Addressing the issue of professional ethics in the field of psychotherapy, this volume uses classical vignettes and discussions to examine the complexities faced by a therapeutic clinician in dealing with patients. Either hypothetical, generic, or composite situations, the examples are designed to help clinicians better recognize and respond to the ethical issues they will likely encounter in the field.

For Enid Balint, the practice of analysis can be compared with the process of learning a language. "The analyst who can do this", she says, "will continue to learn with every patient who comes to him throughout his professional life". Enid Balint has been a training analyst of the British Psycho-Analytical Society since the 1960s. She founded the Institute of Marital Studies at the Tavistock Clinic in London, and with her husband, Michael Balint, developed the training method for doctors known as the "Balint group". She is a highly original and creative psychoanalyst whose work is related to that of Sandor Ferenczi, Michael Balint, John Rickman, Wilfred Bion, and Donald Winnicott. This important new book traces the evolution of her professional identity and gives the reader a wealth of insight into both the theory and technique of psychoanalysis. Balint shows a primary concern with the nature of analytic listening. She focuses on the understanding of pre-verbal and bodily processes, and the interface of the pre-verbal and verbal. Her central concept is that of "imaginative perception", without which, she claims, the world around us cannot be seen and felt as alive. She also elucidates a special type of "open communication" for analytic listening, and shows how technique can be a way of continual learning rather than acquiring specific skills and mechanisms. She emphasizes participant observation and the crucial importance of mutual concern. Numerous case studies bring her ideas to life and demonstrate the subtlety and flexibility with which she uses herself, and lets herself be made use of, as a psychoanalyst. In the final chapter of the book - a verbatim account of an interview withJuliet Mitchell - Balint describes how she learns from her own patients and shows how the analyst can work in various settings without losing touch with psychoanalytic method and theory. She also lets us see how many questions she still finds unanswered. Together with the introduction by Michael Parsons, the interview helps to place the work of Enid Balint into a broader historical, theoretical, and clinical context. Deeply felt but rigorously conceptualized, this jargon-free volume is compelling reading for all who are concerned with the problems and struggles of working in the field of human relations.

In 1956, Anne Sexton was admitted into a mental hospital for post-partum depression, where she met Dr. Martin Orne, a young psychiatrist who treated her for the next eight years. In that time Sexton would blossom into a world-famous poet, best known for her "confessional" poems dealing with personal subjects not often represented in poetry at that time: mental illness, depression, suicide, sex, abortion, women's bodies, and the ordinary lives of mothers and housewives. Orne audiotaped the last three years of her therapy to facilitate her ability to remember their sessions. The final six months of these tapes are the focus of this book. In An Accident of Hope, Dawn Skorczewski links the content of the therapy with poetry excerpts, offering a rare perspective on the artist's experience and creative process. We can see Sexton attempting to make sense of her life and therapy and to sustain her confidence as a major poet, while struggling with the impending loss of Orne, who was moving elsewhere. Skorczewski's study provides an intimate, in-depth view of the therapy of a psychologically tortured yet immensely creative woman, during a period of emerging feminism and cultural change. Tracing the mutual development of the poet and the therapist during their years together, the author explores the tension between the classical therapeutic setting as practiced in the early 1960s and contemporary relational and developmental concepts in psychoanalysis, just then beginning to emerge. An Accident of Hope also raises broader questions about the nature of healing in psychotherapy. The poet and therapist we encounter in these sessions present complex and conflicted images of the therapeutic and creative process. Orne, equal parts honesty and hesitancy, works to bolster Sexton's self-image and maintain that she is more than the sum of her poetry. Sexton, working against a tendency to hide from her most painful feelings, valiantly pushes to tell the truth in therapy, while her poems invite the readers to see another side of the story. Just as Orne kept the audiotapes so that one day they might help others who suffer, An Accident of Hope tells the story of a therapy but moves beyond it. By offering a glimpse into the past, the present is open for reappraisal, both of Sexton herself and the legacy of psychoanalytic treatment.

In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, so the author sees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective, the structure and functions of the skin can provide psychoanalysts and general readers with a fertile and practical metaphor. The author's concept of the Skin-ego is the answer to questions he regards as crucial to contemporary psychoanalysis: questions of topography which were left incomplete by Freud; the analysis of fantasies of the container as of the contained; issues of touch between mothers and babies; extending the concept of prohibitions within an Oedipal framework to those derived from a prohibition on touching; and questions pertaining to the representation of the body and to its psychoanalytic setting. This new translation of Le Moi-peau is based on the second and last (1995) edition.

Authenticity in the Psychoanalytic Encounter brings together Irma Brenman Pick’s original contributions to psychoanalytic technique. Working within the Kleinian tradition, she produces vivid clinical narratives that succeed in shedding a humane light on the struggles that patients – and, indeed, all of us – face in recognising, in an authentic way, our need for, and the contribution of, others in our lives. Brenman Pick is interested in the infantile antecedents of conflict in her patients, and the book demonstrates the attention needed to sense how these may be present in the patient’s clinical material. This involves an ability to understand the complex and sophisticated unconscious phantasies that are alive in the patient’s mind. She combines this with a creative clinical imagination that allows her to address these expertly in the here-and-now of the analytic encounter. A particular feature of this is the way Brenman Pick uses the analyst’s countertransference to bring in ways in which the struggle over authenticity also extends to the analyst. The focus on authenticity runs through the book and brings an interesting and original perspective to the topics discussed, which include adolescence, sexual identity, stealing and its relationship to the acknowledgement of dependency, the experience of uncertainty, concern for the object, destructiveness, creativity and the striving towards integration. These contributions will prove invaluable to psychoanalysts, psychotherapists and other mental health professionals interested in deepening their understanding of the complex relationships that can arise in the consulting room.

Dictionary of terms with definitions, historical relevance, and relation to other terms and concepts. Entries are explanatory, often lengthy, and contain references and cross references.

As culture changes, so do notions of the feminine. Today, women are exploring new gender identities, gender dynamics, and family configurations. They are questioning and redefining what it is to be feminine and expressing different attitudes toward motherhood. These issues have challenged classic psychoanalytic theory and practice. In this timely collection, a range of prominent psychoanalysts confront and explore their prejudices about changing notions of the feminine, and how it impacts their work. In a period of transition, these issues are present in the clinical material of female patients, and in the material of male patients who struggle in their complementary roles as partners and fathers. But how analysts listen and give meaning to clinical material is significantly affected by the analyst’s own prejudices, her implicit and explicit theories, as well as her subjective view of the world. Discussing topics such as the expression of power, the compatibility of assertiveness and ambition with the feminine, and the psychoanalytic impact of the spread of new reproductive techniques, this important and far-reaching book will be essential reading for any psychoanalyst or psychotherapist who wishes to engage actively with the sociocultural moment in which they work.

This is the first revised, expanded, and updated edition of Psychoanalytic Terms and Concepts since its third edition in 1990. It presents a scholarly exposition of English-language psychoanalytic terms and concepts, including those from all contemporary schools of theory and practice. Each entry starts with a brief definition that is followed by an explanation of the significance of the term/concept for psychoanalysis, its historical development, and the present-day controversies about best usage.

Explores the developments in technique in the practice of psychoanalysis today.

Drawing upon her broad knowledge and background in social theory, Chodorow argues that psychoanalysis gives an account of subjectivity that incorporates forms of wholeness and depth of experience, without which we cannot have a meaningful life.