mysterious Ailment of Rupi Baskey is the story of the Baskeys the patriarch Somai; his alcoholic, irrepressible daughter Putki; Khorda, Putki s devout, upright husband, and their sons Sido and Doso; and Sido s wife Rupi. Equally, the novel is about Kadamdihi, the Santhal village in Jharkhand in which the Baskeys live. For it is in full view of the village that the various large and small dramas of the Baskeys s lives play out, even as the village cheers them on, finds fault with them, prays for them and, most of all, enjoys the spectacle they provide. An astonishingly assured and original debut, The Mysterious Ailment of Rupi Baskey brings to vivid life a village, its people, and the gods good and bad who influence them. Through their intersecting lives, it explores the age-old notions of good and evil and the murky ways in which the heart and the mind work.

Description Fifteen-year-old April lives in Imphal valley and has grown up learning to save herself from tear-gas shells and hearing stories about children disappearing. But when her best friend Henthoiba goes missing, she is determined to find him. April finds an unlikely ally in Shalini Gupta, her new schoolmate and the daughter of an army man recently posted in Imphal. With no real leads except for a bag with some of Henthoiba's belongings and sharp deduction and combat skills, the two set out to find him. As they get sucked into the investigation, they stumble upon a dangerous, unknown world-where children disappear and are trafficked and trained to be soldiers. A world where drugs, arms and gold are peddled across borders. Was Henthoiba abducted because he knew too much about this world? What awaits Shalini and April at the floating island on Loktak Lake where Henthoiba was last seen? Unflinching, tender and action-packed, Children of the Hidden Land is a story about two girls who overcome their prejudices to question their existing ideas about nation, friendship and ambition. Above all, it is a story of hope and courage.

Nirip on the cusp of fifty is not happy with his life. His father is an ogre and his mother a witch. He is not happy with that either. His sort of half-sister is a sort of half-man. A really close relative turns out to be a serial killer. He is not happy sleeping with his chauffeur's wife. Neither is she. Then, for his amusement, his father arranges a cricket match between rival dacoit teams in which some of the players are shot dead. Who could be happy in such circumstances? Days before his fiftieth birthday, with Nirip still wondering whether he should go ahead and have himself kidnapped so that he can make some money, he discovers, most unexpectedly, that he is not the biological child of his parents. Witty, macabre, sad, cruel, unforgivingly insightful, Fairy Tales at Fifty is part adventure tale, part nightmare, part acid trip---and throughout a triumph of fiction.

The Menagerie trilogy comes to a fantastic conclusion in Krakens and Lies, the third magical and mysterious adventure from Tui Sutherland (New York Times bestselling author of the Wings of Fire series) and Kari Sutherland. Young readers who love mythological creatures and series like Fablehaven, the Spiderwick Chronicles, and Spirit Animals won't want to miss the Menagerie. Someone has been sabotaging the Menagerie, and Logan and Zoe are on the case. But their troubles only get worse when the basilisk escapes its enclosure and the merpeople go on strike—leaving the kraken to its own devices. The race is on to solve the mystery and save the Menagerie in this riveting, action-packed finale!

Description The Chowtas ruled over Ullal and surrounding areas of coastal Karnataka. Many rulers in this dynasty were women, and at least two carried the name Rani Abbakka. They have gone down in history and folklore as fearsome warriors who fiercely defended their tiny kingdom, and repeatedly defeated the Portuguese. This is the story of Abbakka III. Abbakka grows up knowing she will rule over the kingdom one day-the one that was ruled by her grandmother Abbakka II and her mother Rani Tirumala Devi. Abbakka trains with all her heart in everything a queen needs to know, and never tires of hearing the tales of sea battles that her grandmother waged against the firangis. But Abbakka is also a young girl who loves adventure. She sets out on dangerous missions to track down spies on the seas. She accompanies her mother in a secret plan to outwit the Portuguese as they try to capture the kingdom's precious pepper crop. And then there is the handsome, mysterious boy from Mangalore, who she likes enormously... Steeped in the culture and history of the region, The Teenage Diary of Abbakka is the fictional diary of an unusual girl growing up during an exciting time-a girl who would eventually go to any lengths to protect and defend her kingdom.

Kohima, 2007. A young man has been gunned down in cold blood—the latest casualty in the conflict that has scarred the landscape and brutalized the people of Nagaland. Easterine Kire’s novel traces the story of one man’s life, from 1937 to the present day. The small incidents of Mose’s childhood, his family, the routines and rituals of traditional village life paint an evocative picture of a peaceful way of life, now long-vanished. The coming of a radio into Mose’s family’s house marks the beginning of the changes that would connect them to the wider world. They learn of partition, independence, a land called America. Mose and his friends become involved in the Naga struggle for Independence, and are caught in a maelstrom of violence that ends up ripping communities apart. The herb, bitter wormwood, was traditionally believed to keep bad spirits away. For the Nagas, facing violent struggle all around, it becomes a powerful talisman: “We sure could do with some of that old magic now.” Bitter Wormwood gives a poignant insight into the human cost behind the political headlines from one of India’s most beautiful and misunderstood regions. “Once opened [the book is] tough to close, so congenial are the leading characters and so riveting the events in their lives.” —Cairns Media Magazine Published by Zubaan.

This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.