Offers a new interpretation of Butler's theology and suggests that exploration of his methods may contribute to modern thinking about ethics, language, the Church as well as religion and science.

Over 1700 of Skibinski's line drawings present a visual approach to the identification of antique furnishings. The book is arranged in chronological sequences (17th century through the early 20th century) by type of furniture, from tables and settees to desks and bookcases. Butler and Johnson have included some important information for the novice and the experienced collector: the sources of furniture used as models for the illustrations; lists of museums, art galleries, and special displays of outstanding collections of furniture; a selected bibliography and a glossary; the anatomy of a piece of furniture; and a brief history of the periods of furniture and furniture makers. Highly recommended for public libraries and other subject collections.

Joseph Butler's The Analogy of Religion (1736) is an important work in terms of its historical influence and its contemporary relevance. In it, Butler defends Christian belief against many well-known objections: for instance, that the evidence for Christianity is weak; that it is impossible to believe in miracles; that if God existed he would have revealed himself clearly to everyone. The problems Butler discusses are current in contemporary philosophy of religion, but his answers are often ignored, or given short shrift. Butler argues that by examining this world we have reason to believe its Creator is both benevolent and just; that virtue will be rewarded and vice punished. Even if we have doubts, we would be well advised to take Christianity seriously, given what is at stake. The work includes seminal discussions of life after death, personal identity, and the structure of our ethical thought. In addition to extensive notes, David McNaughton's edition includes a detailed synopsis, a selection from the correspondence between Butler and Samuel Clarke, and an oveview of philosophical influences on Butler's thought.

"Joe Orton's last play, What the Butler Saw, will live to be accepted as a comedy classic of English literature" (Sunday Telegraph) The chase is on in this breakneck comedy of licensed insanity, from the moment when Dr Prentice, a psychoanalyst interviewing a prospective secretary, instructs her to undress. The plot of What the Butler Saw contains enough twists and turns, mishaps and changes of fortune, coincidences and lunatic logic to furnish three or four conventional comedies. But however the six characters in search of a plot lose the thread of the action - their wits or their clothes - their verbal self-possession never deserts them. Hailed as a modern comedy every bit as good as Wilde's The Importance of Being Earnest, Orton's play is regularly produced, read and studied. What the Butler Saw was Orton's final play."He is the Oscar Wilde of Welfare State gentility" (Observer)

His contemporaries called him Wild Bill, and newspapermen and others made him a legend in his own time. Among western characters only General George Armstrong Custer and Buffalo Bill Cody are as readily recognized by the general public. In writing this biography, Joseph G. Rosa has expressed the hope that "Hickok emerges as a man and not a legend." For this comprehensive revision of his earlier biography of Wild Bill the author was allowed to work from newly available materials in the possession of the Hickok family. He also discovered new material pertaining to Wild Bill’s Civil War exploits and his service as a marshal and found the pardon file of his murderer, John McCall. Additional, rare photographs of Wild Bill are published here for the first time. The results of Rosa’s additional research make this second edition the best biography of Wild Bill likely to be written for years to come.

Author describes candlemaking methods, and shows examples of holders for each major style period.