Containing figures and descriptions of such plants as recommend themselves by their novelty, rarity, or history, or by the uses to which they are applied in the arts, in medicine, and in domestic œconomy; together with occasional botanical notices and information.

During the International Botanical Congress in Edinburgh, 1964, Mrs. 1. M. WEISBACH-J UNK of The Hague discussed a plan for preparation by her publishing company (Dr. W. Junk b.v.) of an international Handbook of Vegetation Science. She proposed a series that should give a comprehensive survey of the varied directions within this science, and their achievements to date as well as their objectives for the future. The challenge of such an enterprise, and its evident value for the further development of vegetation research, induced the undersigned after some consideration to accept the offer of the honorable but also burdensome task of General Editor. The decision was encouraged by a well formulated and detailed outline for the Handbook worked out by the Dutch phytosociolo gists J. J. BARKMAN and V. WESTHOFF. A circle of scholars from numerous countries was invited by the Dr. Junk Publishing Com pany to The Hague in January 1966 to draw up a list of editors and contributors for the parts of the Handbook. The outline and list have served since for the organization of the Handbook, with no need for major change. The different burdens of editors and authors have compelled quite different timings for completion of the individual sections.

Explores the geography, ecology, and antiquity of 'open ecosystems' which include grasslands, savannas, and shrublands.

This book begins with a lesson on the nature of botany and the process of classifying plants. It then discusses the development of plants from seeds, the reproduction processes in plants, the way plants make their food, and how plants get their water and nutrients and distribute them throughout the body of the plant. As students study these topics, they also learn about many different kinds of plants in creation and where they belong in the plant classification system. The activities and projects use easy-to-find household items and truly make the lessons come alive! They include making a "light hut" in which to grow plants, dissection of a bean seed, growing seeds in plastic bags to watch the germination process, making a leaf skeleton, observing how plants grow towards light, measuring transpiration, forcing bulbs to grow out of season, and forcing pine cones to open and close. We recommend that you spend the entire school year covering this book.

Botanical encounters in the rainforest: trees that walk, a leaf as big as an awning, a plant that dances. This Atlas invites the reader to tour the farthest reaches of the rainforest in search of exotic—poetic—plant life. Guided in these botanical encounters by Francis Hallé, who has spent forty years in pursuit of the strange and beautiful plant specimens of the rainforest, the reader discovers a plant with just one solitary, monumental leaf; an invasive hyacinth; a tree that walks; a parasitic laurel; and a dancing vine. Further explorations reveal the Rafflesia arnoldii, the biggest flower in the world, with a crown of stamens and pistils the color of rotten meat that exude the stench of garbage in the summer sun; underground trees with leaves that form a carpet on the ground above them; and the biggest tree in Africa, which can reach seventy meters (more tha 200 feet) in height, with a four-meter (about 13 feet) diameter. Hallé's drawings, many in color, provide a witty accompaniment. Like any good tour guide, Hallé tells stories to illustrate his facts. Readers learn about, among other things, Queen Victoria's rubber tree; legends of the moabi tree (for example, that powder from the bark confers invisibility); a flower that absorbs energy from a tree; plants that imitate other plants; a tree that rains; and a fern that clones itself. Hallé's drawings represent an investment in time that returns a dividend of wonder more satisfying than the ephemeral thrill afforded by the photograph. The Atlas of Poetic Botany allows us to be amazed by forms of life that seem as strange as visitors from another planet.