"Gulliver's travels purports to be a travel book. It is a blend of fantasy and realism and describes the shipwrecked Gulliver's encounters with the inhabitants of four places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms"--Provided bypublisher.

Gulliver's Travels by Jonathan Swift is one of the greatest satirical works ever written. Through the misadventures of Lemuel Gulliver, his hopelessly "modern" protagonist, Swift exposes many of the follies of the English Enlightenment, from its worship of science to its neglect of traditional philosophy and theology. In Swift's eighteenth century, as in our twenty-first, a war being fought between the "ancients"and the "moderns", between those rooted in the traditions of the West and those seeking to uproot tradition to make way for dangerous and ultimatcly destructive new ideas. Swift's satire on the threats posed by the Enlightenment and the embryonic spirit of secular fundamentalism makes Gulliver's Travels priceless reading for today's defenders of tradition. Yet Swift's subtlety has bemused many modern critics, with the lamentable of result that this classic of western civilization is often misread and misunderstood. This new critical edition, edited by Dutton kearney of Aquinas College in Nashville, contains detailed notes to the text, bringing it to life for today's reader, and a selection of tradition-oriented essays by some of the finest contemporay Swift scholars. The Ignatius Critical Editions Series represents a tradition-oriented approach to reading the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series concentrates on critical examinations informed by our Judco-Christian heritage as passed down through the ages---the same heritage that provided the crucible in which the great authors formed these classic works. Edited by acclaimed literary biographer Joseph Pearce, the lgnatius Critical Editions ensure that readings of the works are filtered through the richness of Western tradition, meeting the authors in their clement, instead of the currently popular method of deconstructing a classic to fit a modern mindsct---a lamentable flaw that often proliferates in other series of critical editions. The Series is ideal for anyone wishing to understand the great works of Western Civilization, enabling the modern reader to enjoy these classics in the company of some of the finest literature professors alive today.

The voyages of an Englishman carry him to such strange places of Lilliput, a land of people six inches high, Brobdingnag, a land of giants, and Glubbdubdrib, an island of sorcerers.

Presents a collection of essays analyzing Jonathan Swift's Gulliver's travels, including a chronology of the author's works and life.

.0000000000Jonathan Swift's masterpiece is the finest satire in the English language. Lemuel Gulliver's adventures with the tiny inhabitants of Lilliput and the giants of Brobdingnag are familiar from modern abridged adaptations, but the scientists and philosophers of Laputa, the intelligent, horselike Houyhnhnms and the bestial Yahoos provide further opportunities for Swift to satirise society in a manner just as relevant today as it was in the eighteenth century.lllustrated by by Arthur Rackham, with an Afterword by Henry Hitchings.

"The author of these Travels, Mr. Lemuel Gulliver, is my ancient and intimate friend; there is likewise some relation between us on the mother's side. About three years ago, Mr. Gulliver growing weary of the concourse of curious people coming to him at his house in Redriff, made a small purchase of land, with a convenient house, near Newark, in Nottinghamshire, his native country; where he now lives retired, yet in good esteem among his neighbours." "Gulliver's Travels" by Jonathan Swift is a brilliant political satire and a classic of world literature.

Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.