An updated new edition of Ted Gioia's acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page. Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive guide to some of the most important jazz compositions, telling the story of more than 250 key jazz songs and providing a listening guide to more than 2,000 recordings. The fan who wants to know more about a tune heard at the club or on the radio will find this book indispensable. Musicians who play these songs night after night will find it to be a handy guide, as it outlines the standards' history and significance and tells how they have been performed by different generations of jazz artists. Students learning about jazz standards will find it to be a go-to reference work for these cornerstones of the repertoire. This book is a unique resource, a browser's companion, and an invaluable introduction to the art form.

Overcome by the death of his closest friend, Destiny Unsought, Timothy risks all in an abandoned pursuit through the mysterious mountains of Sanctum, the traditional home of the Mighty Ones and the resting place of the dead. There, with no hope of return, he finds the answer to the dark sea of his own soul and the destiny to which he was born. But first he must do what no other had done before him: cross back from death to life.

Even though the potential passage of the Equal Rights Amendment had cracked glass ceilings across the country, in 1978 jazz remained a boys’ club. Two Kansas City women, Carol Comer and Dianne Gregg, challenged that inequitable standard. With the support of jazz luminaries Marian McPartland and Leonard Feather, inaugural performances by Betty Carter, Mary Lou Williams, an unprecedented All-Star band of women, Toshiko Akiyoshi’s band, plus dozens of Kansas City musicians and volunteers, a casual conversation between two friends evolved into the annual Kansas City Women’s Jazz Festival (WJF). But with success came controversy. Anxious to satisfy fans of all jazz styles, WJF alienated some purists. The inclusion of male sidemen brought on protests. The egos of established, seasoned players unexpectedly clashed with those of newcomers. Undaunted, Comer, Gregg, and WJF’s ensemble of supporters continued the cause for eight years. They fought for equality not with speeches but with swing, without protest signs but with bebop. For the first book about this groundbreaking festival, Carolyn Glenn Brewer interviewed dozens of people and dove deeply into the archives. This book is an important testament to the ability of two friends to emphatically prove jazz genderless, thereby changing the course of jazz history.

Everyone in Christina’s circle of friends and relatives are surprised when she, a native Texan, marries David, a native Michigander. After he dies in a car accident, she and her three children move back to her hometown in Texas. They are faced with many physical, emotional, and spiritual trials as they adjust to their new life without David. During these trials, she and her family learn to rely on their faith, family, and friends and also realize that people and events are not always what they seem to be. Will Christina find peace and happiness again as she reacquaints herself with a high school crush? Will her children adjust to the different climate and strangeness of Texas? Will she truly learn to trust God who instructs her to “fear not”?

Back on Earth after his life-changing encounter with the people of the planet Arboretum, Timothy Martin learns of a developing crisis in the Galaxy. The Shadow is growing and threatens Earth’s nearest populated planet with oppression and malice. Responding to this threat, the Custodians of Arboretum find themselves in mortal danger. Timothy accepts a plea to come to their aid. But will he be able to make a difference? Can an answer be found to combat the Shadow? Will the black sea of Timothy’s inner world thwart his chance to save his friends?

Timothy Martin is a respected lecturer in Astronomy who has spent most of his life trying to put behind him the trauma of a childhood dominated by ‘visions’. But the visions have returned, more real than ever. Not only does see other places, but he is now able to step into them. When he becomes fixated on the star Delta Crucis in the Southern Cross constellation, he sees a vision of a world orbiting it and impulsively takes a step – two hundred and forty-five light years into space. HE did not expect to survive. Nor did he expect to land in the midst of an alien city. And he certainly did not expect to threaten the well-being of another world, one that he finds disturbingly – at peace. At stake is not only his own destiny, but that of an entire world.

Explosions, fires, break-ins, and terrorist attacks keep the residents of Alva, Texas, in a state of confusion and fear. Who are the perpetrators? Will justice be served? The Sanders family and their friends find themselves caught in the middle of investigations into these appalling activities. As they struggle with their fear and confusion, their faith will be tested. How can they be still, trust God, and fear not among all the chaos?

Unlike most jazz arranging books, which focus on the rudiments of arranging (transposition, ranges, notation, and so forth), this book deals with the real substance of arranging for small jazz ensembles, in addition to the rudiments. Rinzler devotes a chapter to each of the following arranging elements: intros, endings, accents/breaks/dynamics, time and tempo changes, style changes, form, rhythm section procedure, harmony and orchestration. Over a hundred musical examples demonstrate arranging techniques that apply to 147 jazz standards and modern compositions.

A threatening text, an empty bottle of heparin, a sick dog, and a missing property all lead Christina and the police chief of Alva, Texas, to conclude that the person they have locked up in Dallas is working with someone, or another individual is threatening the Sanders family. As threats escalate toward not only Christina’s family but also the residents of Alva, it becomes apparent that there are evil forces—human and spiritual—at work. When the first explosion rocks the town, the Sanders family and their friends are thrown into a life-and-death situation. As memories of the September 11 incident surface, fear grips the heart of the town, and the police chief feels compelled to call for outside help. During these trying times, Christina’s faith is strained. She knows God wants her to be fearless and trusting, but the human side of her has difficulty letting go, as the lives of her loved ones hang in the balance. Little does she realize that God has a few surprises in store for her and her family.